Jenna Burlingham Gallery

Elisabeth Collins British, 1904-2000 A Dream, 1950s, circa gouache 50.8 x 39.4 cm 20 x 15 1/2 in Elisabeth Collins once explained her somewhat episodic painting career by asserting ...

Jane Skingley British, b. 1963 Hokusai Green XXVI, 2025 mixed media on vintage book pages laid onto canvas 60 x 60 cm 23 5/8 x 23 5/8 in signed and titled verso Jane Skingley is rec...

Jane Skingley British, b. 1963 Hokusai VII, 2025 mixed media on vintage book pages laid onto canvas 60 x 60 cm 23 5/8 x 23 5/8 in signed and titled verso Jane Skingley is recognised...

Jane Skingley British, b. 1963 Hokusai Red VI, 2025 mixed media on vintage book pages laid onto canvas 60 x 60 cm 23 5/8 x 23 5/8 in signed and titled verso Jane Skingley is recogni...

Jane Skingley British, b. 1963 Hokusai Orche III, 2025 mixed media on vintage book pages laid onto canvas 60 x 60 cm 23 5/8 x 23 5/8 in signed and titled verso Jane Skingley is reco...

Michael Rothenstein British, 1908-1993 The Garden II, 1990 woodcut 72 x 86 cm 28 3/8 x 33 7/8 in signed and dated in pencil Michael Rothenstein was born in 1908 in London, the young...

Mary Newcomb British, 1922-2008 Planes pencil over watercolour 13.8 x 21.5 cm 5 3/8 x 8 1/2 in Provenance The Artist's Estate Private Collection Visionary painter Mary Newcomb disp...

Kim Lim Singaporean-British, 1936-1997 Untitled (Sand Relief), 1993 lithograph 55.9 x 72.4 cm 22 x 28 1/2 in signed and inscribed in pencil Kim Lim was born in Singapore and spent much of her early childhood in Penang and Malacca. After her schooling in Singapore, Lim knew that she wanted to become an artist, and at eighteen, she enrolled at St. Martin's in London, where she spent two years concentrating mainly on wood carving. She then transferred to the Slade, where taught by the etcher Anthony Gross and lithographer Stanley Jones, she developed a strong commitment to print making. On journeys back to Singapore she stopped off in Europe and India, soaking up the art 'like a sponge'. These were the experiences that confirmed in her a lifelong predilection for things archaic, and for the flow and rhythm of Indian and South East Asian sculpture: " I found that I always responded to things that were done in earlier civilizations that seemed to have less elaboration and more strength." In Greece she was entranced by Cycladic sculpture. Of Chinese art she was moved most by early Shang bronzes...

Victor Pasmore British, 1908-1998 Points of Contact, Transformation 4, 1970 screenprint 18 1/2 x 18 1/2 in 47 x 47 cm signed and dated in pen and ink; numbered in pencil, edition of ...

Mary Newcomb British, 1922-2008 Study of a Church pencil, coloured crayon and watercolour 19.5 x 17 cm 7 5/8 x 6 3/4 in signed Visionary painter Mary Newcomb displayed an affinity w...

Martin Yeoman British, b. 1953 Campanile, Venice oil on canvas-board 21 x 30 cm 8 1/4 x 11 3/4 in signed Martin Yeoman was born in 1953, and studied with Peter Greenham at the Royal...

Martin Yeoman British, b. 1953 Venetian Scene I oil on canvas-board 21 x 30 cm 8 1/4 x 11 3/4 in signed Martin Yeoman was born in 1953, and studied with Peter Greenham at the Royal ...