Wishon-Harrell Ceramics

Stunning hand painted ceramic by Roberto Rigon 1970. Probably made for olive oil or vinegar to use on the Italians dinner tables of the period.  

Handbuilt organic modern vase made from a groggy clay body covered in a matte black glaze with layers of glossy and crawling black glaze on top. Each vase is made by hand in our Broo...

A charming ceramic pot by Weller, signed on the bottom, with handles. Beautiful decoration and yellow glaze.

Ceramic vase by Gertrud Lonegren in golden glaze and a highly textured surface. Measures: Diameter 21 cm Height 21.5 cm Lonegren studied in Vienna and Stockholm during the 1920s, ...

Ceramic vase by Roger Capron, France, 1960s.

Ceramic pedestal vase by Gustave Reynaud Le Murier. Floral and anthropomorphic decoration typical of the work of the artist's time. Flower signature of the artist for Le Murier und...

A Touch of French Mid-Century Modern Charm: Accolay Ceramic Pitcher Vase This beautiful mid-century modern pitcher vase, crafted by the renowned French pottery makers Accolay, embod...

Beautiful ceramic bottle vase decorated with circles. Manufactured by Dümler and Breiden. Germany, 1950s. This elegant pottery vase in brown and gr...

Beautiful vase by Gualdo Dolci also signed Rappallo a place in Italy famous for their beautiful ceramics in 1950s.    

Italian Mid-Century Modern Glaze ceramic red vase by Bitossi 1960s. Stamp on the bottom made in Italy, original ceramic in typical Bitossi red colour.

Ceramic vase model by Anna-Lisa Thomson, 1940s. Produced at Upsala Ekeby, 1940s.

A potter and painter, Albert Green (1914 - 1994) earned an international reputation for his ceramics, stoneware, and canvases. A graduate of the University of Pennsylvania, he studied painting at the Art Students League in New York City, supporting himself with retail jobs selling men’s clothing. But in 1946 a chance encounter with a display of contemporary Japanese pottery inspired him on the spot to switch from painting to pottery. Green learned pottery techniques through engineering manuals and applied his knowledge of college chemistry to teach himself glazing. ​“In those days I looked at pots constantly,” he said. ​“I’d travel 100 miles to look at a good pot. I simply taught myself.” He took his painting skills and applied them to his clay works, creating pieces that critics praised for their painterly qualities and subtle sense of color. In 1976, he retired from the retail clothing...