Winold Reiss Wall Decorations

1960s Mexico Modernism Vintage Abstract Oil Painting signed initials K A in the lower righthand corner. Oil on plywood 25.25 w x 32.5 x 1 d frame is .5 thick facing front Original vi...

An amazing depiction of a classical male figure done completely of collage of various torn papers. In a deep, highly carved frame with a grey ta...

"Dogs I Know" is a collection of dog portraits painted reverse on the back of a vintage glass window. Each pets name is inscribed on the front of...

Large captivating abstract abstract mixed on board, showcasing a stunning fusion of metal, shells, plaster and paint in a mesmerizing 3D relief. The bottom half of the artwork is ado...

This collage style painting displays great contrasts in color and composition and the French newspaper clippings only add to it's interest.

Adja Yunkers (1900–1983) was an abstract painter and printmaker. Born in Latvia Yunkers lived and studied extensively in Leningrad, Berlin, Paris, and London. He lived in Paris for 1...

Beautifully executed, this large size work of art on canvas by Tom Marchin is made of paint and paper cut pieces. Rich in color and texture!

This untitled piece is a collage of newspaper clippings, ink and paint to form an abstract and one of a kind piece of art. Framed in a bright orange wood frame with mat. Please confi...

Artwork Sitft Klosterneuburg painted by Max Kahrer 1919 Classical Modernism oil on canvas signed Max Kahrer studied at the Vienna Akademy of fina arts un...

Winold Reiss - Will Not Be Classified April 12- May 25 2018. New York: Hirschl & Adler Galleries, 2018. 1st Ed paperback. 32 pp. 16 color plates + 11 color illu...

Luminous Modernism: Scandinavian Art Comes to America: A Centennial Retrospective 1912-2012 Charlotte Linvald, Janet Rauscher, Leth Ritzau, and Patricia and Edward Gallagher. The American-Scandinavian Foundation 2011. 1st Ed softcover. Published to commemorate the centennial of The American-Scandinavian Foundation, Luminous Modernism accompanies the exhibition at Scandinavia House: The Nordic Center in America that sought to reflect on and update the Foundation's first-ever exhibition, the highly influential Exhibition of Contemporary Scandinavian Art, held in 1912-1913. The original exhibition comprised 150 works by many of the leading artists working in Denmark, Norway and Sweden at the turn of the 20th c. Luminous Modernism brings together 48 works by Harriet Backer, Richard Bergh, Akseli Gallen-Kallela, Vilhelm Hammershøi...

Industrial Sublime: Modernism and the Transformation of New York's Rivers, 1900-1940 by Kristen M. Jensen, Bartholomew F. Bland, Katherine E. Manthorne, Wendy Greenhouse, and Ellen E. Roberts. Fordham University Press, 2013. 1st Ed softcover. Co-published with the Hudson River Museum, Yonkers. The exhibition ran from October 12, 2013, through January 17, 2014. It was not until the first decade of the 20th century, as artists like Robert Henri and John Sloan turned their attention to the urban scene, that American art shifted its focus from bucolic landscapes to the cities, the towns, the crowds, especially the raucous urban scene of Manhattan, by then the nation's most important city. This movement away from painting the land to painting the life on the street is often seen as a clean break with the depiction of the landscape, and with landscape painting generally as a mainstay of American art in the face of European Modernism. However, artists continued to paint the Hudson River, as well as its tributaries, the Harlem and East rivers, and the great harbor of New York City. What was different was their approach. Giving way the romantic ideals of earlier painters, artists like Henri and Sloan, and later, Georgia O'Keeffe, George Ault, Edward Hopper, and Preston Dickinson...