Guylaine Guy

László Neogrády (Hungarian, 1896-1962). A Winter landscape, oil on canvas. Signed lower left. László Neogrády was born in Budapest, the son of artist Antal Neogrády. He studied pain...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Russian Constructivism...

Framed oil on canvas board by Guy Carleton Wiggins (1883–1962). Wiggins was an American impressionist painter known for his painting of street scene of New York City in snow. The pai...

Sigmund Joseph Menkes (POLISH / UNITED STATES / NEW YORK, 1896 - 1986) watercolor work on paper depicting a seated woman. Laid over cardboard and mounted in frame. Menkes was a Polis...

1970s Framed Green Parrot Engraving Technique Canvas Painting, Signed. Dimensions of the painting: 29x23cm

An abstract painting with mixt technique by Marcel Poulet. Perfect original conditions. Signed and dated at the base "Marcel Poulet, 2000". Unique piece.

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. 20th-century constructivist mixed technique Russian painting...

A dark-green, purple vintage Mid-Century Modern French abstract oil on wood painting, painted by Daniel Clesse in good condition. Signed on the lower right. Wear consistent with age ...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Work of the famous Italian painter Max Marra, paint mixed technique on canvas dated 2004, titled "Judges"8, on the back of the painting we find a “Certificate of Authenticity”. Measures: cm 100 x 100 Max Marra was born in Paola, Calabria, in 1950. He lives in Monza and works in Lissone. Matured graphic and television experiences, from the 1980s he directed his research towards the integration of expressive technique in painting and sculpture with recycled materials. He works in the H: Orarte laboratory, which he shares with Mario De Leo. He links the teaching and commitment of cultural, organizational, and editorial promotion to artistic activity. With Mario De Leo, Luigi Bianco and other operators founded the Oason Movement in 1985 and then Harta, a bi-monthly cultural interaction, which was later joined by the Hartamotus Association. In 1988 he founded Lissone, with Mario De Meo, the interdisciplinary art studio H: Orarte, open to the consideration, dialogue, and confrontation of other artists, active in organizing cultural initiatives and events. His activity is linked to themes and specific cultural projects, identifiable in the contents and expressive tools. Strong hills, strong features, biting ideas, but also some stops in the white, which is air, which is infinite, to be captured in heavy frames, almost in a purification ritual. He exhibits in a personal exhibition in a private gallery, public institutions, participates in thematic exhibitions, and national and international collective exhibitions are present in Germany, France, Japan. Main exhibitions Cieli di terra, a cura di T. Coltellaro, Museo Archeologico, Lamezia Terme e Museo Civico d’Arte Contemporanea, Taverna, 2002; 57° Premio Michetti Laboratorio Italia, a cura di Philippe Daverio, Francavilla a Mare, 2006; Repubblica e costituzione: rassegna d’arte per i sessant’anni della costituzione italiana a cura di M. Domenicucci, F. Papale e C. Mosillo, Archivio Centrale dello Stato, Roma, 2008; Max Marra: Opere 1984-2009, Museo d’Arte Contemporanea di Lissone, 2009/10; Time passages, a cura di Omar Calabrese, Magazzini del Sale, Siena, 2011; Luoghi e realtà di ricerca tra identità e mutamento, a cura di T. Coltellaro, Collegio Sant’Adriano, San Demetrio Corone, 2011; Limen Arte vince il primo premio, Vibo Valentia, 2011; 54a Biennale di Venezia, Padiglione Italia per il 150° dell’Unità d’Italia “L’arte non è cosa nostra”, a cura di Vittorio Sgarbi, Sala del Re – Galleria Vittorio Emanuele II, Milano e Palazzo delle Esposizioni – Sala Nervi, Torino, 2011/12; Max Marra. Orizzonte senza approdo, a cura di C. Rizzi, Museo Parisi Valle, Maccagno, 2012; Cieli di cosmos, Sofia Arsenal, Museum for Contemporary Art, 2013; Equilibri materici, a cura di G. Bonomi, Centro per l’Arte Contemporanea, Rocca di Umbertide, 2015; E fu il terremoto, a cura di Vittorio Erlindo, Refettorio del Monastero di San Benedetto Po, Mantova, Monastero di Weingarten (Germania) 2018; IXION, MAC Lissone, a cura di A. Zanchetta; L’opera in bianco, a cura di S. Cortina, Galleria Cortina, Milano, 2018; Dal Rembrandt by himself all’io ritratto, a cura di G. Lepore, Accademia Nazionale delle Belle Arti di Sofia, Bulgaria 2018; Contributi al Novecento, Da Boccioni a Rotella ai contemporanei, Fondazione Stelline, Milano, a cura di B. Corà e T. Sicoli; Di studio in studio, Casa Museo Boschi Di Stefano, Milano, a cura S. Soddu, Comune di Milano e Politecnico di Milano 2019; Omaggio a Franca Rame, MusAlab Archivio Franca Rame e Dario Fò...

Japanese painting, Svampar, Denmark Mixed technique on artistic fabric The work is signed by the artist Work dimensions 34/96 Unframed work Work in original vintage condition. It h...

Mixed technique on canvas 70 x 50 cm by Iliev Iskren.

Work of the famous Italian painter Max Marra; painting on canvas with mixed media dated 2004, titled "Judges II” 3, on the back of the painting we find a certificate of authenticity,...

We kindly suggest you read the whole description, because with it we try to give you detailed technical and historical information to guarantee the authenticity of our objects. Russian constructivism...

This is a beautiful and playful oil on canvas by French artist Guy de Rougemont, signed Rougemont and dated 2006 on the back. It’s been framed with a royal blue shadow box matching t...

Powerful original landscape by Canadian artist Guy Roy having marvelous impasto and color palette. Signed lower left. Canvas measures 30 x 36 Matted and framed with gilded molding a...