Clarinet Player
Located in London, GB
Gordon Davies Clarinet Player 1926-2007 Oil on board Image size: 10 ½ x 8 ¾ inches (26.5 x 22cm) Contemporary handmade frame Gordon Davies masterfully depicts a young man playing a ...
Oil, Board
Portrait of Sir Thomas More
Located in London, GB
English School Portrait of Sir Thomas More 16th Century Oil on oak panel Image size: 10 1/2 x 12 inches (26.5 x 30.7 cm) Giltwood frame Provenance Descent Collection of S van der Ve...
Oak, Oil, Wood Panel
L'eglise au Paysage (The Church in the Countryside)
Located in London, GB
Robert Deborne L'Eglise au Paysage (The Church in the Countryside) 1870-1944 Oil on board, signed lower right Image size: 26 3/4 x 41 inches (68 x 104 cm) Hand-carved contemporary-st...
Oil, Board
The White House
Located in London, GB
John Shelley 1938-2020 The White House Oil on board, signed and dated '1973' verso Image size: 23 2/3 x 29 1/2 inches (60 x 75 cm) Hand-made ebonised frame Exhibited: Trafford Galle...
Oil, Board
The Evening Shoot
Located in London, GB
Stanley Robert Jones The Evening Shoot 1927-2017 Oil on board, signed lower left and titled verso Image size: 23 3/8 x 17 1/2 inches (59.4 x 44.4 cm) Original frame This charming sc...
Oil, Board
The Crouched Stance
By Samuel Rabin
Located in London, GB
Samuel Rabin The Crouched Stance 1903-1991 Charcoal on paper, signed lower left Image size: 7 7/8 x 6 1/2 inches (19.9 x 16.5 cm) Hand-made contemporary-style frame Samuel (Sam) Rab...
Paper, Charcoal
The Painter in the Rubble
Located in London, GB
British School The Painter in the Rubble 20th Century Pen and ink wash on paper, signed and dated 'HJN '60' lower right Image size: 11 3/4 x 7 3/4 inches (29.8 x 19.6 cm) Hand-made c...
Paper, Ink, Pen
The Vortex
Located in London, GB
W. R The Vortex 20th Century Oil on paper, signed 'WR' lower left Image size: 6 1/2 x 6 inches (16.5 x 15 cm) Contemporary-style hand-made frame This vibrant, colourful work owes mu...
Paper, Oil
La Ferme Jaune (The Yellow Farm)
Located in London, GB
Robert Deborne La Ferme Jaune (The Yellow Farm) 1870-1944 Oil on board, signed lower right Image size: 20 1/3 x 26 3/4 inches (51.8 x 68 cm) Hand-made contemporary-style frame Rober...
Oil, Board
Beyond the Fields
Located in London, GB
British School Beyond the Fields 20th Century Oil on board Image size: 12 ½ x 9 ¼ inches (31.5 x 23.5cm) Contemporary handmade frame In this atmospheric work bold, impasto brushstro...
Oil, Board
La Salute, Venice
Located in London, GB
Italian School La Salute, Venice 19th Century Oil on canvas Image size: 25 x 32 2/3 inches (63.5 x 83 cm) Gilt frame Venice was one of the key destinations on the Grand Tour, the tr...
Canvas, Oil
The Window
Located in London, GB
European School 20th Century The Window Oil on canvas, signed 'DSDG' and dated (19)27 lower right Image size: 11 1/3 x 9 1/4 inches (28.8 x 23.5 cm) Hand-made contemporary-style fram...
Canvas, Oil
$11,959
Summer Patterns
By Lena Gurr
Located in London, GB
Lena Gurr Summer Patterns 1897 - 1992 Oil on masonite board, signed lower left Image size: 16 3/4 x 13 1/2 inches (42.5 x 34.5 cm) Original frame Lena Gurr Lena Gurr, born in Brookl...
