Warnock Fine Arts Art

In this compelling portrait titled Ahab, acclaimed artist Jos Sances channels the psychological intensity of Herman Melville’s iconic anti-hero from Moby-Dick. The print presents a b...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement of the early twentieth century...

Oil on paper, signed lower right corner. Artist Robert Roach lives and works in Santa Fe, New Mexico. His one-of-a-kind, abstract monoprints are inspire...

The deeply etched lines and vibrant red and black color of this print are common to Alliand's abstract "haubans" prints. Haubans is french for a guy line - a tensioned cable designed...

Medium: Intaglio (etching, acquatint, monotype) Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prin...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: 18 color Screenprint Year: 2022 Image Size: 23 × 35 inches Edition of 18 A dynamic coastal scene in which a pod of dolphins breaks the surface of churning water beneath a gl...

The single letter "J", from the alphabet, illustrated by a Jaguar. All letters from the Kelvin Mann's bestiary alphabet are available, and the full set of 27 etchings in folio box...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Medium: intaglio with monotype background Image size: 7.75 × 7.75 in (19.7 × 19.7 cm) Sheet size: 17.75 × 15.25 in (45.09 × 38.47 cm) Edition of 20 Year: 2022 Tachibana’s prints tak...

Unique monotype, signed and numbered 1/1. Autumn Composition by Robert Roach is a unique monoprint built from layered gestures and earth-toned pigments. B...

Pelicans by Stephen McMillan is a serene two-plate aquatint etching depicting a line of pelicans gliding across an expansive sky. Soft tonal gradations and layered blues create a sen...

Fractal-SSI-5a by Seiko Tachibana is a refined carborundum intaglio exploring fractal growth and organic systems. Delicate branching forms radiate outward across contrasting dark and...

Signed, titled and numbered from the edition of 25. One from a series of six pet portraits. The Church Lady by Xavier Viramontes is a vibrant etching and aquatint depicting a dog ado...

Signed, titled and numbered from the edition of 30. One from a series of six pet portraits. The Cisco Kid by Xavier Viramontes is a richly colored etching and aquatint portraying a s...

Signed, titled and numbered in pencil, edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite p...

Medium: intaglio with monotype background Image size: 15.75 × 15.75 in Sheet size: 17.75 × 15.25 in Edition of 20 Year: 2026 Cosmos-Scene B-2 by Seiko Tachibana is a luminous ab...

Medium: intaglio with monotype background Image size: 15.75 × 15.75 in Sheet size: 17.75 × 15.25 in Edition of 20 Year: 2026 cosmos-scene B-3 by Seiko Tachibana is a luminous ab...

Medium: intaglio with monotype background Image size: 15.75 × 15.75 in Sheet size: 17.75 × 15.25 in Edition of 20 Year: 2026 Tachibana’s prints take their inspiration from natur...

Falling Fragments by Rosalyn Richards is a layered abstract composition that balances precision and spontaneity. Interlocking geometric forms—circles, triangles, arcs, and linear vec...

Origin-Beginning-7 feels restrained and contemplative, with softly layered forms dispersed across the surface. The composition emphasizes tonal subtlety over contrast, allowing the e...

Origin-Beginning-6 presents one of the most vertically structured compositions in the series. Elongated clusters of pale forms rise through the center, flanked by darker shapes that ...

In Origin-Beginning-5, the composition shifts toward greater density and contrast. Dark, rounded forms accumulate along the lower edge, creating a strong visual foundation, while lig...

One of seven images from the Origin-Beginning series. Origin-Beginning-3 emphasizes vertical movement within the series. Darker forms gather toward the lower portion of the compositi...

In Origin-Beginning-2, Tachibana introduces a more pronounced dialogue between light and dark. Rounded forms cluster along the lower edge, while lighter, bead-like elements trace gen...

Origin-Beginning-1 introduces the series with a sense of quiet emergence. Pale blue and translucent ochre forms drift across the surface, punctuated by darker circular shapes that an...

Signed, titled and numbered by the artist. Edition of 15. Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satelli...

Cotoneaster is a multi-plate color etching by David Smith-Harrison, depicting a flowering cotoneaster tree set before an architectural façade rendered with classical precision. The c...

Origin–Blue Consonant-6 by Seiko Tachibana is a luminous abstract composition that evokes systems of connection, growth, and transformation. Softly layered fields of blue emerge from...

Signed and numbered 1/1. Medium: encaustic collagraph monoprint Year: 2011 Image Size: 11 x 9 inches a richly textured encaustic collagraph by Elise Wagner, an artist known for merg...

Topiaire Habité is a surreal etching by François Houtin in which organic form and imagined habitation quietly intersect. A sculptural, topiary-like structure emerges within an open l...

In Clown, François Houtin presents a darkly playful figure assembled from an improbable accumulation of organic and mechanical forms. The clown’s body appears constructed rather than...

The lush colors and rich textures of mezzotint are often combined with some sly wit in Mitchell's prints. This proud portrait of a chicken is combined with the ingredients for a reci...

Carborundum and intaglio. Signed and numbered from the edition of 25. A delicately structured image that draws equally from natural growth patterns and mathematical systems. Repeat...

Signed and numbered in pencil from the edition of 44. Carrie Lingscheit originally hails from South Dakota, where her love of printmaking was galvanized through involvement in sever...

This mezzotint, Singer (1984), is a finely realized example of Carol Wax’s mastery of one of printmaking’s most demanding techniques. Depicting the ornate handwheel and mechanism of ...

