Lincoln Center Editions

This is a fourteen (14) color screen print on Reeves textured rag paper, hand signed and numbered in graphite from an edition of 118. There are an additional 18 Artist Proofs. The pr...

This print has a deep blue background and brightly colored red and orange billiards balls. John Gibson has been painting delicate still-life arrangements of balls since the 1990s. T...

Angel Otero is known for oil paintings of bleeding color fields that bunch and crease to create topographic textures. In this visually compelling edition, Untitled (SK-PH), the artist flattened one of his compositions into a digital print, turning his signature folds into trompe l’oeil. Here, they read as intricate line work atop a tumultuous sea of brushed pastels. Inspired by a visit to the Lincoln Center archives, Otero drew a connection between the dramatic flair captured in photographs of operas presented during the 1970s and works from his “Poussin” series. Discussing the characters depicted in Poussin’s paintings, Otero remarked, “they were painted with poses that seemed staged, like a play set...

This is a silkscreen and woodcut print created in 2007. It is signed and numbered in graphite from the edition of 118 (plus 18 APs). This print comes directly from the publisher, Lin...

This 30 color screen print was created at Brand X Editions to commemorate the terrorist attacks of September 11, 2001 in New York City. This print comes directly from the publisher, Lincoln Center Editions...

In celebration of Lincoln Center's ultimate New York festival, Summer for the City, the Brooklyn based artist Rico Gatson created a dynamic image of bold colors radiating positive energy. Gatson's concentric circle motif and projecting lines draw inspiration from the giant disco ball shining above Lincoln Center's iconic Revson Fountain, a welcoming beacon at the heart of Josie Robertson Plaza. This colorful, archival pigment print is printed on Hahnemühle paper and is signed, dated and numbered in pencil by the artist. It is in excellent condition and comes directly from Lincoln Center Editions...

This vibrant image is a stellar example of Denzil Forrester’s depictions of dub and reggae clubs – a subject that has been central to his practice since the late 1970's. "I’m interes...

This archival pigment print on Canson paper comes directly from the publisher, Lincoln Center Editions. It is signed and numbered en verso by the artist. It is in excellent condition and has never been framed. Note: The image of the framed print is for reference purposes only. Carrie Mae Weems (b. 1953) is an American artist whose extensive body of work investigates cultural identity, sexism, class, political systems, and the consequences of power. Weems is widely recognized for her revolutionary approach to the expression of narratives about women, people of color and working-class communities, “conjuring lush art...

This image was created to celebrate the festival 'Live from Lincoln Center', 1990. The edition of 72 is signed and numbered. This impression h...

Robert Cottingham is known for imagery that celebrates the history of communications in America, specifically neon signage on urban storefronts and signs on railroad cars. In 2008, Lincoln Center commissioned Robert Cottingham to commemorate the 46th anniversary of its Film Festival. Inspired by his earlier photographs of the Empire Theatre in Montgomery Alabama...

This is a monochromatic photogravure, aquatint and drypoint on Hahnemuhle Copperplate warm white paper. Created in 2010, it is signed in pencil lower right and numbered from the edit...

Self Portrait, 2007 9 color screen print on Somerset Satin paper 38 x 30 inches Edition of 118 Printed at Watanabe Press Publisher: Lincoln Center for the Performing Arts Chuck Close was best known for the monumental heads...

This is a 33 color screen print titled, Small Abstract by Thomas Nozkowski (1944 - 2019). It was created in 2007 as a signed and numbered edition of 108. The edition was published by...

This screen print, printed on Arches Cover White paper, is hand signed and numbered in graphite. The edition size is 108 plus 18 Artist Proofs. This print comes directly from the publisher, Lincoln Center Editions...

This screen print by Mark di Suvero pops with day-glo colors. Bright green lines on a hot pink and orange background make for a fun piece of art in any room. This print is signed and numbered by the artist. The print comes directly from the publisher, Lincoln Center Editions...

'Down in the Valley' is a screen print on wove paper created by Second Generation New York School artist, Wolf Kahn (1927 – 2020). As a child of German-Jewish parents, Kahn emigrate...

This screen print depicts one of Celmins' signature subjects, the spider web, which she has represented in various media, including charcoal, oil paint, and multiple printmaking tech...

Richard Serra (1939 - 2024) was one of the most important artists of the 20th and 21st centuries. Serra experimented with sculpture, printmaking and video in pursuit of his investiga...

American artist Donald Baechler, created this image for the 50th Anniversary commemoration of Lincoln Center for the Performing Arts. Titled, 'Lincoln Center Globe', 2011, the print ...