Masonite, Oil
Spring Hedgerows
Located in London, GB
Peter Newcombe Spring Hedgerows b. 1943 Oil on board, signed and dated '2015' lower right Image size: 14 1/2 x 18 2/3 inches (37 x 47.3 cm) Original frame Peter Newcombe Newcombe (b...
Oil, Board
Moonlit Landscape
Located in London, GB
European School Moonlit Landscape Early 20th Century Pen, brush and India ink on paper, signed and dated '1917' lower right Image size: 14 1/2 x 11 inches (37 x 28 cm) Contemporary-s...
Paper, India Ink, Pen
Portrait of Sir Henry Guildford
By (After) Hans Holbein The Younger
Located in London, GB
English School Portrait of Sir Henry Guildford 16th Century Oil on oak panel, unsigned Image size: 15 x 11 inches (38 x 28 cm) Contemporary style frame Provenance Private Collection...
Oil, Wood Panel
Venice by Moonlight
By Henry Pether
Located in London, GB
Henry Pether Venice by Moonlight 1800-1880 Oil on canvas, signed lower left Image size: 23 ½ x 35 ½ inches (60 x 90cm) Handmade gilt frame Venice by Moonlight is a masterful exampl...
Canvas, Oil
Sheep in Pasture
Located in London, GB
William Stott of Oldham Sheep in Pasture 1857-1900 Oil on canvas Image size: 9 3/4 x 17 1/2 inches Hand-made frame This charming landscape floods the canvas with a sense of what sum...
Canvas, Oil
Summer Ash
Located in London, GB
Peter Newcombe Summer Ash b.1943 Oil on board, signed and dated '1985' lower right 7 x 7 ½ inches Framed Summer Ash showcases Newcombe's masterful skill at capturing the subtle ligh...
Oil, Board
The Judgement of Paris
Located in London, GB
Glyn Warren Philpot The Judgement of Paris 1884-1937 Oil on canvas, initialled lower right Image size: 45 1/2 x 35 inches (111.5 x 90 cm) Gilt frame Glyn Warren Philpot’s The Judge...
Canvas, Oil
The Art Model, 20th Century Oil Painting, Nude
Located in London, GB
Oil on canvas, unsigned Image size: 24 x 20 inches (61 x 51 cm) Original silver frame With her back turned to us, the viewer look across to a female artist facing us, whose gaze is ...
Canvas, Oil
THE CHOSEN PATH, English School 19th Century Watercolour
By John Edward Goodall
Located in London, GB
JOHN EDWARD GOODALL 1853 - 1920 THE CHOSEN PATH Pencil, watercolour and gouache, signed lower right Image size: 6 ¼ x 8 ¼ inches (16 x 21 cm) Hand made gilt frame John Edward Goodall was the son of Alfred Goodall and Mary Palmer. Alfred was a brother to Edward A. and Frederick Goodall, both accomplished artists. He was most prolific during the period between 1877 and 1911. In the 1891 census he is shown as being married to Grace, manager of the Sommerville Club, London but by 1901 he is to be found with a woman named Annie. John associated with a bohemian art circle and tended to have a corresponding lifestyle. The work produced by Goodall is well executed and often in watercolour. He trained at art school in London and travelled extensively. He was not the prolific artist like his uncles and a lot about his life is still...
Watercolor, Gouache, Pencil, Paper, Laid Paper
Portrait of Sir David Wilkie
By Thomas Phillips
Located in London, GB
This 19th century portrait of Sir David Wilkie is after Thomas Phillips' painting of his fellow artist. Wilkie and Phillips were both in London, though Wilkie became best known for ...
