Renaissance Revival Candle Holders

Decorative set of two large gilt bronze figural wall sconces by Gherardo Degli Albizzi. Female figure is characterized by a very rich veget...

Unique silver Hanukkah lamp, Iraq, circa 1880. On four feet, a handmade silver tray with nine candle holders for eight days of Hanukkah, and one for t...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

A beautiful pair of French gilt doré bronze and marble cherub ormolu-mounted candelabra / three branch lamps.

Pair of large modern bronze wall sconces with mosaic mirrored border. Very fine quality. Back plate is 6" by 18".

These exquisite wall lights were created in the late 19th century by the famous bronzier, Henri Vian (French, 1860-1905). These wall lights are stamped ‘HV 955’ for Henri Vian, along with ‘BY’ for the prestigious Beurdeley furniture-making workshop (French, founded 1818). Vian purchased several bronze models that were created by Beurdeley when the company closed in 1895. These lights were most likely cast from a Beurdeley model. Typical of both Beurdeley’s and Vian’s work, these lights are designed in an 18th century Louis XVI (Neoclassical) style. The wall lights feature gilt bronze (ormolu) backplates which are designed to look like ribbons, tied in bows and ending in tassels. These ribbons support gilt bronze oval frames...

A pair of very fine 19th century French empire doré bronze figural two-arm sconces. The left facing figure is of a woman, and countering her is the right facing man. Provenance to...

19th century pair of ornate gilded relicquaries made of brass with a gilt finish. The feature highly decorative Baroque or Rococo-style detailing, including intricate scrollwork, f...

A stunning pair of very fine quality French Neo-Gothic gilt metal church reliquaries. circa 1860s Most impressive objets d’art, born in France in the second half of the 19th century, most likely Parisian gilded bronze and brass ormolu work, exceptionally executed sculptural form, the exquisitely detailed architectural cathedral shaped case having a removable pointed steeple roof with cross finial, opening to relic display case surrounded on all sides by original glazed glass panes, stepped base, rising on disc feet. Signed, stamped by maker / bronzier "BC" (unknown) model "5096" and other faint marks to lid interiors. Additional photos available upon request Dimensions: (approx) 14.75" High, 6.75" Wide, 6.75" Deep; 13.25 lbs total History: A reliquary (also referred to as a shrine, by the French term châsse or monstrance) is a container for important religious relics. The earliest reliquaries were essentially boxes, either simply box-shaped or based on an architectural design, taking the form of a model of a church with a pitched roof. These latter are known by the French term chasse, and typical examples from the 12th to 14th century have wooden frameworks with gilt-copper plaques nailed on, decorated in champlevé enamel. Limoges was the largest production centre; NB the English usage differs from that of the French châsse, which denotes large size rather than shape. Relics of the True Cross became very popular from the 9th century onward and were housed in magnificent gold and silver cross-shaped reliquaries decorated with enamels and precious stones. From about the end of the 10th century, reliquaries in the shape of the relics they housed also became popular; hence, for instance, the skull of Pope Alexander I was housed in a head-shaped reliquary. Similarly, the bones of saints were often housed in reliquaries that recalled the shape of the original body part, such as an arm or a foot. A philatory is a transparent reliquary designed to contain and exhibit the bones and relics of saints. This style of reliquary has a viewing portal to view the relic inside. The feretrum was a medieval form of reliquary or shrine containing the sacred effigies and relics of a saint. During the later Middle Ages, the monstrance form, primarily used for consecrated hosts, was sometimes used for reliquaries. These housed the relic in a rock crystal, or glass capsule mounted on a column above a base, enabling the relic to be displayed to the faithful. Reliquaries in the form of large pieces of metalwork jewellery also appeared around this time, housing tiny relics such as pieces of the Holy Thorn, notably the Holy Thorn Reliquary now in the British Museum. Condition: Superb museum quality examples, in excellent original unrestored antique condition with beautifully aged patina. Wear consistent with age and use. Heavily patinated - scattered oxidation. Overall wonderful examples. Typically reliquaries were not sold in pairs, so to find a matching pair such as this is exceptionally rare. Worldwide shipping available Local pickup available near Dallas, Texas Additional: We here at Lynx Hollow Antiques love religious antiques, from Christian tabernacles, Catholic altarpiece, life-size Buddhist temple sculptures, Hindu votive offerings, 16th century Islamic mosque architectural salvaged windows...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

Hanging brass Hanukkah Lamp Menorah, Morocco, circa 1900. Decorated with openwork, engravings, and with figures of birds on both sides. Made of heavy cast brass, the backplate is pi...

Iron Shabbat candle holder crafted in brutalist style by David Palombo. Made for two candles, each of the holders is decorated with petals-like s...