Witold Gordon Paintings

Striking and handsome, this depiction of a Bedouin in his traditional robe has the color and intensity one would associate with the fierce sun and heat of North Africa. The painting ...

Large and dynamic, this 1947-vintage painting depicts a shirtless man handling a high-spirited Percheron horse that won a blue ribbon at the Indiana st...

A rare 19th-century painting of the Horsefair at the Grassmarket, Edinburgh, Scotland Follower of Rosa Bonheur, oil on canvas indistinctive collector wax seals verso. 19th-Century...

A whimsical yet sentimental scene by Yoshi Ueda with bright colors. It sits in a simple black wood frame. This is an early work of Yoshihiro "Yoshi" Ueda, a Japanese visual artist who went on to garner significant credits as a director for many globally renowned anime series such as Dragon Ball Z...

Oil on canvas, signed lower right. Dimensions listed include the frame. Featuring sailboats off the coast on a beautiful day for a sail. Brereton was born in Derby in 1954. He rece...

Watercolor of Gloucester harbor scene by listed American Artist Gordon Grant (framed and under glass)...Soho location.

Antique Vanity Fair Print 'The Jockey Club' Frederick Barne – 1882 This is an original Vanity Fair lithograph dated August 5, 1882, titled "The Jockey Club," featuring Frederick Barne. Illustrated by Leslie Ward, known as "Spy," this caricature portrays Barne, a prominent member of the esteemed Jockey Club, dressed in a fur coat and top hat while mounted on a horse. With a cigar in his mouth and reins in hand, Barne exudes the confidence and prestige associated with his status in the world of British horse racing...

WWII, how are you? Private Theater: Gay American Soldier in Reflection, Original WWII-Era Gouache, Signed CSG A highly nuanced, emotionally layered, and visually accomplished original painting in gouache and watercolor on Whatman drawing board, signed CSG lower right. This rare mid-20th-century work portrays a seated U.S. Army Air Forces officer—smiling faintly, cigarette in hand, and with a small black-bound diary resting on his lap—lost in reverie as smoke from his cigarette rises and transforms into the visages of three idealized male figures. Rendered in an illustrative realist style with tonal sensitivity and surreal suggestion, the composition invites interpretation as an interior portrait of desire, intimacy, and memory—quietly coded, emotionally sincere, and possibly autobiographical. The figure wears a regulation-issue A-2 leather flight jacket, iconic of U.S. Army Air Forces personnel during WWII. The jacket is detailed with a personalized, hand-painted circular patch depicting a lion rampant in a blue roundel—a heraldic symbol of power, pride, and possibly self-invention. An American flag patch is affixed to the left shoulder. The jacket, traditionally worn by bomber crews, officers, and pilots, functions here not only as a marker of military identity but as a gendered and cultural signifier—suggesting the complex intersection of duty, masculinity, and private identity. The slightly open collar, relaxed posture, and cigarette suggest the officer is off-duty—physically grounded but mentally elsewhere. The seated figure’s companions—summoned in smoke—appear above and behind him in a dreamlike procession: a helmeted infantryman, a pilot in goggles, and a hat-wearing civilian (?) man posed in pin-up style. Each face is rendered with tenderness and idealization, not as ghosts or casualties, but as romantic or erotic conquests: remembered lovers, fleeting encounters, or imagined partners. Their expressions, softly lit and emotionally present, reflect a form of desire neither tormented nor tragic. This is not a meditation on loss but on intimacy remembered, perhaps treasured. On the table beside him rests a small bronze Buddha...

France, 1920s Art Deco Gouache on paper Stylized portrait of a woman in profile on geometric background in grey, black and cream tones. 20 x 16 framed.

Pastel gouache of a steam yacht underway flying the New York Yacht Club burgee and Commodore’s flag. Matted and framed, circa 1925. Overall dimensions: 25 1/2" H x 37 1/2"...

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Oil on canvas portrait in giltwood frame, signed Gordon Coutts (b.1868-d.1937.) Born in Glasgow, Scotland on Oct. 3, 1868, Gordon Coutts studied art in Glasgow, London and in Pari...