Clyde Burt Ceramics

Clyde Burt ceramic vase in glazed stoneware multicolored glaze. Signed to underside: [CB]. American, circa 1965.

Clyde Burt ceramic charger in glazed stoneware with incised image. Signature to underside: [CB]. American, c. 1965

Clyde Burt vase, striped graduated tones vase. "Signed underside CB".

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School...

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...

Clyde Burt ceramic charger in glazed stoneware with incised image. Signature to underside: [CB]. American, circa 1965

Clyde Burt ceramic charger in glazed stoneware. Signature to underside: [CB]. American, circa 1965.

Clyde Burt ceramic vase in glazed stoneware with abstract multicolored glaze. Signed to underside: [CB]. American, circa 1965.

Clyde Burt ceramic platter glazed stoneware with incised, abstract details. Signed to underside: [CB]. American, circa 1965.

Clyde Burt ceramic charger in glazed stoneware with incised image. Signature to underside: [CB]. American, circa 1965.

Clyde Burt stylized face vase in glazed stoneware with manipulated and applied facial details. Signed to underside: [CB]. American, circa 1965.

Clyde Burt Ceramic Motif Bowl in glazed stoneware with hand incised abstract pattern. Signed to underside: [CB]. American, circa 1965.

Clyde Burt ceramic decorative bowl in glazed stoneware with incised, abstract details on the outer exterior. Signed to underside: [CB]. American, circa 1965.

Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...