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Ellen Hackl Fagan, RGB, 2011, ink, acrylic, Red abstract painting of music
By Ellen Hackl Fagan
Located in Darien, CT
Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings wi...
Category
2010s Color-Field Abstract Paintings
Materials
Ink, Acrylic, Panel
Suzanne Benton, Blue Mauve, 2022, oil on linen, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.
Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color.
The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness.
Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through
four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists.
These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...
Category
2010s Orphist Landscape Paintings
Materials
Oil, Linen
Suzanne Benton, Before We Knew, 2024, oil on gessoed birch panel, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.
Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color.
The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness.
Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through
four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists.
These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...
Category
2010s Orphist Landscape Paintings
Materials
Gesso, Birch, Oil, Board
Suzanne Benton, Hope, 2023, oil on linen, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.
Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color.
The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness.
Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through
four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists.
These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...
Category
2010s Orphist Landscape Paintings
Materials
Gesso, Birch, Oil, Board
Suzanne Benton, Passage, 2022, oil on linen, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...
Category
2010s Orphist Landscape Paintings
Materials
Gesso, Birch, Oil, Board
Suzanne Benton, Caught in the Dark Waters of Life, 2024, oil, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.
Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color.
The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness.
Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through
four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists.
These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...
Category
2010s Orphist Landscape Paintings
Materials
Oil, Board, Gesso, Birch
Suzanne Benton, Rescue, 2020, oil on board, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.
Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color.
The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness.
Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through
four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists.
These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...
Category
2010s Orphist Landscape Paintings
Materials
Oil, Board
Suzanne Benton, Soft Thunder, 2021, oil on canvas, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.
Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color.
The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness.
Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through
four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists.
These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...
Category
2010s Orphist Landscape Paintings
Materials
Oil
Suzanne Benton, Forecast, 2024, oil on canvas, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edward Said. “Each of us can supply evidence of late works, which crown a lifetime of aesthetic endeavor,” Matisse had it with his renowned paper cuts. While nearly blind, Monet created the water lily paintings as his final legacy to the history of art.
Benton's Late Style arrived as a surprise during the Covid pandemic. The resultant aloneness from sheltering in place brought her to an uncanny level of solitude that only painting could voice. She reached for the purest of colors, and entered a celebratory world to create the Neo-Transcendental paintings titled All About Color.
The disappeared narrative came as a surprise. It had been the mainstay of the masks and mask tale performances, monoprints and paintings. This time though, the artist needed to bring a vibrancy to canvas, and to make tangible this sense of sheer essence that had pressed into her inner self in that time of stillness.
Well educated in color by John Ferren, the abstract expressionist painter who’d taught the year’s color study at Queen College. The sensitivity developed further through
four lengthy art-working journeys to India, starting in 1976-77, continuing with a 1992-1993 Fulbright, and additional South Asia residencies in 1995, and 2011. Those and others in Africa brought an ever more attuned palette to decades of monoprints with Chine collé that featured imagery from world culture, as well as her Americana of 19th and 20th century women writers, educators, suffragists, and feminists.
These Late Style artworks explore the cosmic realm. Its deceptive simplicity reminds Benton of Buffie Johnson’s late work. She, an early celebrator of Great Goddess imagery turned to circles in her latter years. similarly, Benton had drawn on rich Goddess imagery since the 1970’s...
Category
2010s Orphist Landscape Paintings
Materials
Oil, Canvas
Suzanne Benton, Flyaway, 2021, oil on canvas, Spiritualism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...
Category
2010s Orphist Landscape Paintings
Materials
Oil
Suzanne Benton, Shine On, 2021, oil on canvas, Neo-Transcendentalism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...
Category
2010s Orphist Landscape Paintings
Materials
Oil
Suzanne Benton, Compendium, 2024, oil on canvas, Neo-Transcendentalism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...
Category
2010s Orphist Landscape Paintings
Materials
Oil
Suzanne Benton, Centering, 2022, oil on panel, Neo-Transcendentalism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...
Category
2010s Orphist Landscape Paintings
Materials
Oil
Suzanne Benton, Approach, 2022, oil on gesso board, Neo-Transcendentalism
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...
