Southeast Asian Tea Caddies

Beautiful handcrafted antique tinned copper decorative octagonal betel box with with lid, handle and brass latch. The metal is delicately and int...

In many southeast Asian cultures, offering guests a betel quid to chew was the fundamental symbol of hospitality. A blend of leaves, nuts, seasonings, and sometimes tobacco, betel was kept in finely worked and decorated boxes. This round betel box...

Circa 1800 large rectangular tea caddy box, English. George III period. Mahogany. Interior with two hinged tea canisters & a sugar well. Nautilus shell inlaid top, paterae oval inlai...

The (wh)ORE HAüS STUDIOS small goods collection was made for those that wanted to experience the (wh)ORE HAüS brand without committing to our larger pieces. Our Brass Vessel Set with...

Black painted leather, oak interior. Impressed manufacturer's mark to underside ‘Hermès Paris’. 1955

A very rare example of a French mid-century modern silver plate and gold plate box by the iconic French fashion house, Hermès of Paris. A stunning design in silverplate with a gilde...

Elegant metal box with mahogany interior by Hermes, France, decorated with an iconic horse bit.

Zig zag patterned cocobolo, blackwood and betel nut lidded box created by Jon Sauer of San Francisco, California. Box measures 7" in height by 3" in diameter. In excellent vintage co...

1970s Faux Tortoise Decorative Box Hermes Style

A circa 1940 French Art Deco .950 silver powder box with lipstick by Hermès. The powder box's parts are numbered 138. The box's bottom shows a serial...

Burmese antique lacquerware betel box. Individual Betel Box authentic Burmese Folk Art know as Kun- It, Mandalay Period. A lacquered cylindrical body of woven turned Bamboo decorated by incised lacquer overall with Chu-pan variant motif and traditional Folk Art characters. This Betel Box has four bowls that make up the entire box. This is a complete Burmese Lacquerware Betel Box. Each bowl has a purpose. The top and base work as large containers and two shallow dishes work as small bowls. The workmanship is very unique having exquisite height details to the bottom of the base container and the two shallow bowls showcasing a complex design to the weaving. Antique Burmese Lacquerware is highly collectible, having books written on this Folk Art with museums having collections and exhibits of same. A very nice antique Burmese Betel Box...

A scarce fine quality antique silver-inlaid solid brass betel nut box (Lutuan), dating to the second half of the 19th / early 20th century, hand-crafted in Mindanao, Philippines. Boxes such as this were used to store the areca nut (also known as the betel nut) which would be wrapped in a betel leaf with lime paste and other ingredients, often tobacco, for chewing. Similar to the European tea caddy, these boxes often served as a way to impress while showing off ones wealth. Betel chewing was prevalent in the southern Philippines as in much of the rest of Southeast Asia. Wealthier Maranao families on Mindanao were able to afford elaborate silver-inlaid brass betel boxes such as this example. Such boxes were used to show off to guests and from which they were offered betel and the other component such as leaves and lime to make up the betel quid. Rare large size, most extant examples of such boxes tend to measure around 5 inches in length. At slightly more than 7.75 inches the example here is larger than most. The distinctive decorative box features a very heavy strong-box like rectangular shaped chest form with canted corners, copper handles, and a conforming hinged lid, lifting open to reveal an interior divided into three compartments covered by four hinged lids. Each of these doors is inlaid with silver in stylized orchid flower patterns. Exceptionally executed throughout, the arabesque silver inlaid exterior is decorated to the top with a large orchid motif within scrolling obid-obid (stylized rope) borders. The front, back and sides are inlaid with sets of stylized tail feathers of the sari-manok bird beneath which are unusual, highly stylized whimsical zoomorphic faces that appear like cat or tiger faces. (Such stylisation is accounted for by Southeast Asian Islamic preferences to avoid the overt and this potentially idolatrous representation of animal and human forms. Designs such as these are drawn from a local design repertoire that has its origins in wood carving. Although the spread of Islam in the Philippines began in the 14th century, mostly through the influence of Muslim merchants from the western Malay Archipelago, decorative arts in this design remain exceptionally rare. This lutuan represents a fine example of Islamic metalwork from the most eastern outreach of Islamic art and civilisation: Mindanao island being significantly further east than even China – artwork from Islamic Southeast Asia remains chronically under-represented in the world’s major collections of Islamic art. PROVENANCE / ACQUISITION Acquired from highly reputable auction house, Austin Auction Gallery, established 1983, Austin, Texas. References Brownrigg, H., Betel Cutters...