Giberto

The Stricca glass is a cylindrical, transparent vessel animated by opaque vertical or horizontal stripes and completed with a vivid red rim. Seen as an evolution of Frost, it retains...

Acid green and pink have no business being this elegant together. And yet. The rigà-menà technique has a way of resolving things that shouldn't work on paper. The glass is streaked, ...

The idea arrived, as the best ones sometimes do, far from home. Giberto was wandering through the souks of Marrakech when someone handed him a glass of tea. It was a simple thing — t...

On the floor of a Murano furnace, among the discarded fragments and byproducts of centuries-old glassmaking, designer Giberto found something most would overlook: raw, irregular shar...

On the floor of a Murano furnace, among the discarded fragments and byproducts of centuries-old glassmaking, designer Giberto found something most would overlook: raw, irregular shar...

There is a particular hour on the Venetian lagoon, deep in winter, when the water turns a green so dark it seems to hold the whole sky within it. The Laguna jug was born from that ex...

There are mirrors that reflect a room. And there are mirrors that reflect a world. The Leopardo Mirror was conceived as a bold architectural presence, a hexagonal form (120 cm) that commands attention without demanding it. At its heart lies a Venetian velvet by Tessiture Luigi Bevilacqua, one of Venice's most historic weaving houses, its striking green leopard motif introducing a sophisticated tension between the wild and the refined. Crystal twisted glass canes, assembled by hand alongside decorative nails inspired by antique Murano mirrors...

There are frames that hold a picture. There are frames that hold a picture. And there are frames that hold a world. TATTI was conceived for those who understand the difference. Its c...

There are frames that hold a picture. There are frames that hold a picture. And there are frames that hold a world. TATTI was conceived for those who understand the difference. Its c...

Giambattista Tiepolo painted Venetian skies the way no one before or since has managed, that particular layering of pink, gold, and pale blue that exists nowhere else in European pai...

Red is the most difficult color in Murano glass. It has been that way for centuries, the result of a chemical process so sensitive to heat, timing, and the judgment of the glassblowe...

Green and crystal. The two colors that define Venice more quietly than any postcard ever could, the deep, particular green of canal water, and the transparency of light passing throu...

There is a type of Murano glass so rare that most people have never encountered it outside a museum. Alexandrite glass, named for the gemstone discovered in the Ural Mountains in 183...

Venice has always been a city of stripes. They run vertically on the poles that mark the canals, horizontally across the chest of every gondolier, and along the ornate ferro at the p...

There are objects that exist simply to be used, and then there are objects that exist to be remembered. The Rose belongs to the latter. Handblown in Venice by master glassmakers who ...

It began with a Tiepolo. Giberto and his friend Olivia — General Manager of Aman — were standing in Palazzo Papadopoli during its transformation into what would become Aman Venice, l...

Every family has a pitcher. The one that always sat in the middle of the table, filled without ceremony, passed without thought, and somehow, years later, remembered with great fondn...

Some things announce themselves. This frame is one of them. The visit to Tessitura Luigi Bevilacqua's atelier on the Grand Canal stays with you, the bolts of fabric stacked floor to ...

The Ibisco frame begins with a memory. Growing up, Giberto spent time at Palazzo Papadopoli, now Aman Venice, surrounded by rooms where beauty wasn't curated but simply present: deep velvet sofas...

Fabergé understood something that most makers forget: that an object meant to hold something precious must itself be worthy of the task. The Ada frame begins there. Fine birch wood, ...

In China, the peony doesn't simply mean beauty. It means abundance, nobility, the kind of love that endures. For Giberto, who has spent years drawn to the depth and symbolism of Asia...

There is a blue that belongs specifically to Venice in summer, not the blue of the lagoon, not the blue of the sky, but the blue of the canal water seen from above, just before you j...

There is a moment in the making of a Murano glass vessel that no machine can replicate and no photograph quite captures: the instant the master glassblower detaches the blowpipe and ...

On the occasion of The Venice Glass Week, Giberto Arrivabene Valenti Gonzaga presents a captivating temporary exhibition at Aman Venice, curated by Cristina Beltrami. This new collec...

It started with a day in Murano — a long one, the best kind — working alongside Maestro Gianni Seguso. The technique was rigà-menà: the glass streaked, turned, and pulled in a single...

