RIGHT | PROPER Furniture

French Art Deco always understood the seduction of surface, and this burled walnut center table leans into it unapologetically. The circular top is inlaid in a radiating parquetry st...

Few American ceramic traditions feel as instantly recognizable as Acoma Pueblo pottery. Hand built, stone polished, and painted in graphic mineral pigments, these vessels carry centu...

Before modern examination lamps and surgical lighting, there were objects like this: ingenious, slightly severe, and unexpectedly beautiful. This late 19th to early 20th century Amer...

Few designers understood how to make furniture feel simultaneously primitive and refined quite like Bart van Bekhoven. His work strips away ornament entirely, relying instead on silh...

Few designers understood the emotional weight of leather quite like Bart van Bekhoven. His furniture resists trend entirely, operating instead in that rare territory between architec...

Dutch design has long favored restraint over spectacle, but few contemporary designers understand the power of silhouette quite like Bart van Bekhoven. Working from the Netherlands, ...

There is a deliberate sleight of hand at work here. This early 20th century faux draped overmantel mirror, likely dating to the 1940s, takes its cues from the theatrical restraint of...

The Windsor chair is one of America’s most honest design languages. No ornament, no performance, just structure made visible and purpose made legible. This set of six 20th century ho...

American folk art has always had a complicated relationship with utility. The best examples were made to work first and impress second, which is precisely why they endure. This early...

English country houses have long understood the power of repetition. Chairs lined against marble walls create rhythm as much as function, their silhouettes bringing structure and cer...

History has a way of hiding in plain sight. This collection of 19th American barbed wire specimens, mounted across three burlap-wrapped boards, pulls it forward with clarity and conv...

Narrative comes stitched, not painted, in this 20th-century American folk art hooked rug—an image built loop by loop with clarity and conviction. Two white draft horses stand in prof...

A study in glamour pared back to its essentials, this pair of early 20th-century American Art Deco flush-mount ceiling fixtures evokes the cinematic allure of the period. Cast in hea...

Scale is the first impression. At over thirty inches in diameter, this 19th to early 20th century burl wood bowl commands space with its broad, shallow form hinting at a past life ro...

Attributed to Wenzel Friedrich, this late 19th-century American hearth chair channels the audacity that defined his work. Born in Bohemia and working in San Antonio, Friedrich helped shape a distinctly American design language—one that embraced regional materials and translated them into objects with real presence. Texas longhorn horns...

Some pieces whisper; this one practically disappears, and does so with intention. This late 20th-century French bookshelf is reduced to its barest elements: square uprights, four she...

There are objects that decorate a room, and then there are those that quietly dominate it. This monumental 19th-century Chinese drum belongs firmly to the...

Carved from a single burl of ash, this 18th-century Native American bowl—likely from the Northeastern United States—carries the quiet authority of an object shaped by necessity and t...

Carved from deeply saturated red marble threaded with restless white and gray veining, the urns read less as objects than as captured geology. Their ovoid bodies swell and settle wit...

This turn-of-the-20th-century English Thames Valley Windsor chair is where rural grit meets high-drama design. A bold reinterpretation of an 18th-century original, this version swaps...

There’s a certain restraint here that feels distinctly French—measured, architectural, and entirely self-possessed. This Art Deco lamp pares the form down to its essentials, letting ...

This early 20th-century English Arts & Crafts copper vessel leans closer to object than accessory—its surface relentlessly stamped in a crocodile pattern that feels almost confro...

This early 20th-century English Arts & Crafts copper vessel leans closer to object than accessory—its surface relentlessly stamped in a crocodile pattern that feels almost confro...

This 19th-century French Regency tub chair distills the language of its period with uncommon clarity and confidence. A deep, near-black green ground sets the stage—rich, saturated, a...

This late 19th-century American garden table refuses polish in favor of presence. The zinc top—softly dimpled, mottled, and unapologetically timeworn—reads like a working surface tha...

There is nothing decorative in the passive sense about this pair. These early 19th-century English Georgian brass horses assert themselves with composure and control, each shown in p...

This early 20th-century cast iron running horse captures motion in its most distilled, industrial form—an object once built for function, now recontextualized as sculpture. Originall...

At first glance, it’s disarming. A hand carved oak pear, modest in scale, almost naive in its simplicity. Turn it, and the narrative shifts. Nestled into its reverse is a small carve...

It’s a bucket that never knew a tree—at least not in the way it suggests. This 19th-century English planter leans fully into the artifice of faux bois, translating rough-hewn timber ...

These 19th-century lithographs—War and Peace—carry the layered authorship typical of British printmaking at the time, where image, technique, and distribution each played a distinct ...

