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Womb Settee

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Knoll by Eero Saarinen Womb Dusty Pink Velvet Settee Sofa
By Knoll, Eero Saarinen
Located in London, GB
This iconic chair was designed by prolific designer Eero Saarinen in 1948. Eero Saarinen designed the ground breaking womb chair at Florence Knoll's ...
Category

21st Century and Contemporary German Scandinavian Modern Settees

Materials

Chrome

Rare Early Eero Saarinen Womb Sofa / Settee, Knoll, USA, 1950s
By Knoll, Eero Saarinen
Located in London, GB
A very rare early production Eero Saarinen womb settee, made by Knoll, USA, 1950s. Original Knoll fabric, fibreglass, black enameled steel fr...
Category

Mid-20th Century American Mid-Century Modern Sofas

Materials

Steel

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The Womb Series
Learn More
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Finnish-American architect and furniture maker Eero Saarinen (1910–61) declared that he “wanted to clear up the slum of legs” crowded beneath tables. Enter his Pedestal collection, which Knoll launched in 1958. The collection included armchairs, stools and tables of various sizes all balanced on a single supporting leg.Saarinen got his start in furniture as a student at Michigan’s Cranbrook Academy of Art, where his father, architect Eliel Saarinen, was director. Some of Eero’s earliest work ...
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With the founding of the Knoll Planning Unit at Knoll Associates in 1946, the modern open-plan office was born. Soon after the launch of the internationally celebrated design firm’s workplace-focused division, the Saarinen Executive Armless chair would emerge as one of its seating staples. A departure from more rigid office seating, the 1950 design by Finnish architect Eero Saarinen (1910–61) offered some of the comfort of his 1948 Womb chair in a more formal shape. Nicknamed “that chair with...
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With his iconic Pedestal collection, architect and designer Eero Saarinen (1910–61) vowed to “clear up the slum of legs,” as he described the visual clutter resulting from traditional furniture frames in a 1956 TIME magazine cover story. Central to this endeavor is the Pedestal table, whose round top on a slender, graceful pedestal would become a near ubiquitous — and oft-imitated — form. The Tulip armchair and the Tulip armless chair continue this streamlining in Saarinen’s modern, space-age...
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