Canvas, Oil
Portrait of a Young Man Oil Painting Celebrated 20th Century Artist
By Oliver Messel
Located in London, GB
Oliver Messel 1904 - 1978 Portrait of a Young Man Oil on canvas, signed and dated 'Oliver Messel 1930' (on the stretcher) Image size: 30 x 25 inches (76.2 x 63.4 cm) Original frame Oliver Messel was born to Leonard and Maud Messel, née Sambourne, on the 13 January 1904 and was the youngest of three children. The family moved to Nymans, the Messel family home in Sussex, from nearby Balcombe in 1915. The house remained in the family until 1953 when it was bequeathed to the National Trust, following a fire in 1947 which destroyed a large portion of the house. The Messels originated from a line of German Jewish bankers on Leonard’s side, however, both family lines boast a number of artistic influences, including Maud’s father. Maud was brought up at 18 Stafford Terrace, Kensington (now known as the Linley Sambourne House Museum), amongst collections of antique porcelain and eighteenth-century furniture, and with a host of artistic visitors such as Henry Irving and Oscar Wilde. Oliver’s own upbringing appears to be influenced by his mother's, as the Messel family were also affiliated with artists and writers and were keen collectors of art, filling their home with textiles, paintings and collections of European and Asian fans from travels abroad. It was amongst such treasures that Oliver, Anne and Linley spent their childhood, in addition to the beauty of Nyman’s extensive gardens. Oliver was schooled at Eton but rather than going up to university was encouraged by family friends, gallery owner Archie Propert and painter and sculptor Glyn Philpot, to attend art school. In 1922 he enrolled at the Slade School of Fine Art in London, where he studied under Henry Tonks. Here, he met the artist Rex Whistler with whom he remained firm friends until Whistler’s death in WW2. Upon leaving the Slade in 1924 Oliver was apprenticed to the studio of portrait artist John Wells, where he learnt various Old Master painting techniques, and met artists such as Jacob Epstein, Augustus John and William Orpen. Whilst at the Slade Oliver developed his interest in Papier Mâché masks, a pastime popular amongst many art students at the time. Whilst apprenticed to artist John Wells several of Oliver’s masks were exhibited at the Claridge Gallery, London, alongside pieces by Whistler and other young artists. These were seen by Serge Diaghilev, director of the Ballet Russes, and Charles B. Cochran, a theatrical producer, both of whom made Oliver offers of work. His first job in the theatre was creating masks for the Ballets Russes’ Zéphyr et Flore, 1925, designed by the French artist Georges Braque, followed by numerous musical revues for Cochran, including Wake Up and Dream!, 1929, with music by Cole Porter. It was during these revues, working with Porter and Noel Coward, that Oliver also began to design headdresses and costumes. In 1932 he was rewarded with his first full commission to design both costume and sets for Helen!, directed by Max Reinhardt. The production design is still celebrated today for its innovative approach and ground-breaking ‘white on white’ aesthetic, which referenced ‘Greek temples, Rococo drapes, Baroque colonnades and Louis XIV carousels’. The success of Helen! led to further offers within the theatre including Reinhardt’s version of A Midsummer Night’s Dream at the Old Vic in 1937, starring Vivien Leigh as Titania and Robert Helpmann as Oberon, the Jean Cocteau play The Infernal Machine in 1940, and Christopher Fry’s translation of Jean Anouilh’s Ring Round the Moon, 1950. One of Oliver’s best-known productions during this period was the Russian ballet The Sleeping Beauty, performed by Sadler’s Wells Ballet in 1946 at the Royal Opera House, Covent Garden. Encompassing over 200 costumes and four set changes, Oliver’s romantic designs were celebrated for bringing colour back to post-war London, and variations on his designs are still used today. Additional designs for the ballet included Comus in 1940, for which he was released from war duties, and Homage to the Queen, choreographed by Frederick Ashton and performed in 1953 for the Queen’s coronation. His first opera was in 1940 for Mozart’s Die Zauberflöte at the Royal Opera House, followed by a series of productions at the newly founded Glyndebourne Opera House in Sussex, for which Oliver also designed the proscenium arch. He triumphed in 1956 designing a season of four different productions for their Mozart bicentennial, also providing illustrations for the programme covers. His