Mash Gallery

In Night Lattice, Tina Bluefield transforms the familiar structure of the grid into something expansive and atmospheric. Layers of intersecting black lines traverse a luminous field ...

In Solstice Story, Tina Bluefield shifts away from the overt geometry that characterizes much of her work and embraces a more atmospheric mode of abstraction. Saturated fields of cri...

An organic, topographic form spreads across the wall in cream, its irregular silhouette pooling into deep cavities of black, cobalt blue, and a single rose-pink hollow. The shapes re...

Cross Currents gathers five fractured figures at the edge of water. Engel paints each body convincingly, then interrupts it with rectangular blocks of dissonant color, so a shoulder ...

Beyond the Horizon is a portrait pushed to the edge of dissolution. A figure tilts their head back against a black ground, eyes lifted, while petals in cream, violet, coral and deep ...

Crossing Point sets three figures in motion across a landscape that keeps changing beneath them. Bodies overlap and interpenetrate, built from planes of pink, yellow, crimson and gre...

Procession is the most theatrical painting in Engel's group. Four figures move through a red-brown riverbed under a blue sky banked with clouds, their bodies painted in hot pink, cob...

Echo Chamber closes in. The canvas is filled almost entirely by a head tipped back and a pair of hands bringing a striped, glossy vessel to the mouth, the object banded in blue, yell...

In Wallpaper - New Horizon, Brigitte Puschmann suspends a botanical suggestion inside a field of weather. Soft grays and lavenders drift across the surface like fog, and through them...

Level 25 builds a landscape out of folds. Broad planes of green and mauve turn and overlap across the canvas like torn paper, draped cloth, or geological strata, each one modeled wit...

Flora Level 25 unfolds as a vivid field of color, gesture, and shifting form. Sweeping teal shapes move through passages of orchid violet, lavender, soft white, and muted gray, creat...

Timeless is the most atmospheric painting in Puschmann's recent group. A wide field of smoke gray and warm white moves across two joined panels, and out of it emerge crimson and rose...

Infinity Stripes is the hard-edge counterpart to Puschmann's atmospheric work, and it shows how far her interest in structure will go. Two wide horizontal bands, one saturated orange...

182 Rodeo Drive leaves the rectangle behind. Grande paints on repurposed structured wooden boards cut into an irregular silhouette, so the work reads as an object on the wall rather ...

X is Grande working at full atmospheric pitch. Blush pink, coral and gold wash across a field of aluminum-painted gray, and through that haze move crimson flowering branches, periwin...

Desire Despair stacks a century of image-making into a single tall column. A monochrome film still of a woman's face sits at the top against gold foliate wallpaper; below her, embrac...

Plastic Dreams is built the way a collage is built, but every element is painted. Upcycled boards are cut and layered into an irregular silhouette, and across those overlapping plane...

Aqueous Path is the largest of O'Guinn's recent paintings. Diluted gesso runs the full height of the canvas in narrow parallel channels, bone white against a ground of charcoal and w...

Valentine Lagoon submerges a garden. Berkowitz works oil wet into wet on linen so that blooms of magenta, cobalt, and ivory unfurl and blur at once, suspended in a deep green-gold wa...

Picnic at Hollywood Forever transforms a familiar Los Angeles landmark into a lush, fluid dreamscape. A pale blue clearing opens at the center of a dense teal and rose landscape, sur...

Pinterest Could Never is the sunlit counterpart to Berkowitz's darker lagoons. Blush, cream, and apricot fill the canvas edge to edge, and through that warmth move mauve, sage, and g...

Kujenga 7 rises as a column of stacked glass blocks in deep crimson, garnet and amber. Each unit is offset slightly from the one below it, so the silhouette steps in and out as it cl...

Kujenga 12 is the most linear work in the series. A narrow shaft of clear glass climbs from a split stainless steel base. Along its length, small hooked brackets project from the col...

Kujenga 17 stacks frosted and clear glass blocks into a column that notches in and out along both edges, so the profile reads almost like a line of script turned on its side. Inside ...

Spire 9 is a straight-sided column of clear glass layered with horizontal bands of color: crimson, sage, cobalt, apricot, plum and a soft blush at the base. The bands vary in thickne...

Spire 10 is the broadest column in the series, and it uses that width to carry a full spectrum. Clear glass at the top gives way to bands of lavender and violet, then deep crimson, t...

Spire 11 (L) is the left half of a pair made to stand beside Spire 12 (R). Its column is built from a dense mosaic of glass panels in emerald, teal, cobalt and bottle green, broken b...

Marrakesh Dream is the most animated of the three works. A ground of coral, rose and terracotta runs down the canvas in vertical drips and streaks, with flashes of yellow and deep re...

Saffron Mirage is a field of burning gold. The square canvas is saturated in saffron and deep orange, and its surface is worked into a crackled, carved texture where incised lines fo...

