Veneer Candle Holders

French Empire gilt bronze three-arm wall candleholder finely ornate with foliate, acorn motifs and three female faces, circa 1850-1870. This wall candelabra can easily be converted ...

Louis XVI Style, Candelabras, Gilt Bronze, Crystal, France, 1960s Each having four lights one wired and one not wired. The base strong and sturdy with hanging crystals. The pair in ...

Pair of Louis XVI Style Gilt Bronze Five Branch Appliques, late 19th century, with urn and ribbon finial and grapevine motif to the arms. 22" H x 13.5" W x 6.5" D. Provenance: From a...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

These exquisite wall lights were created in the late 19th century by the famous bronzier, Henri Vian (French, 1860-1905). These wall lights are stamped ‘HV 955’ for Henri Vian, along with ‘BY’ for the prestigious Beurdeley furniture-making workshop (French, founded 1818). Vian purchased several bronze models that were created by Beurdeley when the company closed in 1895. These lights were most likely cast from a Beurdeley model. Typical of both Beurdeley’s and Vian’s work, these lights are designed in an 18th century Louis XVI (Neoclassical) style. The wall lights feature gilt bronze (ormolu) backplates which are designed to look like ribbons, tied in bows and ending in tassels. These ribbons support gilt bronze oval frames...

A black and red marble clock in the shape of an Egyptian temple attributed to G. Servant, flanked by double columns inscribed with hieroglyphs and ornated with a winged uraeus, all made in two patina bronze. The clock is surmounted by a patinated bronze sphinx. Resting on four bronze faces wearing the nemes and terminating in lion paw feet. Georges Emile Henri Servant (circa 1828-1890) who took over his father in 1855 at their foundry, rue Vieille-du-Temple, in Paris, specialized in the production of neo-Egyptian style clocks, very popular in France since 1860s, and also the making of Greek style decorative objects. He drew considerable attention to the high quality of his bronzes at the 1855 Paris Universal Exhibition and then at the 1862 London Exhibition. At this time Servant exported up to 40% of his production, principally to the United States, where for instance, his sphinx clocks were sold with great success by Louis Tiffany Inc. or Hamann & Roche of New York (A similar clock is now exposed at the Metropolitan Museum of Art, New York). But his success came really at the 1867 Paris Universal Exhibition, where he was awarded a gold medal for his neo-Greek and Egyptian works (Les Merveilles...

A pair of very finely-chased French brass candlesticks, circa 1870 in the neoclassical style (could be electrified as table lamps). Bases are decorated with rose vines.

Pair of late 19th century Empire bronze and ormolu candelabra. - Caryatid herm female figures on marble block plinths. - Three ormolu candle arms/cups - Well modeled.

An exceptional late 19th century gilt bronze-mounted marble three-piece clock set By Ferdinand Gervais The lyre shaped case surrounded with bronze roses, acanthus and lilys, a ...

Pair of candelabra with winged putti, each supporting a floral bouquet, on top of marble base. Each putti is patinated bronze and the bouquets are gilt bronze. The floral bouquet has...

A fine pair of French 19th century bronze and gilt bronze candelabras, each with a dark bronze delicious dancing putto figures and parrots holding aloft three scrolled candle-branche...

The clock having domed trapezoidal case, dome with bronze relief to front depicting a partial gilt Egyptian goddess, Isis, flanked by cobras and lotus scrolls, red marble ribbed columns to sides, clock face with gilt egg-and-dart border, gilt hands and mounts, clock face engraved BIGELOW KENNARD & CO. BOSTON, double-barrel clock movement by Achille Brocot, down to chained sphinx protruding from lower case, raised on stepped plinth. This vintage mantle clock...