Signed, titled and numbered, edition of 15. Image size: 9.75 x 10.75 Rosalyn Richards has been a member of the Bucknell University art faculty since 1982. Images from particle physics, satellite photography, biotechnology, radiology, geological survey maps, have all served as influences on Richards' work. Her paintings, prints, and drawings relate to the human need to construct our experiences in nature using systems of design and technology. The maps become metaphors for inner journeys, and are also meant to suggest playful and whimsical approaches to the usually serious function of diagrams. She has had solo shows throughout the United States, and her work is represented in museum collections such as: MUSEUM COLLECTIONS: Chicago Art Institute Mineapolis Institute of the Arts University of Minnesota Yale University Art Gallery Grunwald Center...

Signed, titled, and numbered from the edition of 15. Japanese women with ice cream cones. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense o...

Signed, titled, and numbered from the edition of 15. Japanese still life with vase and flowers on a table. While the images have some resemblance t...

Signed, title and numbered in pencil by the artist. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whimsy, satire and irony relate mor...

Medium: Etching and aquatint Year: 2016 Image Size: 15.5 x 11.5 inches Edition of 25, signed and titled by the artist McCleary was born in Santa Monica, California. He graduated fro...

Signed, titled, and numbered from the edition of 14. Image of a young girl with a traditional tea pot and ramen noodle cup. While the images have some resemblance to traditional Japa...

Signed, titled, and numbered from the edition of 15. Image of a young girl i Kimono. While the images have some resemblance to traditional Japanese Ukiyo-e prints, their sense of whi...

In Descent, Rosalyn Richards explores gravity, structure, and dissolution through a spare yet complex abstract composition. Layered etching and aquatint form a suspended, funnel-like...

Signed, titled and numbered by the artist. Portrait of rose, from an artist who specializes in botanical prints with architecture. Smith-Harrison is known for his meticulous depictions of trees and architecture. His prints have been winning awards and placement in significant collections for more than 30 years. PUBLIC COLLECTIONS (partial list): The Fine Arts Museums of San Francisco, Achenbach Foundation for Graphic Arts, San Francisco, CA Long Beach Museum of Art, Long Beach, CA Springville Museum of Art, Springville, UT Tama Art University Museum, Tokyo, Japan Cadence Corporation, San Jose, CA Coopers and Lybrand, St. Louis, MO George Lucas, Lucasfilms Ltd., San Rafael, CA Utah State University, Logan, UT Southwest Texas State University, San Marcos, TX Warner Brothers, Los Angeles, CA American Express Assurance Co., San Rafael, CA Johnson & Johnson, New York, NY Time Warner, New York, NY Cogent Data Technology, Inc., Friday Harbor, CA Merrill Lynch, Cupertino, CA Nordstrom, Seattle, WA Lifescan, Inc., a subsidiary of Johnson & Johnson Landor Associates, San Francisco, CA Michael Richards...

Artist proof, signed and titled by the artist. An ex libris print featuring an elaborate surrealitic elevator structure. Roman Sustov's prints often provide a fantastic blend of classic technique combined with images from the vast worlds of surrealism, eroticism, fantasy and fairy tales. Signed in pencil artists proof from the edition of 100. Roman Sustov was born in 1977 in Minsk, Belarus. In 1995 he graduated from Minsk Art College and six years later he graduated from the Belarusian Academy of Arts (Department of Graphic). Through this long training he has become a master in etching, lithography and linocut prints. His works can be found in collections in the USA, Germany, Netherlands, Poland, Ukraine, Japan, Russia and Belarus, and in the Contemporary Fine Art Museum (Minsk, Belarus). Roman notes...

Signed, titled and numbered by the artist, edition of 30. Imaginary topiary and garden scenes, with incredibly fine line work in the etching in this image of a suspended garden. Oth...

Signed, titled and numbered in pencil, 3/50. Imaginary topiary and garden scene, with incredibly fine line work in the etching. François Houtin was born in Craon en Mayenne, France...

Monotype, on a page from an 18th century Antiphonaire (The antiphonary is a Catholic liturgical book gathering the Gregorian scores of the hours canoniales). This unique piece on ant...

Signed, titled and numbered in pencil from the edition of 40. Atmospheric mezzotint still life of two roses. Marina Lazareva was born in Moscow in 1961. She is a member of Union of ...

Signed and numbered from the edition of 20. This is the first in a series of 4 prints based. David Avery continues to explore the expressive and technical possibilities inherent in black and white line...

Signed and numbered from the edition of 20. This is the fourth in a series of 4 prints. David Avery continues to explore the expressive and technical possibilities inherent in black and white line...

Signed and numbered from the edition of 20. This is the third in a series of 4 prints. David Avery continues to explore the expressive and technical possibilities inherent in black and white line etching...

Signed and numbered from the edition of 20. This is the second in a series of 4 prints. David Avery continues to explore the expressive and technical possibilities inherent in black and white line...

Signed and numbered fro the edition of 30. An homage to both Max Klinger's surreal “Cupid, Death, and the Beyond”, and Albrecht Durer's "Knight, Death and the Devil". A young mother ...

Signed, titled and numbered from the edition of 25. A skeleton in formal wear plays a grand piano, surrounded by a surrealistic collage of symbols and scenes of a chaotic world. David Avery continues to explore the expressive and technical possibilities inherent in black and white line etching...

This is one of eighteen color mezzotints (printed on chine collé) depicting the landscape of coastal Maine. Intimations of the Arts and Crafts Movement...