This signed and numbered limited edition print was commissioned by Lincoln Center for the Performing Arts in 2012. This impression has never been framed and is in excellent condition. Note: Framed image is for reference purposes only. Artist's Statement: "When I was asked to make a print to benefit Lincoln Center I was both honored and intimidated. I was reminded of my moving to New York City in 1997. My student loans had yet to kick in and I was so broke that I really couldn’t afford much of a night on the town. So instead, as an alternative, I’d meet friends outside of Lincoln Center. There we’d spend a few hours socializing and drinking alongside the lights, on marble steps and by the fountain. I always remember that time. "When I begin to make a work of art I begin with the concept. I play word games and I try to loosen up my associations and assumptions. I make visual and verbal connections. Sometimes these are very personal and frustratingly obscure and sometimes more public. In this case I got stuck on cheese. Why cheese? I remember noticing when I moved to New York that people in New York (at least in the art world) loved cheese. Whatever the event or occasion there it was. And someone was always explaining what he or she liked about this or that particular cheese. I’m a natural mimic and so I paid attention, it comes from moving around a lot. From being the 'new kid.' So I kept mental notes on what was 'good' and more importantly what was 'bad.' You can tell a lot about a person by their opinions on cheese. (The truth is I’m not a huge fan of cheese. I believe I have a lactose intolerance.) So all this is to say in my mind it’s forever linked with connoisseurship and culture. I know these days things have changed. But much of my art concerns itself with outdated notions of 'fancy.' The status symbols of the past I knew when it felt like it mattered. I’m aware that my insecurities are what drove me forward. But that’s one way to learn. You could say the print is of artisanal cheeses—aspirational cheeses. "And then there’s the fun part—adding the text. Which is like my last word on the my artwork; the punch line—the commentary—the poetry. I had a number of ideas but I went with this one—Immature, Artist. Because artists take time. And some of us need reminding." -Matthew Brannon, December 1, 2012 Permanent Collections: Museum of Modern Art, New York, NY, Whitney Museum of American Art, New York, NY, Rennie Collection, Vancouver, Canada, Ringler Collection, Zurich, Switzerland, Rubell Family Collection, Miami, FL, MADRE Museum, Naples, Italy, The Hammer Museum, Los Angeles, CA The Museum of Modern Art, New York, NY, The Alfond Collection of Contemporary Arts, Cornell Fine Arts Museum, Rollins College...

One screen print in colors on wove paper, 2009, signed in pencil, dated and numbered, Edition of 117 (total edition includes 18 artist's proofs), image: 769 by 769 mm 30 1/4 by 30 1/...

This edition was printed in approximately 40 colors on Lanaquarelle paper with a deckled edge. The print is signed, numbered and dated, 2011 by the artist. The print comes directly f...

This screen print was created to celebrate the Mostly Mozart Festival in 1982. A pattern of shapes in pale pinks, greens and silver tones creates an image resembling a tapestry. The total edition size is 144 plus 18 artist proofs. It is hand signed and numbered in pencil by the artist with the blindstamp of the printer, Fine Creations, Inc., New York. This print comes directly from Lincoln Center, the publisher of the edition. Joyce Kozloff was a founder of the 1970s Pattern...

One photograph on rag paper, 2006, signed in pencil, dated 2005, from the edition of 54, sheet: 704 by 856 mm, 27 3/4 by 33 5/8 inches. Printed by Chad Kleitsch, New York, published ...

This archival pigment print has hand applied glitter and features a dancer leaping under illuminated chandeliers inside the Crush Room at the Royal Opera House...

b. 1955, Elizabeth, NJ Phillip Taaffe’s travels in the Middle East, India, South America, Morocco, and Italy all provided experiences, which deeply shaped his artistic practice. In ...

Box Trot is a tabletop sculpture with a brushed metal, smooth surface. Light flows through the square shapes drawing attention to both the positive and negative space. This piece is ...

This is a screen print, signed and numbered in pencil by the artist. The paper is bright white and the colors are vibrant. Total edition size is 108 plus 18 APs. Published by Lincoln...

This large, abstract image celebrates the 13th Annual Community Holiday Festival, 1983 at Lincoln Center. It is signed and numbered by the artist from the edition of 144 (plus 18 APs) and was printed at Fine Creations, NY. This print comes directly from the publisher, Lincoln Center Editions...

This print is signed and numbered in pencil from the edition of 108. There were also 18 Artist Proofs. The edition was printed at Brand X Editions, NYC and published by Lincoln Cente...

From his body of "Illustrated Set" work, this print by Terry Winters takes the printmaking process itself as subject. Winters became inspired by how his prints appeared before press,...

This screen print was commissioned by Lincoln Center in 1981 to celebrate the Chamber Music Society in a signed and numbered edition of 144. Born in 1941, Long Beach, CA, Jennifer B...

This signed and numbered print is in excellent condition and comes directly from Lincoln Center, publisher of the edition. b. 1933, Brooklyn, NY Joseph Raffael’s paintings are infl...

This is a black and white archival inkjet print on Canson Infinity paper. Hand signed and numbered by the artist, John Baldessari. To commemorate the 40th anniversary of Lincoln Cent...

