William Stephen Coleman Wall Decorations

A girl wearing a traditional German costume is carrying a rooster in a basket. The German painter Heinrich Ewers was born in Wismar 1817 and died in Duesseldorf...

This is a beautiful English antique oil on canvas painting "Near Llantwest, North Wales" by William Langley (English, 1852-1922), signed lower left and inscribed to verso. The decor...

This 19th-century oil on mahogany board titled 'The Cut Finger' by William Hemsley, R.B.A., depicts a familial pairing in a cottage home. The girl tends to the eponymous cut with a white cloth pressed on the boy's finger. A dim light is cast from the window to the left, illuminating a cut loaf of bread, a knife, and simple stoneware to set the scene. The girl sits in a wooden chair wearing a salmon-colored blouse, while the young boy is dressed in a golden overshirt. William Hemsley, R.B.A., (1819-1906) was a prolific draughtsman and painter of genre scenes depicting English provincial life. Hemsley’s scenes of everyday reality, which were usually painted on a small scale, follow the gentle tradition of Webster and F. D. Hardy. He was, like them, fond of painting children at play. Many of his works depicted rustic domestic scenes, leading to him being described as "pre-eminently the painter of cottage life". He was also a member of the Society of British Artists. He exhibited frequently in London, particularly at the Royal Academy and the Suffolk Street Gallery. This gentle painting faithfully represents a moment between two people caring for one another. Hemsley painted in a style reminiscent of earlier golden-age Dutch genre painting, using light and color in a vibrant but elegant manner—signature on the lower left-hand corner. In the 19th century, it was common to paint on wood due to its durability, smooth surface, and long-standing tradition. Wood panels were preferred for their sturdiness and versatility, suitable for detailed artworks and various shapes and sizes. While wood was popular, especially for smaller works, canvas started gaining popularity later in the century for its lighter weight and ease of use. This rustic genre scene resides in an ornate Louis XIV Régence style convex frame with foliate shell cartouche corners, strap work, and c-scrolls on a cross-hatched ground with white pigment dispersed throughout. In the early 18th century the Louis XIV styles blended into the Régence frame style (c.1715-1723) which placed greater emphasis on the corners and centers. The full Regency style was both opulent and delicate, with the order and linearity of this period giving way to the swirling delicacy of the Rococo. This painting would be a wonderful addition to a home office, entryway, or library...

This is a charming barn scene of a mother hen defending her chicks against a pair of small dogs derives its inspiration from the famous Dutch/Belgium animal painter Henriett Ronner-Knip (1821-1909). The fluffy little white guy is quite adventurous when considering the ferocity of the mother hen; while the little black dog is happy to hide behind his friend. This painting is in the tradition of Victorian dog...

Charming 19th century early impressionist English landscape of boats docked in a pond in the foreground with a gentleman standing along the bank, and Provençal buildings and a Victor...

19th Century oil on canvas painting by William Shayer Sr. (1787-1879), titled ‘The Wayside Chat’. The painting is signed at bottom right corner and dated circa 1830. Shayer Sr. was p...

19th Century oil on canvas animal scene of a resting dog alongside a monkey grasping a bone. Housed in a carved giltwood frame this painting is by the art...

A beautiful waterscape painting " A view on the Amstel " by William Raymond Dommersen (British, 1859-1927) Signed, Signed with initials, and Inscribed on reverse, late 19th Century in date. The painting has a captivating illuminating light with beautiful vibrant colours, it depicta a busy waterway with fishing and sailing boats in the foreground and the town of Amsterdam in the back ground. William Raymond Dommersen was a painter of genre and landscapes in and around Scotland and Northern England. His works are widely exhibited throughout the European and North American continents and are on show at many galleries worldwide. William travelled quite extensively in Europe on painting expeditions with his father Dommersen’s paintings have been much admired over a period of time and it is evident that he is now firmly established in the history of architectural painting as is refelected in the auction prices at Christies: Nineth century European Art: 12 September 2007, London South Kensington, Lot 29 £4,750 The Arthur Ackermann and Peter Johnson Collection: 8 May 2008, London, South Kensington, Lot 42, £4,000 Old Masters and 19th Century Art 9 November 2010, Amsterdam, Lot 110 £5,250 Nineth century European Art: 28 April 2010, London South Kensington, Lot 221 £5,250 Condition: In really superb condition the painting and frame having been beautifully cleaned, please see photos for confirmation. Dimensions in cm: Height 59 x Width 50 x Depth 7 - Frame Height 34 x Width 44 x Depth 7 - Canvas Dimensions in inches: Height 1 foot, 11 inches x Width 1 foot, 8 inches x Depth 3 inches - Frame Height 1 foot, 1 inch x Width 1 foot, 5 inches x Depth 3 inches - Canvas William Raymond Dommersen was born at the end of 1859 in Stratford, West Ham, London as the only son of the Anglo / Dutch fine art painter Pieter Cornelis Dommersen and Anna Petronella Synja. His parents had moved from the Netherlands in 1855 to London, England. His uncle, Cornelis Christiaan Dommersen, was also a painter in the Netherlands. It is possible that when his father received British nationality that they changed their family name – van Dommershuijsen – into the more English sounding surname Dommersen. Dommersen painted between 1875 and 1927 genre pieces, landscapes, marine scenes, village- and town-scenes of quality. His best known works are the European villages and towns along rivers and canals...

A magnificent pair of Scottish cattle highland scenes by Henry Garland in modern gilt frames... Artist: Henry Garland (1834-1913), British Title: "Grazing Ground In The Highlands" Medium: Oil On Canvas Signed: Both Paintings (Lower Left) Dimension: Canvas: H: 29 in / 73.7 cm ; W: 49 in / 124.5 cm Framed: H: 38 1/4 in / 97 cm W: 58 in / 147.5 cm ; D: 3 1/4 in / 8.5 cm Artists Biography: Born in Hadlow, Kent in 1834, he died at Leatherhead, Surrey in 1913, aged 78. He was trained at the Royal Academy of Arts during 1853 -57 where he won the medal for 'The best drawing from the Life' in both 1854 and 1857. He actively exhibited between 1854 and 1890. He had 30 paintings exhibited at the Royal Academy and specialised in Highland Cattle and general genre paintings. He was also an accomplished portrait painter. He has paintings in the permanent exhibitions at Sunderland, York and Leicester Art Galleries and also in the Long Room at Lords Cricket...

Pair 19th Century Derby Porcelain Plaques with portraits by William Corden (1797 - 1867), both signed and dated (1828) on the reverse. The identity of the sitters has not yet been es...

Oil on panel measuring 21" x 24.5" including the frame. The painting is signed in the lower right corner, but we cannot attribute the signature. The scene is a lively naval battl...

19th century miniature Swiss oil painting on tin depicting the Legend of William Tell. Showing William Tell on bent knee aiming the crossbow at hi...