Fruitwood Clocks

A Large Italian Fruitwood Carved Figural Long Case Clock. In the Italian Rococo style, Hand Carved "Liberty Style" with a female holding flowers and surrounded by 3 Cherub/Angels. A ...

Antique Comtoise French Provincial Fruitwood Grandfather Long Case Clock Additional information: Materials: Fruitwood Please note that this item contains materials that are legally...

A rare wedge shaped laterndluhr Vienna regulator with a two train weight driven movement of exceptional quality. The eight day movement strikes the ho...

Grand Regulator World's Fair Clock François Linke Circa 1900 Widely regarded as the greatest sculptural clock ever created, this monumental régulateur by François Linke was conceived as a statement for the 1900 Paris Universal Exposition, a moment when the world’s finest artisans competed on an international stage. Linke, the most celebrated ébéniste of the Belle Époque, was awarded the prestigious gold medal for his display, which critics described as “the biggest event in the history of furnishing art in the year 1900.” Designed in collaboration with the sculptor Léon Messagé, the clock exemplifies Linke’s ambition to elevate furniture and timepieces to the realm of fine art. The clock represents over a decade of design and craftsmanship. Only six examples of this model were ever completed due to the extraordinary labor and cost involved. Building just one had a production cost of 22,966 francs, the equivalent of approximately eight years' wages for the average French worker in 1900. The clock is illustrated on the spine of Christopher Payne’s definitive monograph on Linke. Mahdi Al-Tajir, one of the world’s most important collectors, later acquired the present model. Another is located at Whitehall, the Flagler Museum in Palm Beach. It was acquired by Rockefeller’s partner, Henry Flagler...

Edwardian bell top mantel clock standing on a raised plinth and resting on block feet with side viewing glasses and surmounted by a decorative carrying handle. Beautifully decorated ...

V&A Marie-Antoinette Mantel Clock – Sèvres Style Porcelain & Gilt Bronze, Sunburst & Swag Decoration, 39cm An impressive Sèvres-style porcelain ma...

George I Longcase Clock with gilt floral decorated to the sides. Long break arch trunk door with beautifully raised Chinoiserie scenes of pavilions and rural life. The plinth also ha...

EDWARDIAN MANTEL CLOCK Edwardian mantel clock housed in a chinoiserie decorated case with typical Chinese scenes on a red ground, standing on a raised plinth and resting on brass bu...

Edwardian Pagoda Top Chinoiserie Decorated Mantel Clock Edwardian mantel clock housed in a pagoda top case with raised chinoiserie scenes on a black ground, coloured decorated band ...

George II bracket clock by Thomas Wagstaffe, London Ebonised bell top case surmounted by a hinged brass carrying handle standing on a raised plinth...

Complete Vienna clock on six stocky ball feet made of alabaster, architecturally structured wooden case with fruitwood veneers in the shape of a portal, steps in front flanked by two...

Fine Fruitwood Grand-Sonnerie Striking Vienna Regulator Four pillar, triple train movement of short duration with dead beat escapement incorporating...

Chinoiserie Decorated Bell Top Mantel Clock by Elliott Finely decorated bell top case with raised chinoiserie decoration depicting typical Chinese scenes on a black ground with gild...

Antique Swedish Gustavian Rococo Giltwood Wall Clock, Stockholm, Circa 1900 This exceptional antique Gustavian wall clock is a refined example of Swedish Rococo craftsmanship, dating to circa 1900 and retaining its original working mechanical movement. Hand-carved and richly gilded, this elegant wall clock embodies the restrained opulence and architectural balance that define Gustavian decorative arts, making it a timeless statement for curated interiors. The clock features a beautifully sculpted giltwood case, adorned with classical Rococo floral carvings, laurel swags, ribbon bows, and finely modelled ornamental details. The symmetrical composition is anchored by turned columns, a decorative shelf base, and a graceful ribbon crest, all finished in warm, luminous gold leaf that enhances both traditional and contemporary spaces. The circular dial, set within a beaded gilt surround, displays clear Arabic numerals and original hands, offering visual harmony and legibility. Below, the pendulum aperture and architectural elements add depth and sculptural presence, allowing the clock to function as both a decorative wall sculpture and a functional timepiece. Measuring approximately 54 cm in height, this piece is ideally scaled for use in living rooms, bedrooms, hallways, libraries, dining rooms, stairwells, and refined interior settings. It works beautifully as a feature wall clock, a decorative focal point, or a collector’s object within classic, neoclassical, Scandinavian, Parisian, or eclectic interiors. Origin & Period Origin: Sweden, Stockholm Period: Circa 1900 Style: Gustavian / Rococo Revival This clock reflects Sweden’s late Gustavian tradition, where French Rococo influences were interpreted with Nordic restraint, symmetry, and elegance. Pieces of this quality were produced for refined domestic interiors and remain highly sought after by collectors of European decorative arts, antique clocks, and giltwood furnishings. Craftsmanship & Materials Hand-carved giltwood case Original mechanical movement (tested and working) Traditional gilding with rich patina Finely detailed floral, ribbon, and laurel motifs Each element demonstrates exceptional artisanal skill, with hand-carved details and proportional harmony typical of museum-quality Scandinavian decorative objects. Condition Very good antique condition The mechanism was tested and functioning well The surface displays authentic age-related patina consistent with the period. No functional guarantee is included, which is standard for antique clocks. Styling & Interior Appeal This antique Swedish wall clock...

