Precious Stone Decorative Boxes

The "Victoria" Box Set by Kifu Paris in black oak exudes a serene, organic luxury. The natural texture of the black oak offers a soft, refined aesthetic that brings warmth and sophis...

Enchanting antique large Turkish box crafted with bone, cut and decorated in floral compositions, hammered metalwork and highlighted with semi precious stones. The interior has multi...

A rare and visually striking mid-20th century European silver cigarette box. The hinged lid is meticulously set with rows of polished amethyst-colored pastes, each individually hand-...

This exquisite set of 3 round boxes, crafted by R&Y Augousti, is a true testament to luxury and craftsmanship. Wrapped in a rich cream shagreen, each box features a breathtaking onyx...

Invite healing energy into your home with this exquisite Rose Quartz box. Known for its gentle and soothing properties, rose quartz is a stone of love and compassion, bringing a sens...

PRESENTING A RARE AND DESIRABLE 19C Anglo Indian Highly Carved Padouk and Mosaic Folio Cover. This is a VERY RARE piece of Anglo-Indian and British Victorian Colonial history! From circa 1870-80, it is a highly carved Padouk wood cover with raised carved reliefs, bordered with Sadeli Mosaic from Bombay and edged in faux ivory/ivorine and ebony stringing. The fact that this is a Book/Folio Cover, for the holding and keeping of your books or manuscripts, in ‘good order’, is what makes this piece so RARE! We have been collecting Anglo-Indian items...

Navajo Sterling Silver & Turquoise Hinged Box, by Gary Reeves Gary Reeves (1962-2014) The Navajo sterling silver and turquoise hinged box, crafted by the r...

PRESENTING AN ABSOLUTELY STUNNING AND EXCEPTIONAL 19C Anglo Indian Highly Carved Padouk Sadeli Mosaic Scroll Box of Hindu Gods from circa 1870-80. The box case is made from sandalwood with highly hand-carved padouk wood reliefs on all sides and banded and edged in fabulous ‘Sadeli Mosaic’, made from faux ivory/bone, ebony, silver, semi-precious green stone, etc., in various geometric patterns. The carved lid of this box is EXCEPTIONAL! It is HIGHLY HAND-CARVED and depicts 13 Hindu Gods: Vishnu, Shiva, Harihara, etc., in 9 oval shaped reliefs, surrounded by foliage etc. The sides and rear have highly carved foliage relief panels. The lid opens to reveal the original red velvet lining (also on the base) in SUPERB CONDITION throughout. The QUALITY of the ‘sadeli mosaic’ work is EXCEPTIONAL all over. It has its key and working lock. It sits on it’s 4 original brass turned ball feet. THIS IS A HIGH QUALITY & VERY RARE AND DESIRABLE BOX! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

PRESENTING AN EXCEPTIONALLY RARE & IMPORTANT late 18C Anglo Indian Sadeli Mosaic Sarcophagus Sewing Box. VERY, VERY EARLY Sadeli Mosaic piece, which is what makes it all the more important! Made in the area of Bombay, India circa 1780-1800. The box is in a classic Regency Era Sarcophagus form, very reminiscent of an Egyptian/Summarian Coffins/Tombs. This form features regularly in Tea Caddies of that period and helps us identify this piece as, most definitely, late 18th Century. The box is flanked on either side by scroll shaped ends, with a raised platform on the lid. The box is completely covered in an early version of ‘Sadeli Mosaic’. It is edged/banded in faux ivory and ebony stringing. The box case is made of sandalwood. This box is a really EARLY example of this type of mosaic work. The craftsmen of the Bombay area became famous for their ‘sadeli mosaic’ work, through the 19th Century and most examples of boxes with this mosaic, date from the mid-19th Century up to the early 20th Century. As the surface of the early sadeli work, is quite rough/coarse to the touch, it was very difficult to maintain, as dusting with a cloth, would often ‘lift off’ some of the mosaic. Thus, very, very few pieces have survived fully intact. There is no disputing that this box has lived a ‘full life’, BUT, that is to be expected of most Sadeli Mosaic pieces from 1880 … let alone one, from 100 years earlier than that! It is remarkable that it has survived at all! If this were in better condition, it would be in a museum and/or would have a VERY LARGE price tag of multiples of our asking price! There has been quite a loss of mosaic and banding on the exterior, but the loss has been halted, by a gentle application of filler and clear lacquer. The interior of the box is SUPERB, it is ‘pretty much’ in ORIGINAL CONDITION! The mirror is the original and removeable. It is edged/banded with sadeli mosaic, bone and ebony. It has a removeable base tray with various lidded compartments. Original red velvet lining on the inside of the lid and under the tray. The tray has 3 Sadeli mosaic lidded compartments (1 large and 2 small). The ‘sadeli’ work on the lids, is exceptional and very well preserved, with only very minor losses. You can really see the quality of the original mosaic work on these! It has a removeable pin cushion, banded in bone and hand decorated and the original burgundy velvet. There are 4 bone lids for holding the 6 faux ivory thread spools, thimble, and hand decorated thread cannisters. There is 1 long bone lid for storage underneath. The interior is pretty much as good as it gets! It sits on 4 brass ball feet. THIS IS AN EXCEPTIONALLY RARE 18C MINIATURE SEWING BOX! SADELI MOSAIC: “Anglo Indian boxes were made in India for the English residents from the early part of the 18th century. They were brought back or sent back to England usually by the people who had commissioned them. From the beginning of the nineteenth century they were imported more commercially, although not in any significant numbers until the middle decades. They were very highly valued, especially the early ones, to the extent that the designs were copied on late 19th and early 20th century tins. The ancient art of Sadeli Mosaic is said to have been introduced from Shiraz in Persia via Sind to Bombay, a long time before the Anglo Indian boxes were made. It was a technique, which required a high degree of skill and patience. It was executed very lavishly, in that the frequent cuts wasted a great amount of the precious materials used. The workmanship was however more than commensurable to the value of the materials. Ivory, silver, pewter (or other metals), wood and horn were cut into faceted rods which were bound together to form geometric patterns. When the glue has set, the rods were sliced in transverse sections. This gave the maker a number of angled circular pieces in the original pattern. Several variations of patterns could be achieved by combining the materials in different ways. The ivory was sometimes dyed green to give an extra color. The mosaic pieces in a combination of patterns, often separated by ivory, ebony, horn or silver stringing were used to veneer sandalwood boxes. In the early boxes, which date from the turn of the 18th to the 19th century, there are large panels of mosaic covering tops and sides of boxes. It took incredible skill to cover such large areas without any shakes or wavering of the pattern. The corners and joins on these boxes are impeccably matched. The makers (reputed to be Persian) of Sadeli mosaic made in the first two decades of the 19th century displayed a total understanding of the qualities of the different materials they used. They combined substances, which can expand and contract according to atmospheric conditions with others, which are hard and unyielding. The result was a sharp definition of the lines and patterns, which made up the whole design. On the early boxes the designs look deceptively simple. The fact is, they emerged from a culture, which had mastered geometry and understood how to generate a pattern from a set number of points. The patterns are so harmoniously combined that their incredible complexity is not immediately apparent. The earliest Sadeli boxes...

A Russian Silver Samodorok Cigarette Case Early 20th Century Russia. the textured silver case with an inset brown red hardstone cabochon thumb piece. God gilded interior Wear com...

Vintage Moorish Mughal Raj jewelry box inlaid with semi-precious agate stones and covered with silvered metal filigree. Moorish Middle East jewelry...

A finely executed vintage French orbe box in the style of Gripoix Paris, made of rich gold tone alloy and set throughout the exterior with large and bright color glass cabochons of r...