Derive Decorative Objects

A large ceramic vase circa 1960 signed Vallauris.

Wonderful and unique large decorative basket in curved rattan and brown leatherette. This stylish organic basket was produced in Italy during the 1970s. In amazing condition and wit...

Candelabra designed by Erik Höglund. Made by hand in iron at Boda smide and clear glass prisms from Boda glass. Three arms and six glass shards. Very good vintage condition with ligh...

Handsome magazine rack by Jacques Adnet. Made of iron and brass. Excellent vintage condition. Star detail on both sides and closed fist on top. Great piece!

Large glazed ceramic vase, by Roger Capron, Vallauris, Vase " A Oreille " White glazed ceramic with a figured a centaur in shades of blues, black and grey covering one full face of...

Beautiful candelabra by Erik Höglund, made from wrought iron and glass. The rustic iron stem is adorned with four pear shaped glass medallions that bring rain drops on a bare tree to mind. Fits regular candles. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth IDEA appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals...

Venini vase “Bugne” Murano glass, 1940, Italy.

Large sculptural ceramic vase by French ceramic artist Marius Giuge, produced in Vallauris, France, circa 1960. The piece exemplifies the expressive studio pottery tradition associat...

An Italian Murano art glass handkerchief vase by Venini Murano, circa late-20th century, Italy. A beautiful combination of green art glass hues - Emerald green and chartreuse green m...

Marius Giuge (1909-1980) vase, Vallauris circa 1950.

Hanging candelabra in wrought iron and crystal by Bertil Vallien for Boda Smide, Sweden, circa 1970. It consists of 12 candleholders held by a circular wrought iron frame. Conditio...

An Italian Murano art glass 'handkerchief' vase in the style of Venini, circa mid to late-20th century, Italy. This is a finely handcrafted Murano art glass vase in clear/transparent...