Renaissance Revival Boxes

French 19th century large gilt and silvered bronze table box. Finely cast Renaissance Revival gilt and silvered bronze jewelry box with tufted velvet interior lining. Four corners wi...

An Important French Renaissance Revival Covered Box, Crafted in Silver and Mounted with Lapis Lazuli Panels, Gilt Bronze Figures, and Jeweled Cabochons. The piece is signed in two lo...

An Incredible 19th Century Royal Casket Box/Safe with Coat of Arms, Made of Gold, Damascene, and Etched Steel. Charles Le Hon, a Belgian politician, lawyer and industrialist, served...

This is a Renaissance style gilt bronze rectangular casket lidded box. It depicts embossed decoration of scrolls of acanthus leaves, birds flowers and hearts around the whole box. In the center of the lid, there is a “cameo” or relief of the profile of a gentleman with a beard. Inside, the box is covered with purple velvet fabric in the lid. It is divided in different sizes and shapes of compartments with glass tray and two inkwell bottles...

Rare complete 19th French pottery tobacco jar inspired by the Renaissance with medallions with his two pewter lids. Pottery from North of France No...

With a domed hinged lid and bail handle over a conforming case decorated overall with figures in Renaissance dress. Bun feet. Provenance; David and P...

An Italian enamelled snuff box. Colorful box, created in Italy, back in the 1920. It was crafted in an octagonal shape with neoclassical and renaissance Revival motifs in solid .8...

Antique French Renaissance Figural Bronze Casket Jewelry Box with Cherubs and Winged Maidens Raised on Paw Feet. Unlocked, no key. Circa Early 20th Century. Measurements: 6" H x 8" W...

A stunning and rare antique Italian Renaissance revival hand carved wooden match holder and striker mounted with a sleeping putti by world renowned furniture maker and carved Luigi F...

Large and rare 19th century Majolica jewel box signed Choisy Le Roi. Renaissance style.   

A Contemporary Chest on Leather Decorated and Carved Blind Fretwork Mahogany Stand. Great vintage condition. Measures 22" in width, 17" in dep...

This small jewelry or decorative box has no maker's signature, but presumed to have originated from France and date to approximately 1900 and done in a Renaissance Revival style. The...

A Rare & Important Renaissance Revival Copper & Brass Mounted with Malachite Top Jewelry Box on Stand Elkington & Co., England Date...

This antique miniature ladies compac is unsigned with respect to the maker, but originated from Italy and dates to approximately 1880 and done in a Renaissance Revival style. The box...

Our gold damascened Renaissance Revival jewelry chest by Antonio Cortelazzo (1819-1903) was commissioned by the English lawyer and antiquarian, Sir William Drake (1817-1890) and exhibited by the artist at the 1872 International Exhibition in London. It features a pair of dragons supporting the arms of Drake plus repoussé trophies and gold-ground scrollwork, raised on scroll and mask feet.  The lid is signed CORTELAZZO VICENZA FECIT 1870. With original descriptions written in ink on paper. The first reads "Steel Casket damascened gold and ornamented with 4 plaques of repousse work by Cortelazzo of Vincenza. Coll: Sir W R Drake S.L.A." where the initials refer to the Society of Antiquaries of London. The second similarly reads "Casket of Steel damascened with gold and ornamented with four plaques of silver repousse work. By Cortelazzo of Vincenza. Lent by Sir William Drake." Exhibition: International Exhibition of 1872, London. Provenance: The Collection of Sir William Drake, F.S.A., Christie's, London, June 30, 1891, lot 602, 33 GBP. The Collection of M.F. Adie Esq., purchased circa 1950 from H.W. Keil Ltd, Broadway, Worcestershire, England. Literature: The Official Catalogue, Fine Arts Department London, International Exhibition of 1872, London, J.M. Johnson & Sons, Victoria and Albert Museum. (See images here in our listing.) The Art Journal, London, 1872, p 2. Nineteenth Century Silver, J. Culme, London, 1977, p 17. The Layards, Cortelazzo and Castellani: New Information from the Diaries of Lady Layard, Jewellery Studies I, J. Rudoe, 1983, p 86. A Renaissance-Revival Masterpiece by Antonio Cortelazzo, B. Shifman, Cleveland Studies in the History of Art, vol 8, p 103. In 1872 The Art Journal Catalogue wrote "Among the art gems of the present exhibition are to be found the productions from the hand of Antonio Cortelazzo of Vicenza, now as well known in England for his skill as a metalworker as he is appreciated among his fellow workers in his native italy by whom he is recognized as Facile Princeps in the art. In the mechanical skill with which he inlays metal upon metal he has his rivals; but in the combination of that process with purity of design and artistic fancy of ornament which distinguishes all his works, he stands unrivalled. The 'Coffre' is in intarsia of gold and silver (partly flat and in other parts relief) on steel. It is one of numerous specimens of Cortelazzo's work which are to be found in the collection of Sir William Drake, one of the principal English patrons of the artist whose genius is now fully appreciated. Drake was a wealthy lawyer and collector of contemporary as well as renaissance and baroque works of art. A client of the connoisseur and dealer William Blundell Spence, Sir William acquired works by leading artists of the period including the Florentine sculptor and wood carver, Luigi Frullini (1839-1897), English art potters, the Martin brothers, and the celebrated goldsmith and damascener, Placido Zuloaga...

A Renaissance Revival gilt-brass and agate mounted dressing table box. French, circa 1870. This fine box is applied with foliate engraved strap-work and side handles and finely po...