Category
2010s Orphist Landscape Paintings
Materials
Oil
Suzanne Benton, Heavenly Kingdom, 2022, oil on Belle Art primed panel, Transcend
By Suzanne Benton
Located in Darien, CT
In this ninth decade of life, and as a working artist for nearly70 years, Suzanne Benton has become interested in the concept of Late Style as described by the literary theorist Edwa...
Category
2010s Symbolist Landscape Paintings
Materials
Oil
Stephanie Serpick, Interior Visions 8, 2023, Oil On Panel, Realism
By Stephanie Serpick
Located in Darien, CT
Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal.
Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair.
While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing.
Biography
Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing.
Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend.
Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...
Category
2010s Photorealist Interior Paintings
Materials
Oil, Panel
Stephanie Serpick, A New Fall 16, 2018, Oil On Panel, 18 x 24 inches, Realism
By Stephanie Serpick
Located in Darien, CT
Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal.
Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair.
While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing.
Biography
Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing.
Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend.
Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...
Category
2010s Photorealist Interior Paintings
Materials
Oil, Panel
Stephanie Serpick, A New Fall 4, 2017, Oil On Panel, 16 x 20 inches, Realism
By Stephanie Serpick
Located in Darien, CT
Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal.
Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair.
While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing.
Biography
Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing.
Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend.
Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...
Category
2010s Photorealist Interior Paintings
Materials
Oil, Panel
Stephanie Serpick, A New Fall 1, 2017, Oil On Panel, 16 x 20 inches, Realism
By Stephanie Serpick
Located in Darien, CT
Intimate paintings represented by unmade beds and tossed sheets, absent of any human evidence, on intentionally blank, somewhat rough backgrounds. The empty bed in these paintings represents a place for grief, isolation or healing. As such, the work speaks to our shared feeling of grief, with the understanding that while we all suffer in our individual ways, suffering is universal.
Source material for this work are photographs the artist has both taken and found, and the intimate size of the paintings references the intimate nature of the subject matter. The backgrounds of the paintings are repeatedly painted and sanded, to create a frame and backdrop for the bedding that is flat, yet rough with work and time. The bedding itself is seen from different perspectives, but still indicates a scene of desolation and despair.
While the series began in the fall of 2016, recent events—including the pandemic—have provided a new dimension to the work and have compelled Serpick to consider the themes in light of these events. Our forced isolation and the challenges it has brought to our physical and mental health provides an additional shared experience from which to consider grief and eventual healing.
Biography
Stephanie Serpick is a painter whose work explores themes of isolation, grief, and healing.
Her work has been shown in various exhibitions in the U.S. and internationally, and she is a fellow at several residencies, most notably at the Florence Trust Studios in London, MASS MoCA in North Adams, Massachusetts, and the Vermont Studio Center, where she was awarded a full fellowship and stipend to attend.
Recent exhibitions include solo shows at Sweet Lorraine Gallery in Brooklyn, the College of Southern Nevada, and a two-person exhibition at The Munson-Williams-Proctor Arts Institute at the Museum of Art at Pratt in Utica NY...
Category
2010s Photorealist Interior Paintings
Materials
Oil, Panel
Audrey Stone, It's Cooler in the Shade, 2016, Color Field, Abstraction
By Audrey Stone
Located in Darien, CT
Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...
Category
2010s Color-Field Animal Paintings
Materials
Acrylic, Synthetic Paper
Nancy Baker, Alien Nation , 2010, Oil on board, Surrealist Landscape
By Nancy Baker
Located in Darien, CT
These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct
example is in Alien Nation where i have a potter at a ...
Category
2010s Surrealist Landscape Paintings
Materials
Oil, Board
Nancy Baker, Tree in Moonlight, 2020, Oil on canvas, Surrealist Landscape
By Nancy Baker
Located in Darien, CT
These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct
example is in Alien Nation where i have a potter at a ...
Category
2010s Surrealist Landscape Paintings
Materials
Canvas, Oil
Nancy Baker, Green Night, 2020, Oil on canvas, Surrealist Landscape, Painting
By Nancy Baker
Located in Darien, CT
These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct
example is in Alien Nation where i have a potter at a ...
Category
2010s Surrealist Landscape Paintings
Materials
Canvas, Oil
Nancy Baker, Pretty Pearls, 2020, Oil on canvas, Surrealist Landscape, Painting
By Nancy Baker
Located in Darien, CT
These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct
example is in Alien Nation where i have a potter at a ...
