Maison Gerard

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...

After 1910 Dufrêne’s work took on the forms of neoclassicism, and at last, an aesthetic that would coalesce into the Art Deco. While he didn’t shy from metal, ceramic, glass, or fabr...

Eelegant waterfall style console in gray shagreen with inlaid bone outline. Made by Michael LaRocca for a very special client. Signed.

A beautifully glazed mid-century vase executed by Carl-Henry Stalhane for the venerable Swedish based ceramics firm Rorstrand. Signed. Renowned for his mid-century Swedish ceramics,...

Kiko Lopez is one of the few artisans working today in the traditional craft of hand-silvering. The Elysium series of mirrors exhibits his mastery of the near-forgotten practice, as ...

Michael Coffey blurred the line between carpenter and sculptor. A self-taught master with a career of over sixty years, Coffey consistently broke the boundaries of style and functionality in the decorative arts. Born and raised in New York City, Coffey initially served as a social worker before pursuing art seriously in 1972. He taught himself theory and practice, and took inspiration from icons like Wendell Castle, Walker Reed, George Nakashima, Sam Maloof, and others. In 1978, Coffey first presented his Aphrodite rocking chair, a monumental curved wood form that excited the market and launched his reputation for creativity and skill on a grand scale. That piece, like all of his work, stresses the relationship shared by people with their furniture. Coffey considered himself an artist, but drew a distinction between impersonal visual arts and furnishings. It was important for him that his creations be used. For Coffey, defying expectations has been an important aspect of producing work. Eschewing symmetry in his designs, he preferred to carve hollows and rounded shapes which people can fill. To Coffey’s eye, a piece which is perfectly symmetrical is overly “quiet,” and does nothing to arouse questions or feelings in the mind of the viewer. Michael Coffey passed away in 2024. His works are in museum and private collections worldwide, and his legacy in the annals of American studio craft furniture...

The Mura side table was created in collaboration with Toronto-based glass design and fabrication atelier, Goodman Studio (GS). It pairs STACKLAB’s signature solid-bronze Jupiter leg ...

Lava is the manifestation of Alaya Serfaty's ongoing research into cellular structure and organic abstraction. She creates affinity to natural phenomenon enabling a wide range of ref...

This playful little stool, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple seat. Height is c...

Kiko Lopez has always been captivated by depth in crystal, which, in the case of his extraordinary Vesuvius pieces, he achieves through a painstaking, unpredictable process of meltin...

This playful little mushroom-shaped stool,, part of Under the Influence, Maison Gerard's line of furnishings, takes its form from nature and boasts a surprisingly broad and supple se...