P! GALERIE

Rare armchair known as “Cross easy chair” in solid teak and braided canework, circa 1955-1956. We have two of them to offer. PJ-SI-45-A for Chandigarh. This chair is a fantastic pi...

The visible nonchalance here celebrates the lightness and the joy of life. It’s not about representation or impressing others. It demonstrates the Indian lifestyle, much more casual ...

Here the silhouette is strong. It is presented through the outline and shape of the piece. The visible nonchalance here celebrates the lightness and the joy of life. It’s not about r...

The relationship between the seat, the legs and the armrest ensure a balanced, though asymmetrical composition. The careful alignment and proportions create an equilibrium, giving a ...

Sculptural qualities define this object. A vivid dynamic between the different volumes and surfaces, showing different qualities from different angles. Its expressive form offers a c...

The visible nonchalance here celebrates the lightness and the joy of life. It’s not about representation or impressing others. It demonstrates the Indian lifestyle, much more casual ...

The relationship between the seat, the legs and the armrest ensure a balanced, though asymmetrical composition. The careful alignment and proportions create an equilibrium, giving a ...

These items are raw and sturdy. The rugged textures and bold lines define that radical character. A vivid dynamic between the different volumes and surfaces, showing different qualit...

This item is raw and sturdy. The rugged textures and bold lines define that radical character. A vivid dynamic between the different volumes and surfaces, showing different qualities...

Here the silhouette is strong. It is presented through the outline and shape of the piece. Sculptural qualities define this object. A vivid dynamic between the different volumes and ...

These items are raw and sturdy. The rugged textures and bold lines define that radical character. Their presence is uncompromising and captivating. Sculptural qualities define these ...

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It is made out of basic ...

This item is raw and sturdy. Its rugged textures and bold lines define that radical character. Its presence is uncompromising and captivating. Sculptural qualities define this object...

These items express a specific rawness. There is no need for precise execution or the desire to appear sophisticated. They are simple, self-evident, and direct. Made out of basic ele...

These items are raw and sturdy. Their rugged textures and bold lines define that radical character. Their presence is uncompromising and captivating. Sculptural qualities define the...

Sculptural qualities define this chair. A vivid dynamic between the volumes and surfaces shows different qualities from different angles. It is a variation on a traditional Mexican ...

The relationship between the partitions ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension a...

Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. The relationship between the partitions and the outline ens...

The relationship between the elements ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and...

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It is made out of basic ...

Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, modesty, and austerity offer a ...

Here we see a decision to project the universal ideals of modernity onto Indian reality. However, this piece was inspired by North Indian culture, as well the cosmic and spiritual I...

The piece embodies minimalist design principles, characterized by a clear shape and simplified form with subtle detailing. It is reduced to the minimum. Compared to most minimalist d...

The piece embodies minimalist design principles, characterized by a clear shape and simplified form with subtle detailing. It is reduced to the minimum. Compared to most minimalist d...

The piece embodies minimalist design principles, characterized by a clear shape and simplified form with subtle detailing. It is reduced to the minimum. Compared to most minimalist d...

The piece embodies minimalist design principles, characterized by a clear shape and simplified form with subtle detailing. It is reduced to the minimum. Compared to most minimalist d...

Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, modesty, and austerity offer a ...

The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. No...

The visible nonchalance here celebrates the lightness and the joy of life. It’s not about representation or impressing others. It demonstrates the Indian lifestyle, much more casual ...

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. Made out of basic elemen...

There is no need for precise execution or the desire to appear sophisticated. This item is simple, self-evident, and direct. It is made out of basic elements, illustrating a new lang...

Here we see a decision to project the universal ideals of modernity onto Indian reality. However, this piece was inspired by North Indian culture, as well the cosmic and spiritual I...

The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. No...

The relationship between the elements ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and...

The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. No...

The relationship between the elements ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and...

The relationship between the elements ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and...

This item is raw and sturdy. Its rugged textures and bold lines define that radical character. Its presence is uncompromising and captivating. Each piece is slightly different, where...

The visible nonchalance here celebrates the lightness and the joy of life. It’s not about representation or impressing others. It demonstrates a truly modern lifestyle, much more cas...

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It's made out of basic e...

This item is raw and sturdy. Its rugged textures and bold lines define that radical character. Its presence is uncompromising and captivating. The visible nonchalance here celebrates...