"Once again, an object in my collection originates from my childhood. I remember the rigà-menà pitchers in my home and the fascination they held for me. The thin ridges, worked in op...

Giberto grew up with rigà-menà pitchers on the table. The technique, traditional to Murano, involves streaking, turning, and pulling the molten glass in a single unbroken gesture, th...

"Once again, an object in my collection originates from my childhood. I remember the rigà-menà pitchers in my home and the fascination they held for me. The thin ridges, worked in op...

Some pieces take months to develop. This one took a day, the right day, with the right person. Giberto spent it in Murano alongside Maestro Gianni Seguso, watching and working as the...

There is a pink that only Murano knows how to make. It comes from ruby and gold dust, folded into the molten glass in proportions that glassmakers have guarded for generations. The r...

Watch a Murano maestro work the rigà-menà technique once, and you won't forget it. The glass is streaked, turned, and pulled in a single unbroken movement — the ridges appearing almo...

Pink is the hardest color in Murano to make. It begins with gold and ruby dust, fused into the molten glass and fired twice — a process that takes patience, precision, and knowledge ...

The blue and orange came from a single day in Murano with Maestro Gianni Seguso — the kind of day where something gets made that couldn't have been planned. Working the rigà-menà tec...

It started with an antique found in his Venetian home — a coupe of uncertain age, simple in form, with a quality that newer glass rarely has: the feeling of something that had been h...

The Potocka vase is a striking new addition to Giberto Venezia's 2025 collection. Hand-blown in Murano, it is enriched with hot-burnished silver leaf, a delicate process that create...

The Allegra champagne flûte, by the designer Giberto Arrivabene Valenti Gonzaga, embodies the perfect balance of sophistication and playfulness. Dedicated to Giberto's niece, it ref...

Salt & Pepper is a luxurious design object created for FuoriSalone 2022 and unveiled at the event. Far more than simple table accessories, these twin pieces embody the concept o...

The Frost glass reinterprets the classic cylindrical shape of Murano's Goto with a contemporary touch. Its exterior is engraved to evoke the effect of uniform condensation, as if fr...

The Briano glass is the perfect choice for enjoying brandy or scotch on the rocks, combining timeless elegance with refined craftsmanship. Made of fine crystal, it offers not only t...

The Laguna glasses are inspired by a vivid spring day in Venice, when the lagoon's colors shifted dramatically from soft grey to a striking green. From this fleeting moment, Giberto...

The Jai bowl is a refined creation in hand-blown Murano glass by the designer Giberto Arrivabene Valenti Gonzaga, now available in an elegant red shade. Each piece stands out for the...

The Lacrima pitcher draws inspiration from the bottles depicted on the richly set tables of Renaissance Venetian paintings. Hand-blown in refined grey Murano glass, it is distinguis...

The Lacrima pitcher draws inspiration from the bottles depicted on the richly set tables of Renaissance Venetian paintings. Hand-blown in refined grey Murano glass, it is distinguis...

The Roi jug reinterprets the classic shape of traditional dining pitchers: simple, elegant, with a rounded base and a long, graceful neck. Giberto personalized the design by adding ...

The Gondola jug, with its simple cylindrical form, is hand-blown in luminous green Murano glass. Conceived as a tribute to Venice, it recalls the gondoliers gliding through the canal...

The Forget Me Not vase is one of the newest additions to Giberto's collection, a piece that embodies both delicacy and timelessness. Hand-blown in ...

The Cecilia Wisteria vase is a jewel of Giberto's collection, created in Murano using the traditional crackle technique. Small in scale yet rich in character, it is designed to hold...

The lagoon is never quite the same green twice. It shifts with the season, the hour, the weather moving in from the Adriatic — moss and jade and deep olive, a color that resists easy...

The Jai bowl is a refined creation in hand-blown Murano glass by the designer Giberto Arrivabene Valenti Gonzaga, now available in an elegant amber shade. Each piece stands out for ...

Of the Giberto’s collections, the Manilo is the one with the most serious colors and more accentuated contrast: “I thought it would be perfect in black and white as it is dedicated ...

The Spring Collection is a trio of Murano tumblers that beautifully embody both tradition and playful elegance. Designed by Giberto this set draws inspiration from the luminous color...

Designed by Giberto Arrivabene Valenti Gonzaga, the Jai glass is a striking expression of Venetian elegance and contemporary luxury. This set of six glasses is hand-blown by skilled ...