This is a 20 color screen print on Sommerset paper. The edition was printed at Brand X Editions in 1997. Ed Baynard’s paintings and graphic prints blend the contemporary and the cla...

This edition was commissioned in 1997 to celebrate 'Lincoln Center Festival'. The edition of 108 is signed and numbered in graphite by the artist. This print comes directly from the publisher, Lincoln Center Editions...

A colorful arrangement of pink, red and purple flowers. Note: This screen print is unframed. An image of a framed impression is for reference only. Gary Bukovnik is an internationa...

Each impression is numbered in pencil en verso and comes with an accompanying Certificate of Authenticity from Lincoln Center embossed with the printer's blind stamp. The Hahnemeuhle...

Screen print on Ries Textured Rag paper, Signed and numbered, Edition of 108 Working across all media, Richard Artschwager (1923-2013) has long specialized in the relationship betwe...

This screenprint has vibrant red and black tones on wove paper Created in 2006, It is hand signed in pencil and numbered from the edition of 118. 32 by 24 3/8 inches (image), 36 3/4 ...

This is an Iris print in soft yellow and red tones. It is signed and numbered. The total edition size is 72 plus 18 APs. "Calling to mind the work of Martin Puryear, Paul Klee, Alex...

This edition was commissioned in 1980 by Lincoln Center to commemorate its 10th Annual Community Festival. The signed and numbered edition is 144 was printed at Fine Creations. Born in 1940 (Pittsfield, MA), Nancy Graves explored the interplay between the replication of nature and the formal values of abstract art in her wide variety of works throughout her life. Thought she first gained attention with her realistic, life-sized camel sculptures, she was later inspired to draw, paint and print by visual representations of natural phenomena, like weather and moon maps...

This image was created to commemorate Lincoln Center's Community Holiday Festival in 1978. Each print is signed and numbered from the edition of 144. This print comes directly from the publisher, Lincoln Center Editions...

Color screen print on paper by the renowned American painter and printmaker, Pat Steir. This impression is hand signed and numbered from the edition of 144 plus 18 signed, Artist pro...

The limited edition was printed at Fine Creations Inc. and has the printer's blind stamp on the bottom right. It was published by Lincoln Center for the Performing Arts. The availab...

Known for his elaborately crafted paintings and ornate sculptures, Rolón worked with master printer Luther Davis of the renowned Axelle Editions print shop to create a hybrid silkscr...

b. 1911, Beverly, MA Will Barnet is an American artist, known for his paintings, watercolors, drawings, and prints, depicting human figures and animals, both in casual scenes of daily life and in transcendent, dreamlike worlds. He was a key figure in New York’s Indian Space...

This is a serigraph print, signed and numbered. The total edition size is 144 plus 8 APs. b. 1941, Chicago, IL High-key, even gaudy, color has been a consistent characteristic of J...

Brightly colored shapes bounce and collide on a vibrant yellow background. This lithograph is an example of Murray's mature work. This image was used to feature Lincoln Center's cele...

This is a screen print of a pink rose on wove paper, 1990, signed in pencil and numbered from the edition of 72 (total edition includes nine artist's proofs). Published by Lincoln Ce...

One screen print on wove paper titled, Alice Tully Hall by Guillermo Kuitca, 2009. It is hand signed in pencil, dated and numbered from the edition of 117 (total edition includes 18 artist's proofs) The sheet size is 22 1/4 by 20 inches, with the blindstamp of the printer, Brand X Editions, New York. Published by Lincoln Center for the Performing Arts, Inc., New York. This impression has a rich, bold red color on bright white paper. Guillermo Kuitca, whose paintings and prints are often inspired by seating arrangements in theater interiors, recreates the seating chart...

"Early American, Still Life with Balsam Apples" (2010) was commissioned to celebrate Lincoln Center’s 50th anniversary. The work is a part of Core’s ongoing Early American series, which began in 2007. In this series Core takes the works of 19th century still life artist Raphaelle Peale...

In 2002, Jamie Wyeth created a richly detailed image titled, The Gourd Tree. Known for his realistic style, Wyeth’s work consists largely of landscapes-- like this unusual tree-- and portraiture. Although closely associated with the rural landscape of Chadds Ford Pennsylvania and the rugged coast of Maine, Jamie Wyeth spent part of his early career in New York City, where he was mentored by New York City Ballet founder Lincoln Kirstein...

One chromogenic print, 2015, from the edition of 27, signed on a label that accompanies the print, sheet: 770 by 770 mm, 30 1/4 by 30 1/4 inches. Published by Lincoln Center for the ...

This fantastical print by Malcolm Morley is named for Tankerton Bay, a seaside village in southeast England. Based on a 2006–2007 collaged painting, the work reveals Morley's express...

Screenprint in colors on wove paper, 2007, signed in pencil and numbered from the edition of 108, image: 980 by 672 mm 38 3/4 by 26 1/2 inches, sheet: 1160 by 828 mm 45 5/8 by 32 5/8...