popularity also spread beyond theatre to film, were he worked on over eight different feature films including Romeo and Juliet, 1936, directed by George Cukor. During a three-month research trip to Italy Oliver collected over 3,000 reference images including postcards of artwork by Piero della Francesca, Giovanni Bellini and Leonardo da Vinci, along with prints and photographs of textiles and architectural features. A production of Gabriel Pascal’s Caesar and Cleopatra, 1946, starring Vivien Leigh and Claude Rains, was celebrated for Oliver’s ability to recreate the opulence and luxury of ancient Egypt under the constraints of wartime rationing. Such was his skill that Vivien Leigh in a letter to Oliver declared that “I have of course told Pascal that nobody in the world must do the costumes except you.” He was later nominated for an Academy Award for his work on his final film Suddenly, Last Summer, 1959; an adaptation of Tennessee Williams’ American Southern Gothic mystery. Having started his artistic career as a portrait apprentice, capturing the faces of family and friends, Oliver continued to develop this practice until the end of his life. His style is said to have been influenced by Glyn Philpot, the Messel’s family friend who encouraged Oliver from an early age in his pursuit of art and design. His most prolific period came in the 1950s during which he produced over 50 portraits, which were shown in exhibitions in New York, London and Barbados. The exhibitions included both well-known faces and anonymous sitters captured on Oliver’s travels, and a number of these works have entered private collections. He continued to paint after moving to the Caribbean in 1966, capturing society figures and the rich and famous including fashion designer Carolina Herrera and Bianca Jagger. His style remained unchanged throughout his career, using the same soft painterly strokes and subtle palette as in his theatre designs. By far his greatest contribution in addition to theatre and film was Oliver’s interior and architectural designs. Another, much celebrated commission included Rayne shoe shop in Old Bond Street, where he created jewel-like interiors using the same practice of scaled models as his set designs. Other notable interior designs include those for Norwich and Bath Assembly Rooms, Flaxley Abbey in Gloucestershire, Rosehill Theatre in Cumbria and the Reader’s Digest offices in Paris. However, upon moving to Barbados in 1966, Oliver embraced a new career envisioning architectural concepts for private houses, hotels and public buildings, utilising his experience with interior design to furnish them with bespoke items of furniture and textiles. His first project was Maddox, the deserted eighteenth-century plantation house bought by himself and his partner Vagn Riis-Hansen in 1964. The existing building and gardens were remodelled to Oliver’s designs embracing an inherent theatricality with views out to sea. These were framed by terraces and verandas which extended out from the living rooms creating what is often referred to as a Caribbean style of ‘indoor-outdoor’ living. For the woodwork he used a shade of green that is now known as ‘Messel green’ and often associated with the island of Barbados. Oliver was born into a wealthy family; he travelled extensively and was exposed to art and culture from a young age. A privileged youth, his name is often mentioned amongst the ‘Bright Young Things’, for whom costume parties at country houses and jaunts to Europe on a whim became a thing of fable. This informal group included people such as Cecil Beaton (a life-long friend whom Oliver first met at Eton), Lord Berners, Noel Coward, John Betjeman, Harold Acton, Nancy Mitford, Edith Sitwell, Stephen Tennant...
Canvas, Oil
Firing a Salute in The Nore, Signed Seascape by Peter Monamy, Dated 1724
By Peter Monamy
Located in London, GB
Oil on canvas, signed and dated ‘1724’ bottom right Image size: 48 x 36 inches (121 x 91 cm) 19th Century hand carved gilt frame This exquisite rediscovered artwork by Monamy showca...
Canvas, Oil
The Right of Way
By Frederick Walker
Located in London, GB
Frederick Walker The Right of Way 1840-1875 Watercolour and bodycolour on paper, unsigned Image size: 12 x 8 inches (30.5 x 20.25 cm) Handmade Pre-Raphaelite style frame In this pas...
Paper, Watercolor
Portrait of Marie Thérèse de Bourbon, Princess of Conti
By Pierre Mignard
Located in London, GB
Pierre Mignard French 1612-1695 Portrait of Marie Thérèse de Bourbon, Princess of Conti Oil on canvas, unsigned Image size: 37 2/3 x 29 inches (95.5 x 73.5 cm) Gilt frame Provenance...