There’s a fine line between restraint and indulgence—these lamps ignore it entirely. A pair of 21st-century uplights, they channel the irreverent elegance of Frances Elkins and the s...

There’s a particular American poetry in objects made for use, not display—and then, somehow, becoming both. This mid-20th century rooster weathervane sits squarely in that tradition....

A late 20th-century plaster mirror, rectangular in form, but with a softened center that changes the tone entirely. The outer frame is structured and architectural, while the oval mi...

An early 20th-century English desk clip—brass horseshoe, chip-carved wood—once lived a dutiful life pinning down correspondence. Today, it’s been promoted. Elevated on a custom steel...

This mid-century Italian mirror borrows its attitude from architecture. The frame doesn’t simply enclose—it steps, recesses, and projects, with corners that feel lifted from a broken...

A small parliament of 19th century English brass magnifying glasses, each with its own posture, its own quiet authority. The handles—turned, balustered, sometimes slightly irregular—...

Some portraits capture a moment—others preserve an era. Here, a late 18th-century English drawing of a young girl stands as a record of changing taste and sensibility. The neoclassi...

Originally a working tool, this late 19th-century garden rake has been reimagined as a sculptural wall piece. The handle, formed from an espaliered branch, rises cleanly before natur...

There’s a certain freedom in American folk art—the absence of pretense, the confidence of the hand, the instinct to make something simply because it feels right. This 20th-century cu...

There’s a certain alchemy in the work of Rose Tarlow—a way of distilling history into something quieter, more intentional, and entirely her own. Tarlow's Georgina Ribbon-Back Armchai...

There is something unmistakably romantic about the Swiss Black Forest tradition—where craftsmanship leans into illusion, and wood is coaxed into becoming something almost alive. This...

Some pieces ask to be used; others ask to be understood. This mid-20th century American lamp manages both, beginning with a natural burl base that rises in an almost upright, sculptu...

Some objects exist purely to solve a problem. Others solve it with style. This English cast brass bottle opener belongs firmly in the second category. Shaped like a wishbone—an age-...

There’s a particular honesty to the American Arts and Crafts movement—an insistence that beauty begins with the hand, the hammer, and the integrity of the material. This early 20th-c...

Two survivors from the English table, quietly elegant and surprisingly modern. These early 19th-century Wedgwood creamware platters carry the pale, buttery tone that made the factory...

There is a particular elegance in objects that do one thing—and do it beautifully. This 19th-century English lazy Susan is disarmingly simple: a circular top carved from a single, g...

This remarkable 19th-century Japanese dai begins as a single, monumental slice of burl—nearly two inches thick—cut from a tree whose grain had spent decades twisting into wild, unpre...

Paris, just after empire. The heavy drama of Napoleon gives way to something lighter—more romantic, more refined. During the brief Charles X period (1824–1830), French designers trad...

A quiet piece of Georgian theater. In 18th-century England, the dumbwaiter appeared at the edge of the dining table as both servant and stagehand—holding bottles, condiments, and dis...

Graceful, luminous, and quietly poetic, this pair of blown glass hurricanes brings a gentle sense of ceremony to the table. Their tall, flared silhouettes rise from turned stems like...

There’s a particular romance to Adirondack style—the idea that refinement need not abandon the woods. This large-scale vintage Old Hickory mirror ca...

Carved from luminous white Italian marble, this mid-20th century tazza is a study in proportion and restraint. Its shallow bowl rises from a simple pedestal, the stone animated by na...

Pulled from the corner of an English pub, this late 19th–early 20th century pine table feels steeped in the rituals of long evenings—pints set down with a thud, cards shuffled and re...

Three mallards—one proud drake and two hens—hang in quiet procession, suspended before a powder horn and canteen, the classic language of the hunt rendered in painted relief. But ste...

This compelling 18th-century burl ash bowl comes from the forests of the Northeastern Woodlands or Great Lakes region, where ash trees grow dense and wild, often producing the extrao...

This remarkable 18th-century Northeastern Woodlands or Great Lakes region Native American burl ash bowl began as a wild growth on an ash tree, where the grain twisted and swirled int...

These 19th-century French wax seals once secured private correspondence: love notes, legal papers, invitations, gossip best kept from wandering eyes. ...

A early 20th century Edwardian annunciator panel, the quiet nerve center of a well-run household gathers sixteen rooms into a single quiet command center—Drawing Rm, Library, Hall, D...

Three words, three fish, and not a hint of subtlety. Hand-carved from wood and painted to resemble rainbow trout, the trio reclines inside an oversized wooden frying pan as if awaiti...

This striking set of four late 19th-century English lithographs, published by Raphael Tuck & Sons and illustrated by the famed Helena Maguire, captures the quieter, more solemn poetr...