Haystack Art

Untitled is a kinetic whorl. The background crisscrosses with a frenzy of black, blue, and purple lines that create an abstract atmosphere while thick white gestures are intermittent...

Phosphor (short for phosphorus) comes from the Greek word meaning ‘morning star’ and refers to bearing light, specifically Venus in its morning state. Painter Pamela Jorden plays wit...

Hesper (short for hesperus) refers to the evening appearance of Venus. Painter Pamela Jorden plays with color and light to stunning effect. In her own words, “For me, color is surpri...

Britton Tolliver’s Traffic Light has a bustling composition that never rests. The grid system that undergirds Tolliver’s abstraction gives the impression of a street map. The shape o...

In Untitled, painter Dana Oldfather splits the composition horizontally between two very different types of images. The top portion has abstracted geometry of bright bursts of color....

Moyer creates multidimensional effects while building compositions with thin, aqueous layers. Rough vertical strokes evoke wood grain, producing surfaces where color seeps into crack...

In Dodge’s third print with Haystack, the artist boldly dives headfirst into a paradox. What does “Soft Power” look like? Dodge looked to the title to serve as his compass throughout...

In Unread Messages, we see Dodge using his signature raised pattern technique to depict a glossy, bulbous object swaddled in fabric. With almost photographic detail, the fabric rises...

Alex Dodge has a fascination with textiles. In El Norte (Fantasma), a patterned fabric with alternating glossy white and transparent stripes fills the composition. At first look, the...

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

Color is very material to Fishman, often triggering sensations of taste, smell, mood, and emotion. She combines natural and non-natural hues to encourage viewers to think about the w...

In this print from Sarah Fairchild, Gerber daisies gather at the center of a slithering snake's body. From the upper right corner of the composition, the giant serpent descends. As t...

In this print from Sarah Fairchild, Chrysanthemum flowers float on the surface of a dark turquoise pond. Butterflies alight around the pink pops of flowers, creating depth of field w...

Each impression was produced through a complex, multi-plate copper intaglio process incorporating line etching, spit bite, sugar lift, aquatint, and open bite techniques.This combina...

In this edition by Karen Seapker, deep greens and blues streak across the canvas with swift gestural velocity. Although abstract, this work is reminiscent of a landscape, with green ...

Dragon Drop by Karen Seapker draws the viewer in with a bubble-gum pink horizon, slanting down and to the right. This gradient sunrise or sunset fits within the free-flowing paint st...

“I had been eating bananas every day for several years when I finally got the idea to start paying homage to this source of energy and inspiration in my life. I love how banana peels...

Accelerate by Dion Johnson delivers a power-packed punch, with neon yellow at the center of attention. Bold, energetic colors gather and lean forward, as if preparing to populate the...

This Ordinary Earthbound Mortal comes to life through a fusion of screenprinting, lithography, and collage techniques. Bold colors contrasted with several shades of gray are used to ...

This print features an abstract composition of bold, layered black strokes that form a dense, chaotic mass in the upper half of the image. As the eye moves downward, the thick linewo...

In Heather Gwen Martin’s Welcome Stranger, the title bestows a simple narrative on the subtly colored print. Winding from the side of the composition is a spindly form with a fan-lik...

In Heather Gwen Martin’s Ghost Dance, the deep blue and green forms appear to drift up from the smallest blue at the bottom of the frame. Like wisps of smoke from a cold fire, they c...

In Heather Gwen Martin’s print, Heights, we see many biomorphic forms. One form in navy blue arcs over the top of the composition and puts our imaginations out to sea. The yellow dro...

In Heather Gwen Martin’s print, Heights, we see many biomorphic forms. One form in navy blue arcs over the top of the composition and puts our imaginations out to sea. The yellow dro...

The delicate placement of the blue form floating amid the red background creates gentle yet intense movement. The blue form becomes like an organism, flying or floating on the updraf...

In Martin’s Weft, we see the layered biomorphic slivers and shapes that are characteristic of her work in painting. The term weft refers to the weaving process, meaning the threads t...

Haystack is pleased to present two new 16-color silkscreen prints by Sarah Fairchild — Queen Anne’s Lace II and Chicory II — a pair of hand-finished works inspired by the artist’s Fl...

Created on foiled silver metallic paper, Fairchild brings an extraordinary level of craftsmanship and intimacy to both editions, incorporating hand-drawn films to add new layers of m...