Canvas, Oil
San Giorgio di Greco, Venice - Moonlight
By Henry Pether
Located in London, GB
Henry Pether 1800 - 1880 View of Venice Oil on canvas, signed lower right Image size: 36 x 24 inches (91.5 x 61 cm) Handmade gilt frame Provenance Private Collection, England Exhib...
Canvas, Oil
The Judgement of Paris, Oil on Canvas, Signed, 1920s, Gilt Frame
By Glyn Philpot
Located in London, GB
Glyn Warren Philot 1884-1937 The Judgement of Paris Oil on canvas, initialled lower right 'GP' Image size: 46 × 35 inches (116 × 89 cm) Gilt frame During the 1920s Philpot was a hi...
Oil
Morning Stroll, Marble Hill River Path
By Alfred East
Located in London, GB
Sir Alfred East 1844-1913 Morning Stroll, Marble Hill River Path Oil on board Image size: 14 1/2 x 18 1/2 inches (37 x 47 cm) Period gilt frame This charming scene demonstrates perf...
Oil, Board
The Tower of London
By Henry Pether
Located in London, GB
Henry Pether 1800-1880 The Tower of London Oil on canvas, signed I.I, titled verso Image size: 17 x 36 1/4 inches (43 x 92 cm) Gilt frame Provenance: Private Collection Lot 217, Bri...
Canvas, Oil
$1,891
The Proposal
Located in London, GB
Susan Bower b. 1953 The Proposal Gouache, signed lower right Image size: 14 1/2 x 14 inches (37 x 36 cm) Original frame Susan Bower Bower was born in 1953, Bower graduated with degr...
Gouache, Board
The Ultimate Referee
Located in London, GB
Gordon Davies The Ultimate Referee 1926-2007 Oil on canvas, signed and dated '72 upper left Image size: 6 7/8 x 6 inches (17.5 x 15.2 cm) Handmade contemporary frame The Ultimate Re...
Canvas, Oil
A Shaded Rural Idyll
By John Linnell (b.1792)
Located in London, GB
John Linnell 1792-1882 A Shaded Rural Idyll Oil on board, signed lower left Image size: 9 1/2 x 6 inches (24 x 15 cm) Original period gilt frame There is a real sense of magnitude i...
Oil, Board
The Dockyard, London
Located in London, GB
Cyril Walduck Edwards RI RBA 1902-1982 The Dockyard, London Oil on canvas, signed lower left, titled on verso Image size: 27 ½ x 35 ¾ inches (70 x 90 cm) Contemporary style frame E...
Canvas, Oil
The Sylvan Spring
Located in London, GB
Richard Redgrave The Sylvan Spring 1804-1888 Oil on canvas, signed and dated '1855', inscribed verso Image size: 32 1/2 x 26 1/3 inches (82.5 x 67 cm) Original ornate gilt frame Ins...
Canvas, Oil
Old Cairo Market
Located in London, GB
Franz Xaver Kosler Old Cairo Market 1864-1905 Oil on canvas, signed lower left Image size: 53 1/8 x 32 3/4 inches (135 x 83.3 cm) Original Orientalist gilt frame Provenance: Propert...
Canvas, Oil
The HMS Barfleur Heeling in the Breeze.
By Peter Monamy
Located in London, GB
PETER MONAMY 1681 - 1749 A British man-of-war and other vessels at sea Oil on canvas, signed lower left 'P. Monamy: Pinx[i]t' Image size: 44 1/4 x 56 1/4 inches. (112.5 x 143 cm.) Or...
Canvas, Oil
$13,906
A Work Out
By Samuel Rabin
Located in London, GB
Samuel Rabin A Work Out 1903-1991 Pastel and wax crayons on paper, signed lower left Image size: 6 1/3 x 7 5/6 inches (16 x 20 cm) Original frame Provenance: John Russell Taylor Col...