The object exudes an aura. It’s not about the shape or about the material; its auratic quality comes out of its depth, giving a strong presence with an almost ritualist intensity. No...

The relationship between the different shapes ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both ten...

This pine stool by Charlotte Perriand, known as the Sandoz stool, was first created in 1955 and later used in her own chalet in Méribel. The design is reduced and solid — a thick, ro...

Here we see a decision to project the universal ideals of modernity onto Indian reality. However, this piece was inspired by North Indian culture, as well the cosmic and spiritual Indian perception, that changed the rationalist perception of Le Corbusier in a substantial way. That is a one-of-a-kind piece – unique and outstanding, it holds a museum exhibit quality. An artefact for collectors and connoisseurs. A piece without any compromises. Highly valuable, rarely even offered by auction houses. However, it comes with a price. It is a piece quite similar to LC’s stool...

This item expresses a specific rawness. There is no need for precise execution or the desire to appear sophisticated. It is simple, self-evident, and direct. It is made out of basic ...

Here the silhouette is strong. It is presented through the outline and shape of the piece. The void between becomes an important part of the item itself. It demonstrates different vi...

These items express a specific rawness. There is no need for precise execution or the desire to appear sophisticated. They are simple, self-evident, and direct. They are made out of ...

The visible nonchalance here celebrates the lightness and the joy of life. It’s not about representation or impressing others. It demonstrates the Indian lifestyle, much more casual ...

The relationship between the elements ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. Both tension and...

Here we see the principle of the Japanese wabi-sabi, which refers to embracing imperfections and underlining impermanence. Rustic aspects, simplicity, modesty, and austerity offer a ...

This item is raw and sturdy. Its rugged textures and bold lines define that radical character. Its presence is uncompromising and captivating. Sculptural qualities define this objec...

Here the silhouette is strong. It is presented through the outline and shape of the piece. The relationship between the legs with armrests and the backrest ensures a balanced composi...

The relationship between the partitions ensures a balanced composition. The careful alignment and proportions create an equilibrium, giving a sense of coherent design. It is a one-of...

Sculptural qualities define this object. A vivid dynamic between different gestures and surfaces, showing different qualities from different angles. Its experimental approach reveals...

Sculptural qualities define this object. A vivid dynamic between the different volumes and surfaces, showing different qualities from different angles. Its expressive form offers a c...

This is one of the rare Ministers’ desks, one of the few pieces Le Corbusier personally designed for the Chandigarh project. The object exudes an aura. It’s not about the shape or ab...

Sculptural qualities define this object. A vivid dynamic between the different volumes and surfaces, showing different qualities from different angles. Its expressive form offers a complex plasticity shaped by light and shadows. Name Toro comes out from the shape of its backrest, which is shaped in an expressive manner, so to resemble horns of an ox, where the extensions serve the function of armrests. Unlike the seat, which complements the wooden frame with its shape, the backrest appears more autonomous. The seat is shaped so the back part is thinner than the front one, which allows the user to be absorbed and firmly seated within its backseat. The frame presents bars with curved surfaces, which improve the sculptural character of the piece. It is done in massive oak wood. All parts are authentic, including the upholstery which is done in firm red vintage leather. The chair is in its original condition and has softly been restored. I think this piece blends well with many interior styles. It can support pure, modern aesthetics by giving them a warmer character with its natural materials and expressive colour. As an armchair with a strong character, it is a powerful addition to your living space. P! Galerie’s selection is mainly focused on design masterpieces between 1918 and 1970. Apart from rare French mid-century modern design artefacts by Pierre Jeanneret, Jean Prouvé, Le Corbusier, and Charlotte Perriand, our offer includes masterpieces of historic importance and value by Gerrit Rietveld, Lina Bo Bardi, Marcel Breuer, Oscar Niemeyer, or, for example, Eileen Gray. Following all ethical and juridical requirements, all items from our carefully curated collection come with a certificate of authenticity. We try to preserve as much of patina as possible during the process of restoration, as it defines these historic pieces. Not only do we cooperate with museums and offer auction houses our services and expert opinion, we also look forward to welcoming you as a private collector and connoisseur. Literature: Miguel Fisac...

Here the silhouette is strong. It is presented through the outline and shape of the pieces. The objects exude an aura. It’s not about the shape or about the material; their auratic q...

Here the silhouette is strong. It is presented through the outline and shape of the pieces. The visible nonchalance here celebrates the lightness and the joy of life. It’s not about ...