Evans Deventer

"Habitual II", 2023, Paris, France This rich and cerebral abstract painting uses a subtle but powerful color palette of brown, pink, and white oil paints and wood stain to create visual texture and depth. The artist selected a French, antique postal...

SOME SURMOUNT 2024 Paris, France This charming painting on canvas visually represents the notion of being unshackled from a burden, and an ascension from a darker place. A black, e...

"I IDENTIFY AS YOU AND I'M OBSESSED WITH MYSELF" 2024 Paris, France A commentary on narcism and vanity, identity and obsession. The viewer is presented with two figures, sexually a...

ONCE VERDANT 2024 Paris, France This enchanting painting portrays the artist's vision of an abstracted, organic floral pattern. The floral shapes and shadows allude to traces of a ...

"Ghosts of the Gardens" is a mysterious and captivating abstract painting, evoking the untamed beauty of wild gardens and chaotic floral motifs with its energetic and loose movement....

Bold yet delicately portrayed, "So Plant, So Animal III" is an abstract piece framed to perfection, offering a timeless neutral color palette. The central theme captures the essence ...

SOME SPAIN 2021 Paris, France Graphically bold, yet cerebral, this textured, abstract piece offers a rich color palette. Painted using oil, acrylic and plaster, and executed on an ...

"Rosettes II" is a graphic and bold abstract painting, of deep green-blue indigo ink painted on canvas. The name pays homage to the captivating "rosettes," the distinctive and natural markings found on animal fur, a fusion of danger and beauty. This artwork mimics the animalistic allure, exuding a sense of untamed elegance. Both ancient and modern in style, the canvas embraces a captivating sense of movement, evoking both energy and fluidity. "Rosettes I" stands as a powerful statement piece, where graphic elements converge with the essence of the wild. For a harmonious ensemble, consider pairing with its counterpart, "Rosettes I" (as pictured). Each artwork is sold separately. The artist leaves their mark of authenticity with a signature Evans Deventer...

RUBBER JUNGLE I 2022 Paris, France A graphic and bold abstract painting. Primarily black and white acrylic painted on canvas. Neutral and modern, with loose, playful and energetic movement. Inspired by childhood interpretations of shapes in the dark - there is a sense of unknown when the imagination takes over. Subtle color comes into play with accents of Indian ink, dried terra cotta pigment and sage green paint. Option to create a pair alongside "Rubber Jungle II" (as pictured). Price and size are per painting. Evans Deventer stamp and signature on back. We are happy to offer subsidized shipping options. -- Nicholas Evans (b. 1982) is an American, Paris-based artist, designer and creative director. Painting is a cornerstone of Evans’ artistic expression, which is largely inspired by personal events, religious symbolism, and historical allegories. In addition to traditional oil and acrylics, Evans uses materials such as plasters, wax, salt and found objects in his works, presenting a way to seek new meaning in elements that have collapsed or eroded over time. Threads of poetry convey the fragmented logic of suffering, lost love...

SCARCE XVII 2021 Paris, France Intricate black and white pebble-pattern painted over a natural, oil washed canvas. A visual interpretation of erosion and organic patterning found th...

Drawing inspiration from the ancient Roman term "Los Osculi," translating to "right to kiss," the artist delves into a compelling exploration of the past's intriguing customs. In ancient Rome, women were prohibited from drinking as it was believed to lead to adultery and even possess abortifacient properties. Consequently, the husband and male family members of an "honest" woman possessed the right to kiss her on the mouth to ensure her sobriety. The allure of fleeting kisses, whispers of scent, and the sensuality of suspicion captivated the artist's imagination. On an antique French canvas...

TIME, IT TAKES II 2022 Paris, France A graphic and bold abstract painting on linen, with dark blue green ink and white acrylic accents. A single, bold, orange line is situated on the right side of the painting, a commentary on markers of time as an ineffective unit of measurement. Time interpreted not as linear, but an experience outside of numbers and outside of logic. Option to create a pair alongside "Time, It Takes I" (as pictured). Price and size are per painting. Evans Deventer...