Majorelle Flight takes its color from the intense cobalt blue of the Jardin Majorelle in Marrakech. The square canvas is saturated with it, layered in shades of cornflower, periwinkl...

Afterglow translates a sunset into architecture. At over seven feet tall, the canvas is filled with hard-edged geometric planes, many with clipped, beveled corners, layered in a smoo...

Held in the Clearing is built from fractured planes. Sharp shards of sage green, pale peach and blush pink break apart across a dark brown ground, folding and overlapping like torn p...

Spire 12 (R) is the right half of a pair made to stand beside Spire 11 (L). The column is built from interlocking tiles of glass in bright green, teal, crimson and violet, arranged i...

Dense fields of tufted yarn spread across the surface like a coral reef caught between growth and stillness, deep red branches reaching upward through a cream ground, met by soft cor...

In Blue Holds Everything, Christy Hopkins explores the emotional and atmospheric potential of color as a vessel for memory, growth, and transformation. Anchored by luminous fields of...

This work demonstrates the full expressive potential of Thomas Piekunka’s freed painting technique. Here, the liberated paint skins become a dense, cascading curtain of color, transf...

In Bloomfall, Christy Hopkins explores the generative forces of nature through a vibrant interplay of color, gesture, and abstraction. Cascading forms and layered passages of paint e...

Inspired by the famous line from Grimm’s fairy tale; “Rapunzel, Rapunzel, let down your hair”, Thomas Piekunka reimagines the story through a contemporary lens. Rather than depicting...

Part of Thomas Piekunka’s ongoing Bliss series, this work is inspired by Joseph Campbell’s simple yet challenging admonition: “Follow your bliss.” Through his signature freed paintin...

Bliss exemplifies Thomas Piekunka’s distinctive “freed painting” technique, a process that expands painting beyond the confines of the canvas. Layers of acrylic are built up, release...

In Regenerate Art (RA1), Diane Holland builds an image from images through layering paint, collage, photography, handwritten text, musical notation, and printed ephemera into a dense...

In this mixed-media work, Aaron Sheppard explores the fragile space between concealment and revelation. Layers of pale washes, translucent surfaces, dripping paint, and embedded form...

In this mixed-media assemblage, Aaron Sheppard constructs a fractured psychological landscape where personal mythology, cultural imagery, and material decay converge. Layers of broke...

In What Does It Mean to Be Free?, Tina Bluefield merges abstraction and landscape to explore the relationship between place, memory, and personal autonomy. A mountain-like form hover...

At first glance, Tina Bluefield’s Clay Dots Over Green River appears deceptively simple: a luminous field of green punctuated by a measured constellation of pale, earthen dots. Yet b...

In Six Snowballs on Black, Tina Bluefield distills her visual language to its essential elements: shape, scale, and contrast. Six luminous circular forms occupy the canvas with a qui...

Effervescent Squares exemplifies Tina Bluefield’s ability to create visual complexity through a highly restrained formal language. Composed of hand-painted white squares that shift f...

A vertical abacus of accumulated gesture, Rituals Revealed suspends rows of clay and stone beads within a lacquered black frame, each string carrying its own rhythm of color and form...

Composition #8 lets its materials argue with each other. Above, oil stick and acrylic move with total fluidity, translucent washes of coral and turquoise pooling against a single wir...

Amas de Chanel (Rose) is a dramatic and atmospheric work from Burton Morris’ Chanel No. 5 Series, presented in his solo exhibition Icons in Bloom at MASH Gallery in West Hollywood. T...

Chanel No. 5 (Rose) is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work reflects the artist’s continued exploration of luxury symbolism th...

Nocturne en Roses is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Sea of Roses series, where the single rose, ...

Chanel No. 5 (Noir) is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work reflects the artist’s continued exploration of luxury symbolism th...

Pop Roses! is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Pop! x Bang! series, where his signature popcorn bo...

Pop Roses! is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Pop! x Bang! series, where his signature popcorn bo...

Pop Roses! is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Pop! x Bang! series, where his signature popcorn bo...

Pop Roses! is presented as part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery. The work belongs to the artist’s Pop! x Bang! series, where his signature popcorn bo...

Part of Burton Morris’ solo exhibition Icons in Bloom at MASH Gallery, Couture l'Argent presents the rose as a luminous emblem suspended between image, object, and symbol. Rendered t...

Created for Icons in Bloom, Burton Morris’ first Los Angeles solo exhibition in over fifteen years at Mash Gallery, Pop! Silver from the Pop! x Bang! series reflects a pivotal shift ...

Rose Couture II is also featured in Icons in Bloom at MASH Gallery. The work introduces a luminous atmospheric field that surrounds the rose in layered red and violet gradients. Unli...