Appleton Wall Decorations

Painted in 1984, Foghorn Time is a sweeping and immersive abstraction by Tino Zago (Italian-American, b. 1937)( MIlo Baughman). Executed in acrylic on canvas, the monumental format—m...

An E. Alvarado 1959 mosaic wall panel commissioned at the Taxco showroom of Los Castillo Plateros depicting the 1467 reconstruction of the temple of Huitzilopochtii after its damage ...

This monumental wood sculpture by Leroy Setziol (1915–2005) is a rare and significant early commission, created in 1963 for the National Bank of Portland, Oregon. Measuring an impressive 191" x 31" x 7", the piece marks a pivotal moment in Setziol’s career as he transitioned into large-scale architectural work—integrating fine art with the built environment in a way that would define his legacy. Carved in his signature style of deeply incised geometric forms and rhythmic abstraction, the panel reflects Setziol’s exploration of nature, spirituality, and cultural symbolism. Commissioned during a period of progressive architectural development in the Pacific Northwest, the work exemplifies the region’s modernist ethos—where art and architecture were conceived in harmony. Setziol would go on to complete numerous public commissions, collaborating with leading architects such as Pietro Belluschi and becoming one of the most influential wood sculptors of the 20th century. Early, large-scale works like this are exceptionally rare on the market and offer a unique opportunity to own a foundational piece of Pacific Northwest modernism. This sculpture is not only a stunning example of Setziol’s craft—it is a historical artifact from a turning point in American architectural and design history. The following is taken from the Portland Art Museum's profile of Leroy Setziol for their exhibit in 2015-16 celebrating the 100th year anniversary of his birth "Leroy Setziol" Sept 5, 2015 – Oct 30, 2016 "A composer in wood, Leroy Setziol created lyrical sculpture that honors the beauty of a material strongly identified with the Northwest. The black walnut, teak, fir, and other woods he employed enhanced his complex gridded compositions, bringing them to life. A self-taught, intuitive worker, Setziol visualized his complex carvings using the grid as an armature to frame imaginative shapes. Throughout his career, his sculpture ranged from intimate works to large-scale public commissions. The largest work on display is an elegant, teak, two-panel wall relief from 1991. Twenty-three works are on view, including free-standing sculpture, totems, and a variety of wall reliefs. Setziol’s sculpture gained greater recognition with Portland’s architectural community in 1964 when he was invited by Northwest Regionalist architect John Storrs to carve a series of large-scale relief panels for Salishan Lodge in Gleneden Beach...

Complex overlays of brass, iron and copper make this Butterfly garden an interesting execution of metal surfaces. Presented in a heavy wooden frame with a secondary pierced iron arab...

This 19th century Japanese Pharmacy sign advertises a popular stomach medicine, Aifu from the Juwa Co. in Osaka. The hand-painted registered trademark of the world looking through bi...

A wonderful mosaic of ceramic and iridescent tile that captures the vitality and color of a neighborhood in Paris with small shops, a cafe, a pharmacie, along a tree lined boulevard ...

A graphically bold, lifesize embroidered textile depicting Moa Zedong grasping a symbolic red umbrella and shoulder satchel. The banner was created as a potent visual tool in announc...

Homage to Eduardo Kingman "Waiting for the Final Three" a dramatic central figure in gray and blue surrounded by three equally expressive faces in gree...

A compelling painting by a midcentury outsider artist. This graphically bold painting utilizing bright colors and a potent figurative composition engages contemplation. Unsigned. ...

James Strombotne is a contemporary artist who has had a successful career since 1956. His artwork is held in many prestigious museums and private collections, including those of the Museum of Modern Art, New York, the Whitney Museum of American Art, and the Hirschhorn Museum of the Smithsonian Institute. According to Strombotne, "Any subject is fair game...

A Navajo sand painting mosaic art wall panel of the Navajo mythological Father Sky or Thunderbird created in the 1960s in a non traditional format...

A Navajo sand painting mosaic art wall panel of the Navajo mythological Yei Dancers Rainbow Guardians created in the 1960s in a non traditional fo...

A large mosaic panel artwork representing the bicentennial celebration in New York harbor on the evening of July 4, 1976. A memorable evening throughout the United States and partic...

Warren McArthur rare original pencil proposal sketch (SK 1749) for an aircraft passenger seat for the Lockheed Corporation. This proposal was accepted and the seat was manufactured...

Interesting vintage proposal drawing in 1/2 scale of an aircraft co-pilot seat. Dated 1/12/46 from the Warren McArthur Corporation. Drawing measures 26 x 4...

Henry Rox original vintage silver print of his imaginative creation of food of an art professor and his dachshund attached to a non-representational non-easel abstract Expressionist ...

James S. Strombotne is an American painter and renowned contemporary artist. He was born in 1934 in Watertown, South Dakota, but was raised and educated in Southern California, rece...