Linea.gallery

The pair of nightstands is organised on two staggered levels: a squared case, clad on the front in pale parchment, and above it a glass shelf that projects outward on a cantilever, s...

The table plays entirely on the contrast between the disc and its supports. The top is a solid circle with a rounded edge, resting on a structure that opens downward like a sunburst ...

The set of four sconces takes up the profile of a rigid fan: a large woven blade opens out from the vertical stem and tapers to a point at the top. The fibre is gathered at the botto...

The wardrobe reads as a sequence of horizontal bands: the entire carcase, both front and sides, is veneered in walnut in a tight rhythm of lighter and darker stripes that runs withou...

This table is conceived as a small architecture: four uprights with an oval profile, arranged in pairs on the two short sides, rise from a continuous moulded base to support a parchm...

The armchairs have a strongly reclined silhouette, with a tall back that descends in continuity from nape to floor. The flanks are resolved in a single bamboo curve that closes later...

The armchairs stand on four turned walnut legs, from which rises a compact volume that draws slightly inward at the back. The silhouette reads as a small architecture: armrests and b...

The two bedside tables read as semi-circular volumes lifted by four tapering legs that narrow towards the floor, ending in metal tips. The curved front opens with two doors set flush...

The fire screen is built as a plane suspended between a few elements. A rectangular sheet of smoked glass stands upright on two triangular supports in burnished brass, one at each fl...

Three circular ceiling lamps make up the group, two at forty centimetres in diameter and a smaller one at thirty, each no more than seven centimetres deep. The white-lacquered alumin...

The console stands against the wall on a rectangular top whose front edge is gently drawn inward, lifted by four tapering legs that narrow towards the floor and end in pointed tips. ...

The pair of pendants asserts itself through the elongated silhouette and the cage armature: a dozen slender brass rods draw a spindle-shaped profile, closed above by a dome and below...

The Reale table is an exercise in structural subtraction. The frame develops as a system of slender shaped members meeting at precise nodes, held together by exposed brass bolts that...

The defining gesture of the chiavarine is the clarity of the frame: four finely tapered legs, a tall back composed of four well-spaced horizontal rails, a slightly trapezoidal rush s...

The T96 is an executive desk that organises its architecture around two chromed pylons and a boomerang-shaped top, pushed out at each end into obtuse angles that open the desk toward...

The defining gesture of the set is a single bent line that ties the front leg, the armrest and the rear support into one continuous curve of steam-bent wood. The profile opens forwar...

Arranged at staggered heights, these three pendant spotlights compose a small constellation of directed light. Each follows the same elemental form - a slender cylindrical stem termi...

This sideboard is a study in clean horizontality. The long, low body rests on four slender cylindrical metal legs with adjustable feet, giving the piece a visual lightness that lifts...

There is something almost airborne about this floor lamp. From a flat, organically shaped marble base, a slender red-lacquered stem rises vertically, meeting a long brass arm that ex...

This bar cabinet is conceived as a dialogue between two volumes: a broad upper cabinet with softened corners, resting upon a rectilinear console base. The flat slab legs ground the c...

his low lounge chair presents a relaxed yet carefully balanced presence, defined by its compact proportions and open structure. The profile is deliberately understated, with a low se...

This wall mirror is characterised by a softly contoured rectangular outline, gently tapered and rounded at the corners, which gives the piece a fluid and understated presence. Its pr...

This daybed has a calm and well-balanced presence, defined by its generous proportions and low, horizontal profile. The backrest and armrests are set at the same height, creating an ...

This pendant light presents itself as a vertically articulated composition, defined by a measured balance between structural rigor and visual fluidity. Its proportions are slender an...

Pair of upholstered armchairs, from the original furnishings of the Hotel Bristol, Merano, designed by Gio Ponti, Casa e Giardino series, Italian manufacture, 1954. This pair of arm...

This pair of Calypso armchairs by Vittorio Introini represents an iconic example of Italian radical seating design from the late 1970s, distinguished by a sculptural presence and an ...

This set of ladder-back chairs is a refined example of Italian post-war seating, distinguished by a light and elegant silhouette and a clear structural logic. The design is defined b...

This floor lamp is a refined example of Italian mid-20th-century design, characterised by a sober and elegant architectural presence. The composition is organised around a tall, slen...

This refined chest of drawers dates to the mid–late 18th century and originates from the Emilia region in northern Italy, an area renowned for its sophisticated cabinetmaking traditi...

This large wall mirror is an expressive example of Italian art nouveau, distinguished by its sculptural presence and highly organic vocabulary. The composition is defined by a tall r...

This dining table presents a strong yet balanced presence, defined by its architectural structure and rich surface articulation. The rectangular top rests on two sculptural supports ...

This pair of armchairs is characterised by a low, grounded stance and a compact, well-balanced profile. The proportions favour comfort without excess, with generous upholstered volum...