Category
2010s Surrealist Landscape Paintings
Materials
Canvas, Oil
Nancy Baker, Pretty Circles, 2020, Oil on canvas, Surrealist Landscape, Painting
By Nancy Baker
Located in Darien, CT
These paintings reflect the love Nancy Baker has for combining classical imagery with an image that is strange. The most direct
example is in Alien Nation where i have a potter at a ...
Category
2010s Surrealist Landscape Paintings
Materials
Canvas, Oil
Tayo Heuser, For Agnes, 2017_ink on handburnished paper_44" x 44", Meditative
By Tayo Heuser
Located in Darien, CT
By developing a geometry between line and the spaces in between in their work, the four abstractionists featured in Transcendental create a point of departure for the mind into a sp...
Category
2010s Symbolist Abstract Paintings
Materials
Paper, Ink, Handmade Paper, Pigment
Sue Carlson_Untitled_oil_pencil on linen_Landscape_Minimalism
Located in Darien, CT
Sue Carlson's first artistic training was as a classical musician. European musical language from Baroque to Contemporary is intricate, complex and express...
Category
2010s Expressionist Landscape Paintings
Materials
Canvas, Oil, Color Pencil
Sue Carlson_ Nordic New Moon_ oil_pencil on linen_Landscape_Minimalism
Located in Darien, CT
Sue Carlson's first artistic training was as a classical musician. European musical language from Baroque to Contemporary is intricate, complex and express...
Category
2010s Expressionist Landscape Paintings
Materials
Canvas, Oil, Color Pencil
Sue Carlson_ Indigo Pre-Dawn_ oil_pencil on linen_Landscape_Minimalism
Located in Darien, CT
Sue Carlson's first artistic training was as a classical musician. European musical language from Baroque to Contemporary is intricate, complex and express...
Category
2010s Expressionist Landscape Paintings
Materials
Canvas, Oil, Color Pencil
Ellen Hackl Fagan, Orbs, 2016, acrylic on casein paper, meditative, spiritual
By Ellen Hackl Fagan
Located in Darien, CT
Ellen Hackl Fagan makes her paintings by pouring paint around the forms of commonplace, mass-produced objects placed on wet sheets of paper or panels – little fruit cartons, fragment...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Ink, Acrylic, Rag Paper
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue_In Stride_Abstraction_Blue
By Ellen Hackl Fagan
Located in Darien, CT
Ellen Hackl Fagan makes her paintings by pouring paint around the forms of commonplace, mass-produced objects placed on wet sheets of paper or panels – little fruit cartons, fragment...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Ink, Panel, Synthetic Paper
Patricia Fabricant, Rosefade, 2005, Watercolor on paper, 30 x 22, Color Pattern
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Oil, Watercolor, Archival Paper
Patricia Fabricant, Teal Jellyfish, 2003, Oil On Canvas, 24 x 24, Naturalism
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Symbolist Abstract Paintings
Materials
Canvas, Oil
Patricia Fabricant, Orange Jellyfish, 2003, Oil On Canvas, 24 x 24, Naturalism
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Symbolist Abstract Paintings
Materials
Canvas, Oil
Patricia Fabricant, Blue Jellyfish 4, 2003, Oil On Canvas, 24 x 24, Naturalism
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Symbolist Abstract Paintings
Materials
Canvas, Oil
Patricia Fabricant, 121221 2021, Gouache and Flashe On Panel, 14 x 11 inches
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Acrylic, Gouache, Panel
Patricia Fabricant, 120421 2021, Gouache and Flashe On Panel, 14 x 11 inches
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Gouache, Panel, Acrylic
Patricia Fabricant, 100420, 2020, Gouache On Panel, 16 x 12 inches, P&D Movement
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Gouache, Panel
Patricia Fabricant, 112920, 2020, Gouache On Panel, 12 x 12 inches, Geometry
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Gouache, Panel
Patricia Fabricant, 050320, 2020, Gouache On Panel, 14 x 11 inches, Geometry
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles, and the Pattern and Decoration movement. The Pattern & Decoration movement interests her in particular since it was a female-driven movement using the materials and techniques of traditional “women’s work” at a time when the art world was dominated by the machismo of minimalism. Fabricant also draws inspiration from spiritualists such as Emma Kunz, Hilma af Klint, Agnes Pelton, early...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Gouache, Panel
Patricia Fabricant, 04292, 2020, Gouache On Panel, 14 x 11 inches, Geometry
By Patricia Fabricant
Located in Darien, CT
Patricia Fabricant is a painter curator, and award-winning book designer, born in New York City. She received her BA from Wesleyan University and studied painting in Florence Italy. Her abstract and figurative paintings have been exhibited widely at such galleries as ODETTA, M David & Co, Front Room, SFA Projects, Equity Gallery, Morgan Lehman, the Painting Center, and 490 Atlantic. Her curatorial practice includes three editions of the benefit group show, Among Friends, Studio Mates at Front Room Gallery, and With the Grain, at Equity Gallery. She lives and works in Brooklyn, NY.
