Roman Gallery Art

Big Leaf is a five color etching with aquatint on En Tout Cas paper, published by Two Palms in New York. This is number 6 from an edition of 27, and one hors commerce. It is signed i...

The bunny is the quintessential Hunt Slonem motif, the subject he has returned to throughout his career and the one he is best known for. Here the ears are built up in thick, gestura...

An original etching from Chagall’s illustrations for La Fontaine’s Fables, with touches of hand-applied color. Chagall made the plates in the late 1920s for the dealer Ambroise Volla...

A signed 1981 lithograph by John Chamberlain, the American sculptor best known for works made from crushed and welded automobile parts. Chamberlain made relatively few prints, which ...

Printed in an incredibly small edition of just 30, Shoes was one of the first image subjects Kusama took up in her 1980s print editions, alongside hats and pumpkins. It combines her ...

This piece is a quintessential late watercolor and pencil drawing by Botero, made the year before his death. Two reclining nudes rendered in his signature inflated volumes, with a li...

This painting is a strong example of Pretzer's approach to historical portraiture, with an unexpected twist. A curly-haired figure in a lace collar has two bright birds perched at th...

A small bird perches on a ledge in this oil on wood panel by Clive Smith, its feathers striped in the same blues, yellows, and oranges as the wall behind it. The stripes shift from c...

A shaggy dog's head sits on top of a formal Elizabethan-style outfit in this oil on wood painting by Paul Pretzer: black latex-like robes, a stiff white ruff collar, and glossy pink ...

Panoptic Puddle, 2021, is an oil on wood painting by Paul Pretzer in which a single white duck floats, self-possessed and strange, against a wall of dense, interlocking geometric pat...

The painting belongs to Richard's self portrait series, a recurring motif, in which the artist paints himself in various settings. Richard, a Brooklyn based painter whose practice mo...

Figure 8 is from the Black and White Numerals series, the complete suite of ten lithographs that Johns produced at Gemini G.E.L. in Los Angeles in 1968, printed by Jim Webb, Richard ...

Rendered in Richard's iconic single line drip style, "Monarch" traces a bicycle in one fluid, continuous stroke of oil paint on deckle edged cotton paper. The interplay between econo...

Rendered in Richard's iconic single line drip style, "Monarch" traces a butterfly in one fluid, continuous stroke of oil paint on deckle edged cotton paper. The interplay between eco...

Crak! was made in 1963–64, adapted from a single panel in Star Spangled War Stories #102, a DC war comic published in the spring of 1962 and illustrated by Jack Abel from a script by...

Rendered in Richard's iconic single line drip style, "Joie de vivre" traces a bespectacled figure in a bow tie in one fluid, continuous stroke of oil paint on deckle edged cotton pap...

A single, unyielding gesture fills the sheet in Foot and Hand, a heavy black boot pressing down beside an outstretched hand that grips a rolled paper against a field of mustard Ben D...

Two panels stage a private argument between figuration and abstraction in Tel Aviv Museum Print. The left is built from Lichtenstein's own late 1980s vocabulary of self quotation, a ...

Shipboard Girl was made in 1965, at the height of Lichtenstein's engagement with the romance comic close up that would come to define his ascension. The composition isolates a blonde...

A chrome tumbler and a squat yellow vessel anchor Before the Mirror, their reflective steel rendered in Lichtenstein's signature diagonal hatching, the space around them carved into ...

Crying Girl was made in 1963, in the months following Lichtenstein's first exhibition with Leo Castelli and at the very moment Pop Art coalesced as a movement. The image is adapted f...

Untitled was made in 1997, four years before Quaytman began organizing her paintings into the numbered "Chapters" that now constitute her entire mature body of work. It is a pre-chap...

Motion II was painted between 1980 and 1981, when Goodnough was in his mid-sixties and at the height of the collage influenced style he had developed through the 1970s. A large const...

The painting belongs to Richard's Invisible Man series, a recurring motif, in which the artist leaves only the trappings of formality, cloth, dress, and earrings, to stand in for a p...

The painting belongs to Richard's Invisible Man series, a recurring motif, in which the artist leaves only the trappings of formality, cloth, collar, and hat, to stand in for a perso...

This drawing was made by Guston in 1945–46 as one of a series of illustrations for O. Henry's short story The Gift of the Magi, commissioned and published by ARTnews in December 1946...

Colisión entre Culturas ("Collision Between Cultures"), 2020, is an oil and acrylic on linen mounted on panel by Omar Rodriguez-Graham, whose sculptural, shaped-canvas compositions f...

The Sleeping Beauties, 2020, is an acrylic on canvas by Xi Zhang (b. 1984, Kaifeng, China), rendered in the artist's signature register of saturated, almost hallucinatory color. Two ...

Friedliche Landschaft ("Peaceful Landscape"), 2012, is an oil on canvas by Ulf Puder that turns a roadside vernacular scene into something quietly ominous. A vintage travel trailer a...

Cross has been exhibited internationally since debuting at Mostra Aperto '86 during La Biennale di Venezia, and was later featured in Quotations at The Aldrich Museum of Contemporary...

Antonio Santín paints Infinite Po as a length of striped, herringbone woven textile that folds and buckles under its own weight, its cool blues, teals, and grays interrupted by threa...

The painting belongs to Richard's Invisible Man series, a recurring motif, in which the artist leaves only the trappings of formality, cloth, collar, and hat, to stand in for a pers...

This piece is oil paint on mounted canvas and board, in the artist's frame. It's signed and dated Chia '82 in the lower right. A skull and crossbones warning glares from the label of...

*In the Canyons of Your Kiss* was made in 2024, one of the most densely composed and formally ambitious works Spangler has produced in his three decade career. Working from his studi...

The painting belongs to Richard's Invisible Man series, a recurring motif, in which the artist leaves only the trappings of formality, cloth, collar, and hat, to stand in for a pers...

This print marks the first time Quaicoe's new body of work has been made available in an editioned format, and was a collaboration with master print maker Gary Lichtenstein. The resu...