1970s Snuff Boxes and Tobacco Boxes

French Rustic Olive Wood Salt Box – Wall-Mounted – 1970s Artisan Craft Description: This is a beautiful rustic salt box, handcrafted in solid olive wood, made in France in the 1970s...

Rectangular table snuffbox in 925/1000 sterling silver gold plated with translucent enamels fired on guilloche and hand-painted floral miniature; external blue staff. Art Nouveau sty...

Tabacco box with a Lid in wood. With brass. Brown color. It has been made in France Circa 1970.

Shaped table snuff box in 925/1000 sterling silver gold plated with fine fire-enamelled baroque style engraving. Very fine hand engraving on all surfaces. Dimensions cm. 6.2 x 7.8 cm...

Very nice humidor cigar box, in Burl Wood. This box is large, was made in France in the 1960s. It has a brown and Black color. Under the box, you have some scratch ,see detailed pic...

Square snuff box with two slightly domed sides in 925/1000 sterling silver gold plated with translucent fired enamel on guillochè and hand-painted miniature of flower bouquet, late 1...

Mahogany wood tobacco box with golden and blue brass lid, 1970.

Snuff Box Snuff Box with 2 slightly rounded sides is in 925/1000 sterling silver. Snuff Box Snuff Box with 2 slightly rounded sides has fire-enamelled miniature hand-painted by the ...

Snuff Box Silver is in 925/1000 sterling. Snuff Box Silver has black fired enamels on guilloché. Snuff Box Silver has a lid with geometric design ...

Shaped snuffbox in 925/1000 sterling silver gold plated with fired enamel inserted in a fine hand engraving and with round miniature diameter cm. 3.3 hand painted always with fire enamels depicting a sailing ship. Early 19th century Viennese Baroque style. Fine hand engraving on all sides and bottom. Measurements cm. 7.5 x 7.5 x 2. Weight gr. 151. Designed by Franco Salimbeni in 1976 on inspiration of ancient original artifacts and manufactured in Florence at the Salimbeni company headquarters in several specimens, also with different colors and miniatures, with completely manual execution by artisan artists with thick slabs and large reinforcements suitable for supporting numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750 ° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real ivory...

Tobacco box from the 1970s, Italian design. Measures: Height 7 cm, diameter 15 cm in golden brass.

Shaped snuffbox in 925/1000 sterling silver gold plated with perforated, embossed and hand-engraved lid, with fine oval miniature cm. 3.2 x 4.5 hand painted in tempera on vegetable i...

Round snuff box in 925/1000 sterling silver gold plated with translucent fire enamel on guilloche and hand-painted miniature of stylized blue bird, late 19th-century Viennese Art Nou...

Rectangular table snuff box with 2 slightly rounded sides in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè and hand-painted floral miniature; oute...

Square snuff box in 925/1000 sterling silver gold plated with perforated lid, embossed and engraved by hand, with fine round miniature diameter cm. 3.8 hand painted in tempera on veg...

Rounded rectangular snuffbox in 925/1000 sterling silver gold plated with fine hand-painted fire-enamelled miniature depicting a female face wearing Art Nouveau style clothing, hand-...

Round snuff box in 925/1000 sterling silver gold plated with translucent fired enamels on guillochè and hand-painted floral miniature, surrounded by a frame with leaves on a blue bac...

Tabacco box in wood. With brass. Leaf Decor pattern. Brown color. It has been made in France Circa 1970.

Octagonal table snuffbox in 925/1000 sterling silver gold plated with black fired enamel inserted in a hand engraved drawing and with fired enamelled miniature, hand painted by the p...

Roger Capron 1 of 5 Tobacco jars, France - 1970s

Shaped snuff box in 925/1000 sterling silver gold plated with fire-enameled stripes and fine oval enameled miniature in center cm. 3 x 4 hand-painted by ...

Rounded rectangular snuffbox in 925/1000 sterling silver with fine hand-painted fire-enamelled miniature depicting the Head of the Statue of Liberty in New York. Dimensions cm. 5.5 x 7 x 1.8. Weight gr. 105. Designed by Giorgio Salimbeni in 1975 in Art Deco style and executed in numerous specimens, at the specific request of the firm Tiffany & Co., in Florence in the headquarters of the Salimbeni firm with completely manual execution by artisan artists with thick slab and large reinforcements suitable for sustaining numerous high-fire enamelled firings at approximately 750 < 800° C. Miniature is a very ancient technique which consists of painting works in small proportions. It was born for the decoration of the first letter of the paragraph of the books. Over the years, however, this technique is refined and enriched, then moving on to precious personal items. Hand-painted miniatures can be done with multiple different techniques. The most important that we use on our articles are of three kinds: 1) Fire enamel. 2) Water tempera on an ivory plate. 3) Painted on mother-of-pearl. Fire enameled miniatures: On a first layer of enamel generally white or very clear or even transparent suitably liquefied at a temperature of about 750° C, the chosen subject is painted using miniature colors which are as many colored crystals, ground and reduced to a very fine, almost impalpable powder washed and purified in distilled water with the addition of small quantities of deoxidizing acids which, diluted with essential oils (usually essential oil of solder), can be mixed to form a palette of colors. With very fine sable hair brushes you draw the subject starting from the perimeter and then gradually adding various layers of color. It is necessary to carry out various firings very often so that the colors harden and are not absorbed by the underlying glaze as, during the subsequent firings at 750 ° C, during liquefaction, it would spread irremediably. Hence the need to form the painting a little at a time, cooking it numerous times. Therefore it is necessary to proceed with numerous retouching, often overlapping different colors that only the painter's experience knows. A beautiful miniature needs from 20 to over 50 firings and is finished when the painter deems he does not have to further intervene. Some colors must have darker tones than others because then, by superimposing the transparent enamel placed at the end of the miniature, they fade. This transparent layer, called “fondant” in jargon, must be smoothed and polished like all other translucent enamel colors. The miniatures with water tempera colors are painted on real...