Paper, Pastel, Wax Crayon
Amazonamachy: A Classical plaster figural frieze relief
Located in London, GB
19th century French School Amazonamachy: A Classical plaster figural frieze relief Amazonomachy represents the Greek ideal of civilization. The Amazons were portrayed as a savage an...
Plaster
Daytime in the Valley
By Eric Brown
Located in London, GB
Eric Brown Daytime in the Valley 1894-1955 Oil on canvas, signed lower left Image size: 20 1/4 x 16 1/5 inches (51.4 x 41.1 cm) Handmade contemporary-style frame Brown was born in 1...
Canvas, Oil
Arcadian Revelry
Located in London, GB
Carel de Moor II Arcadian Revelry 1655-1738 Oil on canvas, wax seal verso, unsigned Image size: 17 1/8 x 12 1/8 inches (43.5 x 30.8 cm) Original gilt frame Provenance: Collection of...
Oil, Canvas
Study for Portrait of Francis Russell, 7th Duke of Bedford
Located in London, GB
Stephen Pearce Study for Portrait of Francis Russell, 7th Duke of Bedford 1819-1904 Oil on board, unsigned Image size: 5 ½ x 4 ½ inches (11.4 x 14.1 cm) Giltwood frame Exhibited: Ro...
Oil, Board
$1,093
Circles
Located in London, GB
Kenneth W. Hough Circles 20th Century English School Watercolour on paper Image size: 13 x 15 7/8 inches (33 x 40.3 cm) Hand-made contemporary-style frame
Paper, Watercolor
$1,668
A Shaded Forest
Located in London, GB
English School A Shaded Forest 20th Century Oil on board Image size: 11 3/4 x 9 inches (30 x 22.9 cm) Contemporary-style handmade frame This charming painting depicts a shaded area ...
Oil, Board
View of the Dome of the Rock, 19th Century Orientalist Sketch
By Carl Friedrich Heinrich Werner
Located in London, GB
Graphite on Paper, unsigned Image size: 14 x 20 inches (35.5 x 51 cm) Acid free mount Carl Friedrich Heinrich Werner Carl Werner was born in Weimar in 1808, the son of a piano teac...
Graphite, Paper
Portrait of a Gentleman
By Sir William Blake Richmond
Located in London, GB
Sir William Blake Richmond Portrait of a Gentleman 1842-1921 Oil on panel, signed lower right Image size: 17 ½ x 23 ¾ inches (44.7 x 60.6 cm) Original Watts frame Although his ident...
Oil, Panel
Winter Landscape with Ice Skaters
By Nicolaes Molenaer
Located in London, GB
Nicolaes (Klaes) Molenaer Winter Landscape 1626-1629 Oil on oak panel, signed lower right Image size: 16 x 20 inches (40.5 x 51 cm) Dutch ebonised frame Provenance Lot 60, Herberle ...
Oil, Wood Panel, Oak
The Red Cross Knight Slaying the Dragon
By George Richmond
Located in London, GB
George Richmond RA The Red Cross Knight Slaying the Dragon 1809-1896 Oil on paper, unsigned Image size: 12 3/4 x 9 1/4 inches (32.5 x 23.5 cm) Pre-Raphaelite frame Provenance Estate...
Paper, Oil
$9,933
Haystacks
By Eric Brown
Located in London, GB
Eric Brown Haystacks 1894-1955 Oil on canvas, signed lower left Image size: 14 x 18 inches (36 x 46 cm) Original frame Eric Brown Brown was born in 1894 in Salisbury. His father wa...
Canvas, Oil
$197,509
La Lecture
By Henri Lebasque
Located in London, GB
Henri Lebasque French 1865 - 1937 La Lecture Oil on canvas, signed lower right Image size: 20 3/4 x 25 inches (52.7 x 63.5 cm) Original style frame Provenance: M.F. Manaut Vente Lou...
