Chinese Boxes

Cylindrical box made of bronze using the sculpted lacquer technique called "Chositsu". A highly valuable technique, since in order to sculpt the motifs, it was necessary to apply a l...

Capture rustic charm with our American-style Vintage Boho Woven Rattan Wedding Chest. Handcrafted with intricate woven rattan, this chest blends bohemian aesthetics with vintage allu...

Delicately carved of dense hardwood, these 19th-century scroll cases were an essential accessory for the esteemed Qing-dynasty scholar. The perfect size for a rolled-up scroll, the cases were once used to store and protect works of traditional calligraphy and landscape painting. The matching cases are hand-carved in low relief with all-over scrollwork and borders of geometric meanders. Each case is carved with repeated Shou characters, symbols of longevity and a blessing for a long and complete life. Amid the scrollwork flourishes are ribbon-clad objects known as the Eight Auspicious Symbols of Buddhism, including the eternal knot...

A ruyi-shaped Shakudo-style erotic tobacco or snuff box, relief-decorated with silvered applied figures Possibly Jakarta (Batavia), first half 18th century Measures: H. 2.2 x L. 12.1 x W. 8 cm This box is very much in the Dutch taste, for the illustration is after a print with a legend reading “L’oiseau sans cage. Prenez, belle, mon oiseau. C’est le plus doux présent que je puisse vous faire. Pour les autres oiseaux, la cage d’ordinaire est une espèce de tombeau. Mais le mien semble prendre une nouvelle vie, Lorsqu’il sera dans la cage de mon aimable Silvie.” The erotic message is as clear as can be. In Dutch culture the verb ‘vogelen’ (catching a bird) is another word for having sex and a bird escaping from his cage indicates loss of chastity. The lady with the bare breasts, while making the sign of sealed lips to the lady behind her, who is pointing towards heaven, seems to be caressing the bird held in the sleeping man’s groin. 17th century Dutch pictures...

This exquisite early 19th-century chinoiserie box, adorned with lacquered surfaces and ornate gold-toned detailing, showcases the superb craftsmanship of English artisans influenced ...

Hand carved. Early 1900s. Enameled.

This intriguing Chinese zhadou is intricately carved of fine cinnabar lacquer. A work of exceptional artistry, this covered bowl is adorned with an intricately carved floral motif on all surfaces, including the cover and the wide rim. Also known as a cuspidor or spittoon, this rare container would have been used by members of the imperial family and scholar- officials at the court. Carved during the Kangxi period (1662-1722), this charming piece exhibits the high detail and charm associated with items from that period, making it a true treasure, Early 18th century (Kangxi dynasty) Measures: 6 ¼” wide x 3 ¼” high Cinnabar has been revered for its color all over the world. It has been found in the royal burial chambers of the Mayas, in the rituals of India, and in the ruins of ancient Greece and Rome. In China, cinnabar and gold were the two most important elements in alchemy. Mined since the Neolithic Age, cinnabar is the ore of mercury, and as such, it can be incredibly toxic, especially when mining. In fact, during the Roman Empire, miners at Spain’s Almadén mine in Spain were frequently exposed to mercury fumes, and the subsequent, often fatal, sickness was considered an occupational hazard. The most popular known use of cinnabar is in Chinese carved lacquer-ware, a technique that is believed to have originated in the Song Dynasty, in which cinnabar is ground to a powder and added to clear lacquer. As with mining, there was inherent danger of mercury poisoning for those who carved the lacquer, as mercury was also released into the air when artisans ground the pigments. Most antique cinnabar...