Yifang Liu

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...

"Harvest Season" by Alexander Volkov is an original oil on canvas. The photorealistic painting beautifully captures a room full of empty baskets and barrels stacked around a wooden b...

In this piece, I sought to capture the delicate dance of light and shadow, the gentle caress of the blossoms, and the tranquility that comes from nature's beauty. As I chose my palet...

Hubert Glansdorff Brussels 1877 – 1963 Knokke Belgian Painter 'Roses in a Green Vase' Signature: signed lower left and dated 1941 'Glansdorff 41' Medium: oil on canvas Dimensions: image size 80 x 100 cm; frame size 107 x 127 cm Biography: Hubert Glansdorff was born in Ixelles, Belgium, in 1877. He was a Belgian figurative painter whose work encompassed genre scenes, seascapes, floral still lifes, female figures, nudes, and portraits. Over the course of his career, he developed a distinctive painterly language that combined academic training with a luminous, colour-rich sensibility. From an early age, Glansdorff showed a natural inclination toward pictorial expression. The picturesque aspects of life and landscape emerged organically in his work rather than as a calculated artistic choice. His visual world was shaped by instinct as much as by study, resulting in compositions that often feel immediate and atmospheric. He initially admired the Flemish Primitives, whose influence can be felt in his attention to structure and tonal harmony. However, Glansdorff gradually evolved toward a more personal form of Luminism, characterised by warm light effects, vibrant colour, and a heightened sensitivity to atmosphere. His palette became increasingly rich and expressive, particularly in his floral compositions for which he gained considerable recognition. Glansdorff studied at the Brussels Academy of Fine Arts, where he worked alongside and was influenced by artists such as Joseph Stallaert. During his formative years, he also developed friendships with contemporary artists including Joris De Bruyne, Alphonse Blomme, and Albert Alleman. He became a member of the Cercle Artistique et Littéraire de Bruxelles, an important artistic circle in the Belgian capital. In 1904, he exhibited at the Salon des Indépendants in Brussels, presenting works such as Armenian Fiddler. Later, in 1920, he participated in exhibitions at the Cercle Artistique et Littéraire, the Salle Studio, and the Salon d’Automne, alongside artists such as Pierre Abattucci, Firmin Baes...

A bright and inviting interior scene with a still life arrangement of lemons in a blue and white painted fruit bowl beside a green, leafy plant in a blue and white vase on a striped,...

Oil paint on canvas Doug Newton’s hyper-real oil paintings observe reality, explore translucency, reflections and luminosity, and dazzle the viewer with all the ways light can transf...

Oil paint and mixed on canvas, hand signed on the back Corine Lescop is a French-Canadian artist born in 1960 who lives & works in Wolowe-Saint-Lambert, Belgium. As visual artist in oil painting & calligraphy, Corine Lescop has been working on Chinese paper for almost 30 years. She uses Chinese...

Oil on canvas Andrea Vandoni is an Italian artist born in 1972 who lives and works in Novara, Italy. The artist studied and trained at the School of the Archaeologists and the Schoo...

Bartosz Kolata was born in Torun, Poland in 1979. In 2006 he graduated in Art Conservation and Restoration from Nicolas Copernicus University UMK, securing a Master of Art degree. He...

This is an oil painting done observed from life painted by a new mother of a few toys in a straw basket. Known for painting fantastical, sometimes self-reflective narrative scenes...

French Expressionist Still Life, oil on canvas by Jean Marie Gouttin. The painting is signed bottom left and presented in a fine carved wood and gilt frame. An intriguing compositio...

Zygmund Jankowski (1925–2009) painted traditional subjects with exuberant irreverence for traditional rules of color, composition, and perspective. He disparaged imitation and deligh...