Veneer Candelabras

Pair of candelabra with winged putti, each supporting a floral bouquet, on top of marble base. Each putti is patinated bronze and the bouquets are gilt bronze. The floral bouquet has...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

A pair of very finely-chiselled French gilt bronze candlesticks crafted in the neoclassical style. The decoration is extremely intricate, particularly on the circular base and tulip-...

Pair of late 19th century Empire bronze and ormolu candelabra. - Caryatid herm female figures on marble block plinths. - Three ormolu candle arms/cups - Well modeled.

An exceptional late 19th century gilt bronze-mounted marble three-piece clock set By Ferdinand Gervais The lyre shaped case surrounded with bronze roses, acanthus and lilys, a ...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

This wonderful 1920s Egyptian Revival clock is surmounted with an Assyrian style lamassau (human headed winged lion) and flanked by a pair of re...

A 19th century Napoleon III period Lyre-shaped clock in white marble and gilt bronze in the Louis XVI style. H: 59cm, W: 28cm, D: 20cm Please contact us before ordering to confirm ...

Alfred Emmanuel Louis Beurdeley (French, 1847-1919) A very fine pair of French 19th century Louis XVI style ormolu-mounted and white marble three-light candelabra (now electrified), ...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

Napoleon III French two marbles mantel clock late 19th century circa 1890. Set of a clock and two pedestals. Mercury pendulum The French movement of the clock will be checked befor...