William Sanderson Paintings

Unidentifiable signature "Victorians" c. 1960s Oil impasto paint on canvas 17.5"x60" black period wood frame 18.25"x61.25" Signed in paint lower right

"Plum Door Shack" is an oil on panel painting by Setauket based artist Doug Reina. This painting depicts a beach shack with an light purple door. Behind the shack is a sandy beach wi...

Landscape, 1940, oil on canvas, 24 x 20 inches, signed, dated and titled verso: “Marcel Cailliet ’40 – S.C.” and “Marcel Cailliet Landscape”; likely exhibited at the annual juried st...

"The Lone Boat" is an oil painting by American artist, Kelly Carmody. A contemporary seascape of a single sailboat resting upon a still body of water at a special time of day, either...

Sally Michel Avery (1902 - 2003) Bucolic Landscape with Cows, 1963 Oil on canvasboard 9 x 12 inches Signed and dated lower left Provenance: The art...

Peck Slip, 1950, oil on cardboard, 15 x 20 inches, exhibition label verso reads: “Oil on cardboard, 20 x 15, 1950 / Title: Peck Slip / Price: $100 / Artist and Owner: Fiske Boyd / 30...

This work is part of our exhibition America Coast to Coast: Artists of the 1940s Untitled (Farm in Winter), 1940s, oil on canvas, signed lower right, 26 x 30 inches, presented in an original frame Julius Delbos...

Six O-Clock, c. 1942, oil on canvas, 30 x 20 inches, signed and titled several times verso of frame and stretcher (perhaps by another hand), marked “Rehn” several times on frame (for the Frank K. M. Rehn Galleries in New York City, who represented Craig at the time); Exhibited: 1) 18th Biennial Exhibition of Contemporary American Oil Paintings from March 21 to May 2, 1943 at The Corcoran Gallery of Art in Washington, D.C. #87, original price $450 (per catalog) (exhibition label verso), 2) Craig’s one-man show at the Frank K. M. Rehn Galleries, New York City, from October 26 to November 14, 1942, #10 (original price listed as $350); and 3) Exhibition of thirty paintings sponsored by the Harrisburg Art Association at the State Museum of Pennsylvania in Harrisburg in March, 1944 (concerning this exhibit, Penelope Redd of The Evening News (Harrisburg, Pennsylvania) wrote: “Other paintings that have overtones of superrealism inherent in the subjects include Tom Craig’s California nocturne, ‘Six O’Clock,’ two figures moving through the twilight . . . .” March 6, 1944, p. 13); another label verso from The Museum of Art of Toledo (Ohio): original frame: Provenance includes George Stern Gallery, Los Angeles, CA About the Painting Long before Chris Burden’s iconic installation outside of the Los Angeles County Museum of Art, Urban Light, another artist, Tom Craig, made Southern California streetlights the subject of one of his early 1940s paintings. Consisting of dozens of recycled streetlights from the 1920s and 1930s forming a classical colonnade at the museum’s entrance, Burden’s Urban Light has become a symbol of Los Angeles. For Burden, the streetlights represent what constitutes an advanced society, something “safe after dark and beautiful to behold.” It seems that Craig is playing on the same theme in Six O-Clock. Although we see two hunched figures trudging along the sidewalk at the end of a long day, the real stars of this painting are the streetlights which brighten the twilight and silhouette another iconic symbol of Los Angeles, the palm trees in the distance. Mountains in the background and the distant view of a suburban neighborhood join the streetlights and palm trees as classic subject matter for a California Scene painting, but Craig gives us a twist by depicting the scene not as a sun-drenched natural expanse. Rather, Craig uses thin layers of oil paint, mimicking the watercolor technique for which he is most famous, to show us the twinkling beauty of manmade light and the safety it affords. Although Southern California is a land of natural wonders, the interventions of humanity are already everywhere in Los Angeles and as one critic noted, the resulting painting has an air of “superrealism.” About the Artist Thomas Theodore Craig was a well-known fixture in the Southern California art scene. He was born in Upland California. Craig graduated with a degree in botany from Pomona College and studied painting at Pamona and the Chouinard Art School with Stanton MacDonald-Wright and Barse Miller among others. He became close friends with fellow artist Milford Zornes...

Striking regionalist painting by American/Hungarian artist Charles Harsanyi. Autumn Colors in Stephenstown NY. 15" x 20" Oil on board with bold brushwork housed in a 19.25 x 24.25 wh...

Georgina Klitgaard (1893 - 1976) Buttermilk Bay, Cape Cod, Massachusetts, 1933 Oil on canvas 18 x 30 inches Signed lower right Provenance: Frank K. M. Rehn Galleries, New York Harold Ordway Rugg Private Collection, Western New York Georgina Berrian was born in Spuyten Duyvil, New York in 1893. She was educated at Barnard College...

Dorothy Rivo Untitled (Mediterranean Village), c. 1960s–70s Oil on canvas Framed dimensions: 24 in. H × 36 in. W Presented in a contemporary white floater frame In Untitled (Mediter...

Jersey Shore III Casein on Masonite, 1967 Signed lower right (see photo) Initialed, dated and titled verso Provenance: Estate of the artist Virginia Dehn (the artist's widow) Dehn Qu...