Clay Candle Holders

The shapes of this candlestick, take inspiration from the story of Noah's Ark, re-enacted in a not too distant future, where rising sea levels have submerged everything. The protagon...

Handmade pair Bohemian style ceramic candlesticks with gorgeous brown and blue slightly iridescent glaze. One of a kind, they are slightly mismatched, with one a touch shorter. Beaut...

- Hand built decorative dog sculpture - made of clay collected from the potter's surroundings. - decorative motifs painted with a goat hair brush made...

Candelabro 4 Candleholder by Camila Apaez Unique Materials: Stoneware, Red Clay Dimensions: ⌀ 7 x H 20 cm Ila Ceramica emerged from a process of inner inquiry where ceramics became ...

"Chanel Tentacle Candelabra", is a unique collaborative piece as part of PJ Linden's "Puff Puff Past" collection. This piece features PJ Linden's signature t...

Candelabro 3 Candleholder by Camila Apaez Unique Materials: Stoneware, Red Clay Dimensions: ⌀ 7 x H 20 cm Ila Ceramica emerged from a process of inner inquiry where ceramics became ...

Created by late master Alfonso Castillo Orta in 1999 in the town of Izucar de Matamoros, in the state of Puebla, Mexico. The traditional "arboles de l...

Introducing the Rocky Glen Votives - exquisite ceramic candle holders that reflect the raw beauty of nature with their rugged texture and versatile design. Each votive is meticulousl...

This one-of-a-kind, sculptural beeswax and clay triple candle holder is designed by the Tbilisi, Georgia-based designers Rooms Studio, who skillfully handcrafted this piece in collaboration with Shotiko Aptsiauri. The standing candelabra of sculpturally twisted organic beeswax and clay, entitled "Sacral Geometry Candle Holder", is part of a larger series of hand-formed beeswax works from the artists' collaboration. About the Designers: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances at the time, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Inspired by Mid-Century Modern design, this piece is wheel thrown and hand pierced stoneware with a glossy cobalt glaze with black highlights. Smaller holes are created when the clay...

- Handbuilt freckles terracotta candle holder - made of clay collected from the potter's surroundings. - made in the Moroccan Rif mountains by Houda Approximate measurements: 1....

Wonderful large, heavy vintage, stunning and whimsical five arm Candelabra or candle stand / holder in the form of white coral. Lovely textured detailing - natural organic form. Perf...

The Pera sculpture explores the beauty of the material and artisanal work to perfume the air in a subtle shape that enhances the delicate incense stick shape. The texture, colour an...

The Pera sculpture explores the beauty of the material and artisanal work to perfume the air in a subtle shape that enhances the delicate incense stick shape. The texture, colour an...

Inspired by Mid-Century Modern design, this piece is wheel thrown and hand pierced stoneware with a glossy cobalt glaze with black highlights. Smaller holes are created when the clay...

The Pera sculpture explores the beauty of the material and artisanal work to perfume the air in a subtle shape that enhances the delicate incense stick shape. The texture, colour an...

This bowl was thrown on a potter's wheel and hand pierced. Small holes are created when the piece was still wet. Each hole is then painstakingly enlarged once the clay is bone dry. It is fired with a white satin finish glaze. While it is lovely on its own it is also a functional bowl that is stunning filled with seasonal fruit...

Beautiful Mexican ceramic vase made with cooked clay and decorated with acrylic paint. The vessel represents the traditional dance for the good...

Large stoneware piece. Unknown artist, procured years ago from an older 1950s estate. Damage to one neck, but threads onto steel rod, so does not effect any function.

American midcentury green Studio Pottery candlestick.  

Handmade in Oaxaca, a state rich in pre-hispanic pottery tradition, the Barro Negro (black clay) style has a tactile finish with a subtle shine. This mismatched pair resembles cacti ...

Beautiful Vintage hand painted ceramic candelabra , made in the state of Puebla, Mexico. The traditional "arboles de la vida" or "trees of life" in motif authentic Folk Art piece. ...