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Yozo Hamaguchi Art

Japanese, 1909-2000
Yozo Hamaguchi, printmaker, was born in Wakayama, Japan in 1909, the son of Gihei, who was the tenth president of the soy sauce producer Yamasa Shoyu. Originally considered to be the next in line to take over the company, Hamaguchi was instead drawn to visual arts, inspired by the works that his father, a Nanga painting collector, kept throughout the house. In 1927 Hamaguchi left the family business to enroll in the Tokyo Art School, training in sculpture. He left the school in 1930 and moved to France on the advice of artist Umehara Ryuzaburo, opting to study modern Western art and the techniques of oil painting, printmaking, and watercolor. He lived there until 1939, becoming acquainted with leading international artists and luminaries, including the writer e.e. cummings who was instrumental in introducing him to mezzotint printmaking. With the outbreak of World War II, Hamaguchi returned once more to Japan. There he met artist Keiko Minami, whom he would later marry. Throughout the 1940s he established himself as a pioneering mezzotint artist, often credited with introducing the medium to his birthplace. His style - graphic, subtle, and primarily in a monochromatic palette - gained widespread popularity throughout Europe and, in 1951, he held his first solo exhibition at the Formes Gallery in Tokyo. Around 1953 Hamaguchi and Minami returned to France, settling in Paris and, in 1954, he became a member of the Salon d'Automne. That same year he won the Best Art Piece prize at the Contemporary Art Exhibition of Japan. In 1955 he began experimenting with color as well as abstraction, retaining his refined tonality, to acclaim from critics, artists, and institutions. He won the Grand Prize of the International Printmaking Division at the San Paolo Biennial in 1957, and that same year he participated in the first International Biennial Print Exhibition in Tokyo, where he won the National Museum of Modern Art (Tokyo) Prize. In 1960 served as representative of the Japan Pavilion at the Venice Biennale. Hamaguchi's compositions were usually the still life genre, simplifying the elements and suspending them against velvety grounds in a signature style that appealed strongly to western patrons. In 1961 Hamaguchi and Minami moved from Paris to San Francisco, California, where they lived until 1996. During this time, he was commissioned by the Olympic Committee to design the official poster for the 1984 Sarajevo Winter Olympics and the following year he was given his first major retrospective in Japan at the Toyo Yurakucho Art Forum. Hamaguchi continued to work and exhibit his mezzotints until his retirement in 1993, leaving the printing of his plates to his publisher. He and Minami returned to Tokyo in 1996, and in 1998 the Musée Hamaguchi Yozo was established in Tokyo. Hamaguchi is credited as being among the many 20th century artists to help revive the 17th century intaglio technique, promoting mezzotint as a viable modern art form appropriate for the expressive genres of the time. His work has been exhibited in prominent museums & galleries worldwide
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Artist: Yozo Hamaguchi
XIV Winter Olympics games by Cy Yozo Hamaguchi - 1984

XIV Winter Olympics games by Cy Yozo Hamaguchi - 1984

By Yozo Hamaguchi

Located in Roma, IT

XIV Winter Olympics games is a vintage poster realized by the artist Yozo Hamaguchi, in occasion of the XIV Winter Olympics games in Sarajevo, in 1984.

Category

1980s Contemporary Yozo Hamaguchi Art

Materials

Lithograph

Walnut - Original Mezzotint by Yozo Hamaguchi - 1979
Walnut - Original Mezzotint by Yozo Hamaguchi - 1979

Walnut - Original Mezzotint by Yozo Hamaguchi - 1979

By Yozo Hamaguchi

Located in Roma, IT

Walnut is an original mezantint on paper realized in 1979 by the Japanese artist Yozo Hamaguchi. The artwork is hand- signed by the artist in pencil on lower right. Dedicated with a...

Category

1970s Yozo Hamaguchi Art

Materials

Mezzotint

Sarajevo Winter Olympic Games - Vintage Offset Print - 1984

Sarajevo Winter Olympic Games - Vintage Offset Print - 1984

By Yozo Hamaguchi

Located in Roma, IT

Sarajevo Winter Olympic is a vintage offset realized in 1984 by Yozo Hamaguchi. The state of preservation of the artwork is aged with cutaways on the right and lower margin. Sheet dimension :84.5 x 62cm The poster belongs to the Series "XIV Olympic Winter Games Sarajevo 1984".