A walnut writing desk designed by Gio Ponti for Banca Nazionale del Lavoro (BNL), conceived originally for executive and institutional interiors. The model reflects Ponti’s continuou...

This chest of drawers by Carlo De Carli for Sormani brings a quiet sense of confidence. The deep blue lacquer has a calm, velvety tone, and the mirrored glass top adds a soft, reflec...

The Scacciapensieri armchair feels like it was designed to let you exhale. A single, fluid arc in bentwood holds a suspended fabric seat that wraps gently around the body. Rather tha...

A beautiful Art Deco chandelier from the 1940s, crafted in Italy in chrome-plated metal and opaline glass with six lights. This elegant piece beautifully reflects the spirit of its ...

Pair of Italian armchairs in cherry wood with padded elements upholstered in cobalt-blue velvet, Italian manufacture, early 1950s. Italian design has always stood out for its abilit...

A pair of Candidate lounge chairs, designed by Ib Kofod-Larsen, Denmark, 1950s. This elegant pair of Danish easy chairs beautifully captures the refined, sculptural style that makes ...

This rattan coat hanger, designed by Tito Agnoli for Bonacina in the early 1960s, reveals the quiet precision of Italian craftsmanship from that period. The structure combines curved...

This sculptural bean-shaped table captures the experimental spirit of late 1950s Italian design, where organic form met modern materiality. Its silhouette — fluid, asymmetrical, and ...

This E22 modular bookcase/wall system, conceived by Osvaldo Borsani for Tecno, presents a remarkably poetic and functional architecture of display and storage. The composition begins...

The L’Impiccato ceiling lamp, designed by Vico Magistretti in 1972 for Artemide, is a masterful synthesis of geometry, balance, and function — an example of how Magistretti transform...

This elegant Art Deco occasional table, made in Italy in the 1930s, is a refined example of how geometry and craftsmanship can come together in perfect harmony. Its design feels both...

Elegance, strength, and lightness intertwine in the design of this wrought-iron double bed, created in the 1960s by sculptor and designer Salvino Marsura. The structure reveals a del...

An elegant wall mirror with brass frame, Italy, 1950s. The brass frame, slender and gently moulded, discreetly follows the sinuous contours of the shield, imparting both refinement a...

A beautiful pair of Art Deco armchairs in wood and fabric, in the style of Guglielmo Ulrich, Italian manufacture, 1940s. In the comfortable living rooms of the 1940s, the Italian tr...

A set of eight Superleggera chairs, meticulously restored in aniline black paint.. The original woven straw seats have been replaced with new meticulously crafted seats, maintaining ...

A suspended chandelier composed of blown-glass diffusers, model “Poliedri,” design by Carlo Scarpa for Venini, Italy, 1960s. Through his work, Carlo Scarpa was able to create a lang...

A set of six “Cinque Stecche” chairs in beechwood, with seats woven from multicolored cord, Chiavari manufacture, 1950s. The Chiavari chair underwent great productive and aesthetic ...

Pair of teak bedside tables with drawer beneath the top and sculpted legs, Italian manufacture, 1950s. Compact and versatile, this pair of Italian bedside tables from the 1950s is d...

A set of eight “Tre Stecche” chairs in cherry wood, with seats woven from multicolored cord, Chiavari manufacture, 1950s. The Chiavari chair experienced significant growth in both p...

Large cherrywood bookcase sideboard with glass cabinet, drawers, and doors. Chiavari craftsmanship, Canciani manufacture, 1940s. For much of the twentieth century, Chiavari was not ...

A beautiful pair of daybeds in woven rattan and bent malacca with orange velvet upholstery, Italian manufacture, 1960s - sold individually Aesthetically pleasing and evocative of su...

A teak and woven cane coffee table, danish manufacture, Andreas Tuck, design by Hans Wegner, 1950s The clean, organic lines of Scandinavian fu...

An elegant and generously sized brass-framed wall mirror with beveled glass, rectangular shape with rounded corners, Italian manufacture, 1950s. This large wall mirror, with its gra...

A small and delicate display cabinet in walnut and walnut burl, design by Emilio Lancia, Italian production, 1930s In Emilio Lancia’s furniture production, one can clearly detect re...

A rare chandelier in brass and opaline glass, designed by Angelo Lelii, produced by Arredoluce in the 1950s, with original authenticity label issued by the Arredoluce archive. The l...

Mirror with walnut frame and shaped mirrored glass, in the style of Osvaldo Borsani, Italian craftsmanship, 1940s With its sharp, irregular silhouette, this mirror reflects the infl...

A secretaire with drop-down front, drawers and open compartments, chestnut wood, design by Paolo Buffa, Italian manufacture, 1940s In the 1940s, Paolo Buffa’s style embraced the tas...

A beautiful and well preserved Colonnato table in Persian red travertine marble, design by Mario Bellini, produced by Cassina, 1977. In this table, the noble Persian red travertine ...