Adrian Alan

A Pair of Louis XVI Style Gilt and Patinated Bronze Figural Candelabra. After The Model by Clodion. Each modelled with a dancing putto, emblematic of music and wine. Supporting vine...

Émile-Coriolan-Hippolyte Guillemin (French, 1841-1907) A Fine Multipatinated Bronze Orientalist Bust of A Young Woman. Signed and dated 'Ele. ...

An impressive and large cut-glass ceiling light of quatrefoil outline, hung all over with cut-glass pendants, chains and drops. French, Circa 1920.

A Large and Important Louis Philippe Period Gilt-Bronze Three-Piece Clock Garniture. Attributed to the Feuchère family. The clock movement by Hémon. In the Renaissance revival styl...

An Exhibition Gilt-Bronze and Champlevé Enamel Jardinière, By George Servant, Paris. This magnificent ‘Louis Seize’ jardinière is designed in the Néo-Grec style. The handles are su...

An Important Louis XV Style Gilt-Bronze Mounted Lacquer Commode, by Maxime Secrétant, Paris. Of bombé outshape with Portor marble top. The front with two deep drawers and applied w...

A Louis XV Style Gilt-Bronze Mounted Table by François Linke. Signed to the bronze rim ‘Linke’. Linke Index Number. 593. This rare table can serve as a desk, dressing table or o...

A Large Rosso Antico Marble Model of the Sarcophagus from the Tomb of the Scipios. Attributed To The Workshop Of Benedetto Boschetti. The lid with palm-scrolled ends, is inscribed ...

Sir William Hamo Thornycroft (British, 1850-1925) A Patinated Bronze Statue Of Teucer The standing figure of the male nude holding his bow in his outstretched left hand, raised on a...

A Pair of Mintons Pâte-sur-pâte Peacock Blue Moon Flasks, Decorated by Marc-Louis-Emmanuel Solon (1835–1913). Date cypher for 1890. Recorded as shape no. 1819. Each signed 'L(ouis) Salon'. With gilt Mintons globe mark, impressed uppercase mark and retailer's mark for Phillips, Oxford Street, London, Faint impressed marks ‘1819’. Each tinted and glazed parian vase of moon flask or pilgrim bottle...

A Fine English Tripod Table Regulator Clock by Thomas Cole, With Integral Thermometer and Barometer, Retailed by Hunt & Roskell, London Signed to the dial for the retailer ‘Hunt & Roskell, London.’ No. 1318 /38 The circular six-inch silvered dial with cast bezel, signed ‘Hunt & Roskell, London’, above Roman chapters and blued steel spade hands, set with a large subsidiary seconds dial below XII, the centre finely engraved with scrolling strapwork decoration. The steel winding square protruding through an engraved and shaped plate immediately below 6 o'clock with handset achieved by adjustment to the rear. The movement with tapered plates joined by cylindrical screwed pillars, a two-part backplate, a going barrel, and deadbeat escapement. The pendulum suspended from the apex of the tripod from a G-bracket, with plumb line above, fine regulation achieved by a sliding cylindrical weight on the rod, terminating in a heavy silvered spherical bob secured via Cole's pendulum-locking system. The case formed of three cylindrical rods set on a gilt and stepped circular base engraved with scrolling foliage, the recessed centre with a semi-circular glazed barometer with silvered register scale, blued steel hand and manually adjustable gilt recording hand. The tilted thermometer within an engraved and gilded surround. Below the tip of the pendulum is a beat scale resting on a bimetallic bar providing thermal compensation, the base resting on three adjustable gilt-metal levelling nuts. Retaining its original glass dome and brass winding key. England, Circa 1855. This fine and rare timepiece by Thomas Cole is a masterpiece of design. Described by Hawkins in 'Thomas Cole & Victorian Clockmaking' as “the first English table regulator for a gentleman’s library table,” Cole’s strut clock underwent over eight iterations before achieving a design that combined precision with extraordinary elegance. The use of a tripod to determine the optimal pendulum suspension point is just one of several ingenious mechanisms Cole employed. Three adjustable nuts serving as feet allow for effective levelling of the clock, while a plumb line and bob ensure precise vertical alignment. Relocating the winding square directly beneath the dial eliminates the risk of scratching the surface or damaging the hands, while the inclusion of a thermometer, angled at 45 degrees, effectively conceals the beat scale and pendulum locking mechanism. Ingeniously designed, the locking mechanism positioned just below the pendulum’s tip includes a beat scale resting on a brass bar that can be raised to secure the pendulum in place. This mechanism also provides thermal compensation through a bi-metallic strip, which automatically raises or lowers the bob in response to temperature fluctuations. Both inventive and aesthetically striking, this rare clock exemplifies the highly ornamental Victorian timepieces...

A Pair Of ‘Sorrento’ Stained Olive and Fruit Wood Pictures By Michele Grandville (Italian, 1821-1893). Depicting ‘Roman Tarantella Dancers’ and ‘A Pompeian Harp Recital’, each with ...