Category

1980s Contemporary Yozo Hamaguchi Art

Materials

Offset

Grapes

Grapes

By Yozo Hamaguchi

Located in Dallas, TX

épreuve d'artiste 2/5

Category

1950s Yozo Hamaguchi Art

Materials

Mezzotint

Hamaguchi - Rare Catalogue of Exhibition at Galerie Berggruen - 1958
Hamaguchi - Rare Catalogue of Exhibition at Galerie Berggruen - 1958

Hamaguchi - Rare Catalogue of Exhibition at Galerie Berggruen - 1958

By Yozo Hamaguchi

Located in Roma, IT

Vintage and rare catalogue of the works exhibited by Hamaguchi at Berggruen Gallery in 1958. Includes reproduction of works and their descriptions. Language: French. Very good condit...

Category

1950s Yozo Hamaguchi Art

Materials

Other Medium

Collection of Still Life Mezzotint
Collection of Still Life Mezzotint

Collection of Still Life Mezzotint

By Yozo Hamaguchi

Located in New York, NY

YOZO HAMAGUCHI (1909-2000) AMBER WALNUT, 1982-89 Color Mezzotint; Chine Colle on Rives BFK 3 5/8 x 3 5/8 inches (Plate) 4 7/8 x 4 7/8 inches (Chine Paper) 14 1/8 x 10 3/4 inches (R...

Category

1980s Contemporary Yozo Hamaguchi Art

Materials

Mezzotint

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Leonard Merchant's mezzotint, "Snail in Cup" is inscribed for fellow artist, Fritz Eichenberg. While a student at the Central School for Arts and Crafts in London, a young Leonard Marchant found an engraving rocker in a cupboard and proceeded to turn himself into a master of the painstaking art of mezzotinting. Marchant, who has died in Shrewsbury aged 70, grew up in Simonstown, the Royal Navy's enclave in South Africa. Though his first job was as a parliamentary messenger, he taught himself to paint and, aged 19, was given a one-man show in Cape Town. Fired by this success, he left for England to study painting and, he claimed, to escape the stifling home atmosphere created by his Catholic mother and aunts. (His father was killed in the second world war.) Without contacts in London, he phoned Jacob Epstein, whose recommendation resulted in a grant to study briefly at the Central School. It was later, when studying full-time at the Central, that he saw the mezzotints of the Japanese master, Yozo Hamaguchi, in a London gallery. He was hooked. Creating a mezzotint is tedious in the extreme. The copper plate must first be prepared with a "rocker" which roughens the surface. A plate may be "rocked" 30 or 40 times. The rough texture is then reduced with a burnisher and a scraper, allowing the print a range of tones from velvety black through the greys to white. Marchant's plates could be months in the making. But the technical demands were the least of his worries. In its 18th- and 19th-century heyday, mezzotint was solely a reproductive medium, for copying masters such as Reynolds and Turner. The development of photography rendered it unfashionable, and by the 1960s the technique, known as la manière anglaise, was a bygone medium. Marchant, by now a teacher in printmaking at the Central, began to create original mezzotints with a colleague, Radavan Kraguly. A perfectionist, he seemed to revel in the straitjacket procedure. Perhaps it was the metaphor of bringing darkness out of light that appealed to this straight-talking, sometimes sombre, man, who would suddenly relax and light up like a gleaming hue on one of his prints. His work was of squares and triangles with the occasional cat, black and ominous, and carefully arranged still lifes, featuring plants, a seed pod, a pot he might have bought at auction to celebrate the sale of a print. There were one-man shows, notably at the Bankside Gallery. He sold well at the Royal Academy summer exhibition, was a Florence Biennale prizewinner, spent a fellowship year at the British School in Rome, and was elected a Fellow of the Royal Society of Painter-Printmakers. But making mezzotints was not a paying job. Marchant and his South African wife...

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H 39.5 in W 24.75 in D 0.07 in

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Original linen-backed LUFTHANSA: Your lift to the Alps vintage ski poster. Excellent condition original German ski poster. The image has two women with skis resting on their sho...