Patricia Fabricant has a deep and abiding interest in process-driven work, from mandalas and yantras to Aboriginal song-line paintings, Islamic tiles...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Gouache, Panel
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue_20 Moons, 2014, Enamel, Ink
By Ellen Hackl Fagan
Located in Darien, CT
Ellen Hackl Fagan is an interdisciplinary abstract painter who believes that synaesthesia can be taught. Through interactive tools and crowd sourcing, Fagan is developing a correspo...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Enamel
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue_Harlem, 2014, Ink, acrylic
By Ellen Hackl Fagan
Located in Darien, CT
Ellen Hackl Fagan is an interdisciplinary abstract painter who believes that synaesthesia can be taught. Through interactive tools and crowd sourcing, Fagan is developing a correspo...
Category
2010s Abstract Expressionist Abstract Paintings
Materials
Ink, Acrylic, Panel, Pigment
Ellen Hackl Fagan, ColorSoundGrammar_3 2010, Abstraction, Meditative
By Ellen Hackl Fagan
Located in Darien, CT
Inviting the accidental while painting, the artist's materials continue to reveal limitless possibilities for improvisation, like jazz music. Influenced by scientific theories-both real and imagined, kitsch, music, decorative art and indigenous textiles, Fagan's abstract paintings and interactive performance build connections between color and surface to sound.
This exploration has led to creating a series of interactive games with viewers, the most recent being The Alphabet Game. To play, viewers select, from colored squares, the color(s) that best represent each note in the familiar ABC Song melody. Through these playful interventions their thoughts about color and music are explored in-depth. Documenting their responses in the form of photographs and notes in journals, Fagan has compiled the results of fifteen artists who played the Alphabet Game during a lecture on color where the artist was the guest presenter in order to create this particular painting.
Fagan distilled the data gathered and painted this visualization of a color/sound alphabet based on the colors selected by this artist's group. These alphabet paintings introduce a wonderful completion to this pseudo-scientific investigation and celebrate painting...
Category
2010s Conceptual Abstract Paintings
Materials
Enamel
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue_Grasslands II, 2018
By Ellen Hackl Fagan
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016.
Using domestic...
Category
2010s Abstract Abstract Paintings
Materials
Paper, Ink, Acrylic, Pigment
Denise Jones Adler, Venus Revisited, 2017, Mixed media, Mystical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present...
Category
2010s Symbolist Portrait Paintings
Materials
Mixed Media, Acrylic, Canvas
Denise Jones Adler, Goddess of Spirit Animals, 2019, Mixed Media, Mysticism
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present...
Category
2010s Symbolist Portrait Paintings
Materials
Linen, Mixed Media, Acrylic
Denise Jones Adler, Petite Morte III, 2016, Mixed Media on Canvas, Mystical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present. Her portraits and dreamscapes pinpoint an unsettled view of the world, layered with a subtle sense of amusement and innate feminism.
Adler is influenced by the Feminist Art Movement as well as Expressionism and the Dada movement. The collages of Hannah Hoch...
Category
2010s Symbolist Portrait Paintings
Materials
Linen, Mixed Media, Acrylic
Denise Jones Adler, Goddesses Just Want to Have Fun, 2016, Mixed Media, Mystical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present...
Category
2010s Symbolist Portrait Paintings
Materials
Mixed Media, Archival Paper
Denise Jones Adler, Phases of the Moon, 2018, Mixed Media on Wood, Mystical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present. Her portraits and dreamscapes pinpoint an unsettled view of the world, layered with a subtle sense of amusement and innate feminism.
