Sheet Metal Candlesticks

Pair of Balinese Art Deco candlesticks.

The Link Candle Holder is a modular system that can be expanded to any size, available in cast brass. Sold as a set of five. (not available in cast ...

Late 17th Century Baroque Angel Candlestick, Scandinavian Amazing carved wood and polychrome candleholder.

A very beautiful 17th century Bougeoire - Candlestick from the South of France. Beautifully crafted from hand forged iron. Terrific patina. A perfect table top accessory.

Pair of heavy late 19th to early 20th century Victorian silverplate candlesticks featuring flower petal candle cups and art nouveau scallop and foliate designs. Dimensions: 5.5" x ...

Very sweet little French bronze candlestick dating from the 17th century. Measures: 15.5 cm high 8 x 8 cm base. Free shipping.

Indulge in the timeless charm of Vintage Art Deco Candlestick Holders, a delightful duo that effortlessly merges sophistication with a touch of whimsy. These pairs come adorned in a ...

Two modern style candle stands in rich onyx marble. Tall one measures 2" in diameter and 4.5" tall. Candle hole is 1.5" in diameter and 1" deep. The fla...

This one-of-a-kind, sculptural beeswax and clay triple candle holder is designed by the Tbilisi, Georgia-based designers Rooms Studio, who skillfully handcrafted this piece in collaboration with Shotiko Aptsiauri. The standing candelabra of sculpturally twisted organic beeswax and clay, entitled "Sacral Geometry Candle Holder", is part of a larger series of hand-formed beeswax works from the artists' collaboration. About the Designers: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances at the time, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

The Constellation candle holder series mark the first collaboration of GAIA&GINO and Porto based Designer Christian Haas. The designs derive their beauty from the interaction between...

A handsome pair of English candlestick holders of fine plate silver featuring a relief with a neo-classical design.

The Constellation series marks the first collaboration of GAIA&GINO and Porto based Designer Christian Haas. The designs derive their beauty from the interaction between tubular ston...