Canvas, Oil
The Cleansing of the Temple, Late 18th European School Graphite Drawing
Located in London, GB
Pencil and chalk on paper, unsigned Image size: 8 1/2 x 13 inches (22 x 33cm) This wonderful drawing depicts 'The Cleansing of the Temple', a biblical narrative where Christ expels...
Graphite, Chalk, Paper
The Broads, 20th Century Original British Transport Poster
Located in London, GB
Pastel and watercolour, signed lower right Image size: 24 ½ x 19 ½ inches (62 x 49.5 cm) Art deco style hand made frame Transport posters of the past created some of the most visua...
Watercolor, Pastel, Paper
The Rug Merchant, 19th Century Orientalist Oil Signed Oil Painting, 1879
By Carl Friedrich Heinrich Werner
Located in London, GB
Oil on canvas, signed and dated '1879' bottom right Image size: 38 x 59 1/2 inches (96.5 x 151 cm) Ornate Orientalist style gilt frame Carl Werner Carl Friedrich Heinrich Werner wa...
Canvas, Oil
Portrait of a Gentleman
By Arthur Devis
Located in London, GB
Oil on canvas, signed and dated 'Art Devis/fe 1755' lower left Image size: 29 1/2 x 24 1/4 inches (75 x 62 cm) Original ornate gilt wood frame Provenance: Ian Douglas Leonard Cochra...
Canvas, Oil
The Virgin and Child with the Infant St John, 20th Century British Oil on Canvas
Located in London, GB
British School 20th Century The Virgin and Child with the Infant St John Oil on canvas, stamped verso ESK Image size: 11 x 11 inches Hand made frame This painting is an accomplished portrayal of Michelangelo’s sculpture The Virgin and Child with the Infant Saint John, also known as the Taddei Tondo. Dating from the 1920s, the painting is a fine example of trompe l’oeil, or trick of the eye. The artist has used realistic imagery to create an optical illusion of depth. The image is a faithful depiction of Michelangelo’s marble sculpture, which today can be found in the Royal Academy galleries. Sadly we do not know the identity of the artist, but the ESK blind stamp indicates that this is a student work exhibited at the South Kensington Museum as part of an examination. Amongst the tasks set for the students in the Art Schools was an exercise in faithfully copying the work of a well-known artist. At the left side of the painting stands the infant figure of St. John the Baptist, with his attribute of a baptismal...
Oil, Canvas
Self-Portrait
By Herbert Johnson Harvey
Located in London, GB
Herbert Johnson Harvey Self-Portrait 1884-1928 Pastel on paper, signed lower right Image size: 9 2/3 x 8 1/2 inches (24.5 x 21.5 cm) Original Frame Exhibited The Fine Art Society, J...
Pastel, Paper
The Gorge
Located in London, GB
Attributed to George Barret Sr The Gorge Oil on canvas, unsigned Image size: 13 1/2 x 16 1/2 inches (34.5 x 42 cm) Gilt frame In this landscape, a river runs over rocks at the botto...
Oil, Canvas
Les Bords de Seine (The Banks of the Seine)
By Henri Ottmann
Located in London, GB
Henri Ottmann Les Bords de Seine (The Banks of the Seine) 1877-1927 Oil on canvas, signed lower left Image size: 20 3/4 x 25 1/4 inches (53 x 64 cm) Hand-carved giltwood frame Prove...
Canvas, Oil
Vue du Viviers (View of Viviers)
Located in London, GB
Robert Deborne Vue du Viviers (View of Viviers) 1870-1944 Oil on board, signed lower right Image size: 27 x 41 1/4 inches (68.8 x 104.7 cm) Contemporary-style frame Provenance Artist's estate Vue du Viviers (View of Viviers) Robert Deborne Vue du Viviers (View of Viviers) 1870-1944 Oil on board, signed lower right Image size: 27 x 41 1/4 inches (68.8 x 104.7 cm) Contemporary-style frame Provenance Artist's estate Enquire View in Room...
Oil, Board