Adler is influenced by the Feminist Art Movement as well as Expressionism and the Dada movement. The collages of Hannah Hoch...
Category
2010s Symbolist Portrait Paintings
Materials
Linen, Mixed Media, Acrylic
Denise Jones Adler, Gaia, 2018, Mixed media, Mythical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present...
Category
2010s Symbolist Portrait Paintings
Materials
Linen, Mixed Media, Acrylic
Denise Jones Adler, Endangered, 2022, Mixed media, Mystical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present. Her portraits and dreamscapes pinpoint an unsettled view of the world, layered with a subtle sense of amusement and innate feminism.
Adler is influenced by the Feminist Art Movement as well as Expressionism and the Dada movement. The collages of Hannah Hoch...
Category
2010s Symbolist Portrait Paintings
Materials
Linen, Mixed Media, Acrylic
Denise Jones Adler, Asylum Seekers, 2022, Mixed media, Mystical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present...
Category
2010s Symbolist Landscape Paintings
Materials
Linen, Mixed Media, Acrylic
Denise Jones Adler, Another Point of Departure, 2022, Mixed media, Mystical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present...
Category
2010s Symbolist Portrait Paintings
Materials
Linen, Mixed Media, Acrylic
Denise Jones Adler, Concealed, 2022, Mixed media, 24 x 24 inches, Mystical
Located in Darien, CT
Denise Jones Adler's work is both personal and archetypical and seeks to memorialize a moment in time, the fragile nature of life, and the emotional impact of the past on the present. Her portraits and dreamscapes pinpoint an unsettled view of the world, layered with a subtle sense of amusement and innate feminism.
Adler is influenced by the Feminist Art Movement as well as Expressionism and the Dada movement. The collages of Hannah Hoch...
Category
2010s Symbolist Landscape Paintings
Materials
Linen, Mixed Media, Acrylic
Andra Samelson, Pemarom, 2013-2022, 1300 + cds, Edition of 5, Abstract Sculpture
By Andra Samelson
Located in Darien, CT
The word in Tibetan for lotus is “Pema.” In Buddhism the lotus is a symbol of purity. The lotus is planted and rooted in the mud, but grows up through the water and into the vast sky...
Category
2010s Conceptual Abstract Sculptures
Materials
Mirror, Plastic, Acrylic Polymer, Found Objects, Other Medium
Ellen Hackl Fagan, Seeking the Sound of Cobalt Blue_Big Blue_2020
By Ellen Hackl Fagan
Located in Darien, CT
Seeking the Sound of Cobalt Blue is a series of larger paintings on 8 ply museum board and large sheets of rag paper that have been created since the winter of 2016.
Using domestic construction materials from her garage, extras from home improvement projects or the garden, have been captured, much like a photogram, but with paint, not silver. By blending photography and painting, Fagan finds that the patterns created with industrial, mass-produced objects around the house and garage, speak to her interest in producing paintings that link to sound. These works are portraits of the artist’s home, its history, and the materials used to build that maintain her home.
Ellen Hackl Fagan builds connections between color and sound using installations, interactive games, and collaborative projects that combine color-and-texture saturated paintings with music...
Category
2010s Color-Field Abstract Paintings
Materials
Paper, Ink, Acrylic, Pigment
Audrey Stone, Study for Center Flow, 2018, Color Field, Abstraction
By Audrey Stone
Located in Darien, CT
Observing shifting color is an ecstatic experience for the artist. She is intrigued by transitions from one color to the next and the way the eye and brain process these transitions,...
Category
2010s Color-Field Animal Paintings
Materials
Acrylic, Synthetic Paper
Tayo Heuser, Nomad, 2013, Ink on handburnished paper, Abstraction, Meditative
By Tayo Heuser
Located in Darien, CT
By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Paper, Ink, Handmade Paper, Pigment
Tayo Heuser, Accretion Disk, 2016, ink on wood, Geometric Abstraction, Meditate
By Tayo Heuser
Located in Darien, CT
By developing a geometry between line and the spaces in between in their work, the abstract paintings of Tayo Heuser create a point of departure for the mind into a spiritual consci...
Category
2010s Abstract Geometric Abstract Paintings
Materials
Gesso, Ink, Wood Panel
