Adrian Alan

A Louis XVI Style Gilt-Bronze-Mounted Vitrine, Attributed to François Linke, Paris Of bombé outline, the vitrine features a glazed door and glazed sides enclosing two adjustable she...

Albert-Ernest Carrier-Belleuse (French, 1851-1887). ‘L'Aurore’ (‘The Dawn’). White Statuary Marble. The standing contrapposto figure semi-robed and garlanded with flowers, her ar...

A Pair of Gilt and Patinated-Bronze Three-Light Wall-Appliques, With Glass ‘Pineapple’ Shades, Attributed to Maison Baguès. Each modelled with a Moorish basket bearing figure on an...

A Louis XV Style Gilt-Bronze, Vernis Martin And Satinwood Parquetry Side Cabinet. Of trapezoid outshape with an inset brocatelle d'Espagne marble top. The cupboard door richly orna...

A Pair Of Louis XVI Style Gilt-Bronze Mounted Mahogany Demi-Lune Shaped Petite Commodes or Bedside Cabinets. Each with 'D'-shaped brèche de Benou Jaune marble top with three-quarte...

A Louis XVI Style Gilt-Bronze-Mounted Mahogany Vitrine Cabinet, By François Linke, Paris. The inset Brêche d'Alep marble top above a Vitruvian scroll mounted frieze with foliated sw...

A Fine and Rare Louis XV Style Gilt-Bronze Mounted Marquetry Occasional Table. By Emmanuel Alfred (dit Alfred II) Beurdeley. Paris. The top with marquetry of precious fruitwoods and rare timbers depicting a central cartouche of two monkeys standing in a classical landscape, dressed as men playing a drum and a tambourine. The surrounding marquetry composed of rocaille framed trellis parquetry panels with ribbon-tied trophies. The shaped top surrounded by a three-quarter gilt-bronze gallery. The top slides back and the drawer opens to reveal a writing tray. The serpentine sides with cartouches with flower-filled marquetry. On cabriole legs headed by gilt-bronze rocaille clasps. Stamped ‘A. BEURDELEY A PARIS’. France, Circa 1885. Beautifully rendered by Beurdeley this ‘table Singeries’ is ennobled with the fullest frivolity of the rococo. The marquetry scene on the top derives from engravings published in Paris in the mid-eighteenth century entitled ‘Le Tambour de Basque’ and 'Le Tambourin’ by J. Guelard after designs by Christophe Huet (died 1759) from a series entitled ‘Singeries ou Différentes Actions de la Vie Humaine Representées par des Singes’. Elegantly framing the marquetry cartouche are three trophies set against a background ‘à mosaïque’, emblematic of war, the hunt, and gardening and pastoral pursuits. These designs are derived from a set of six engravings by Gilles Demarteau l’aîné (1722–1776), entitled ‘Plusieurs Trophées Dessinés et Gravés par Demarteau l’aîné’, published in Paris in the mid-18th century. The present writing table is almost identical to an 18th century table in the James A. de Rothschild collection at Waddesdon Manor (inv. 3472) which was purchased by Baron Ferdinand de Rothschild at the legendary auction of Prince Demidov’s Florentine Palazzo San Donato in 1880 (Lot 1554 — Très jolie table...

A Rare and Large Gilt and Silvered Brass Automaton Clock With Aneroid Barometer, Modelled as a Steam-Driven Water Pump. Attributed to André Romain Guilmet (1827-1892), Paris. France...

Emmanuel Frémiet (1824–1910) Chevaux de Course et Jockeys (Two Racehorses and Jockeys) France, circa 1910 Signed: E. Frémiet Foundry mark: F. Barbedienne A fine, richly patinated b...

A Pair of Napoleon III Silvered and Gilt-Bronze Urns On Marble Bases, Mounted As Lamps. Each modelled as a classical twin-handled vase with raised work ornament of masks and scroll...

An elegant Louis XVI style vitrine cabinet by François Linke, Paris, circa 1890. The cabinet features an inset fleur de pêcher marble top above a Vitruvian scroll–mounted frieze wi...

A rare and exceptional Louis XVI-style marquetry commode, executed by Paul Sormani, Paris, circa 1880, after the original 1779 design by Swedish master cabinetmaker Georg Haupt (1741...