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Wrapped Van Gogh

Yrjö EdelmannWrapped Van Gogh, 1996

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Unframed. Edition of 250 ex. Free shipment worldwide. Reality or fantasy? What is the difference between fantasy and fact, between night and day, between torment and transports of d...

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Previously Available Items
XIV Olympic Winter Games, Modern Poster by Yozo Hamaguchi
XIV Olympic Winter Games, Modern Poster by Yozo Hamaguchi

XIV Olympic Winter Games, Modern Poster by Yozo Hamaguchi

By Yozo Hamaguchi

Located in Long Island City, NY

Yozo Hamaguchi, Japanese (1909 - 2000) - XIV Olympic Winter Games, Year: 1983, Medium: Poster, Size: 33.5 x 24.25 in. (85.09 x 61.6 cm)

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1980s Modern Yozo Hamaguchi Art

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Black Cherries

Yozo HamaguchiBlack Cherries, 1965

Sold

H 22.05 in W 29.93 in

Black Cherries

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Located in Paris, FR

Engraving, 1965 Publisher : Éditions Berggruen, Paris 56.00 cm. x 76.00 cm. 22.05 in. x 29.92 in. (paper) 47.00 cm. x 62.50 cm. 18.5 in. x 24.61 in. (image) Mezzotint BFK Rives pap...

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1960s Abstract Yozo Hamaguchi Art

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Original MCM Modernist Signed Artist Proof Mezzotint Yozo Hamaguchi 1978
Original MCM Modernist Signed Artist Proof Mezzotint Yozo Hamaguchi 1978

Original MCM Modernist Signed Artist Proof Mezzotint Yozo Hamaguchi 1978

By Yozo Hamaguchi

Located in Portland, OR

Yozo Hamaguchi (1909-2000) Yozo Hamaguchi, "Cerise et Bouteille" (Cherry and Asparagus) an original Mezzotint made in 1975. Signed and annotated “epreuve d’artiste” in pencil. This is an artist proof from a numbered edition of 75 on Arches wove paper. Condition is excellent, we at Bloomsbury Fine Art & Antiques can offer a very affordable framing service with museum materials to your taste. Yozo Hamaguchi is widely regarded as one of the finest mezzotint artists in the history of the medium. Hamaguchi studied sculpture at the Tokyo Art School in 1927 but abandoned his studies in 1930 to go to France. After a return to Japan in 1939, Hamaguchi settled in Paris in 1953, during which time he produced copperplate etchings. From about 1955, he began producing black and white and color mezzotints. He was awarded prizes at the Sao Paulo Biennale and the first International Biennial Print Exhibition in Tokyo in 1957. His first solo exhibition, which comprised over 160 prints, was held in Japan, at the National Museum of Art in Osaka. Hamaguchi’s mezzotints...

Category

1970s Modern Yozo Hamaguchi Art

Materials

Mezzotint

Leaf - Mezzotint by Yozo Hamaguchi - 1967
Leaf - Mezzotint by Yozo Hamaguchi - 1967

Leaf - Mezzotint by Yozo Hamaguchi - 1967

By Yozo Hamaguchi

Located in Roma, IT

Rare original mezzotint realized by Yozo Hamaguchi in 1966. Hamaguchi is considered as the 20th century Master of this technique. Hand monogrammed lower right. Very good conditions.

Category

1960s Minimalist Yozo Hamaguchi Art

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Yozo Hamaguchi art for sale on 1stDibs.

Find a wide variety of authentic Yozo Hamaguchi art available for sale on 1stDibs. You can also browse by medium to find art by Yozo Hamaguchi in engraving, mezzotint and more. Much of the original work by this artist or collective was created during the 20th century and is mostly associated with the minimalist style. Not every interior allows for large Yozo Hamaguchi art, so small editions measuring 2 inches across are available. Customers who are interested in this artist might also find the work of Kazuhide Yamazaki, Kawase Hasui, and Yasuo Kuniyoshi. Yozo Hamaguchi art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $334 and tops out at $7,241, while the average work can sell for $4,344.

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