P! GALERIE

The relationship between the elements ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and...

The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. No...

This item is raw and sturdy. Its rugged textures and bold lines define that radical character. Its presence is uncompromising and captivating. Sculptural qualities define this objec...

These items are raw and sturdy. Their rugged textures and bold lines define that radical character. Their presence is uncompromising and captivating. Sculptural qualities define the...

Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, modesty, and austerity offer a ...

Here the silhouette is strong. It is presented through the outline and shape of the piece. The relationship between the legs with armrests and the backrest ensures a balanced composi...

The relationship between the partitions ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. It is a one-of...

Sculptural qualities define this object. A vivid dynamic between different gestures and surfaces, showing different qualities from different angles. Its experimental approach reveals...

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It is made out of basic ...

Sculptural qualities define this object. A vivid dynamic between the different volumes and surfaces, showing different qualities from different angles. Its expressive form offers a c...

This is one of the rare Ministers’ desks, one of the few pieces Le Corbusier personally designed for the Chandigarh project. The object exudes an aura. It’s not about the shape or ab...

Sculptural qualities define this object. A vivid dynamic between the different volumes and surfaces, showing different qualities from different angles. Its expressive form offers a complex plasticity shaped by light and shadows. Name Toro comes out from the shape of its backrest, which is shaped in an expressive manner, so to resemble horns of an ox, where the extensions serve the function of armrests. Unlike the seat, which complements the wooden frame with its shape, the backrest appears more autonomous. The seat is shaped so the back part is thinner than the front one, which allows the user to be absorbed and firmly seated within its backseat. The frame presents bars with curved surfaces, which improve the sculptural character of the piece. It is done in massive oak wood. All parts are authentic, including the upholstery which is done in firm red vintage leather. The chair is in its original condition and has softly been restored. I think this piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and expressive colour. As an armchair with a strong character, it is a powerful addition to your living space. P! Galerie’s selection is mainly focused on design masterpieces between 1918 and 1970. Apart from rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand, our offer includes masterpieces of historic importance and value by Gerrit Rietveld, Lina Bo Bardi, Marcel Breuer, Oscar Niemeyer, or, for example, Eileen Gray. Following all ethical and juridical requirements, all items from our carefully curated collection come with a certificate of authenticity. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Miguel Fisac...