A very fine and rare miniature bracket timepiece made by one of Britain’s most revered horological partnerships. The eight day single fusee movement held by four turned pillars with anchor escapement, adjustable lenticular pendulum and hold fast, is of exceptional quality. Housed in an ebonised and glazed bell top bracket clock case of a design particularly associated with this firm, the silvered roman dial with subsidiary date dial in the break arch is signed and also on back plate. This clock is in excellent original condition with a fully glazed back door and side panels with the U shaped carrying handle, a distinctive trademark of Grimalde and Johnson, standing on turned acorn feet. William Johnston is first recorded in partnership with Peter Grimalde between 1810 and 1825, before setting out on his own, Grimalde & Johnston were celebrated precision chronometer makers, and are known for making this style of miniaturised bracket clock during this period in very limited numbers. Examples of clocks by Grimalde and Johnson can be found in, “The Georgian Bracket Clock, 1714-1830” by Richard Barber and “English Bracket and Mantel Clocks” By Andrew Nicholls...

A fine single fusee timepiece dating from the beginning of Queen Victoria’s reign Circa 1840. The eight day movement with anchor escapement with a suspended pendulum bob with top adj...

An 18th century balloon shaped bracket or table clock by John Leroux of Charing Cross, dating from circa 1790. The waisted case surmounted by a brass pineapple finial over a drum housing the movement. The dial is behind a hinged convex glazed cast brass bezel to front and brass carrying handles to sides, over hipped concave-sided section forming the base. The front has an applied mount of a sunburst mask, the rear with keyhole shaped door incorporating fine scroll-pierced sound fret set within the frame of the case, on generous cavetto moulded skirt base incorporating break-arch recess to apron and with ogee bracket feet. The five knopped pillar twin fusee bell striking movement with rounded angles to the rectangular plates and anchor escapement regulated by a long bob pendulum with an effective length of approximately 11.5 inches, the backplate signed J. Leroux, London to centre, the 7 inch circular single sheet silvered brass Roman numeral dial signed Leroux, Charing Cross to centre, with fine pierced steel hands and Arabic five minutes to outer track. An identical clock is illustrated in English Bracket and Mantel Clocks by Andrew Nicholls...

Edwardian weight driven chinoiserie decorated grandmother clock. Edwardian Grandmother clock housed in a pagoda top case with raised Chinoiserie decoration on a black background. Raised, stepped plinth with inset panel to the base, long break arch trunk door with gilded raised moulding featuring typical Chinese scenes. The sides of the case with floral decoration and featuring two birds. Pagoda top hood with opening glazed door surmounted by three gilded finials...

Splendid walnut wood clock, finely carved and enriched with fruit wood inlays featuring plant motifs. These details give further elegance to the clock, visible both on the front and ...

Edwardian Bell Top Chinoiserie Mantel Clock Chinoiserie decorated mantel clock housed in a bell top case with raised scenes on a red ground, raised stepped plinth resting on four blo...

Edwardian Chinoiserie Decorated Mantel Clock, Asprey, London. Edwardian mantel clock housed in a bell top case with raised chinoiserie scenes on a green ground resting on gilded blo...

Regency Bracket Clock by John Hemingway, Manchester Ebonised arch top bracket clock standing on a raised, moulded plinth and resting on four brass ball feet below an inset brass line...

French Red Tortoiseshell Boulle clock, Samuel Marti, Paris. Red tortoiseshell case inlaid with fine brass decoration surmounted by an ormolu finial, ormolu mounts and standing on raised bracket feet. The front of the case with glazed viewing aperture behind a central ormolu mount. The sides of the case decorated with fishscale fret decoration. Gilded and chased dial with individual blue enamel numerals and original ‘blued’ steel hands. Eight day French movement with starburst pendulum, anchor escapement and outside countwheel, striking the hours and halves on a silvered bell. The backplate stamped H & F, Paris and marked for Samuel Marti, Paris, number 4005. C.1880 ‘Samuel Marti & Cie’ were well known French clockmakers working from their premises at Le Pays De Montbeliard Paris from just before 1860. They were awarded the medaille de bronze...

his elegant 19th-century wall clock, signed by J. Lozano in Madrid, is a stunning example of Spanish craftsmanship. Made from beautifully ebonized wood and adorned with exquisite mot...

Edwardian mantel clock in a break arch case with raised chinoiserie decoration on a red ground, barley twist columns to either side of the case and resting on pad feet. Brass bezel w...

A lovely late George III single pad ebonized eight-day, twin fusee table clock with original verge escapement and rack striking by O. Hamley, circa 1800-1815. The moulded single pad ebonized domed top case with original carrying handle is raised on all four of its original ogee bracket feet onto a detailed base moulding. Gilt-brass sound frets adorn the sides and front in a 'fish scale' pattern backed with bright burgundy silk. The enameled white dial displays Roman numerals, minute and quarter-hour markers housed inside a gilt-brass bezel and domed glass, signed Hamley, Warwick Place, London. The clock features a strike/silent switch on the front dial and a repeat to the right-hand-side. The backplate has border engraving and a short pendulum. Date: 1800-1815 O. Hamley is recorded in Loomes (2006) as being active, circa 1811. He also worked at Bedford Row...

By the highly regarded maker Andrew Prime. Andrew Prime, was apprenticed in 1725 and a member of the Clockmakers’ Company in 1736. The movement is an extremely accomplished pi...

Exquisite 19th Century Mantel Clock – Planchon Paris This exceptional mantel clock, crafted by the renowned Planchon manufactory in Paris during the second half of the 19th century,...

Victorian Ebonised Ting-Tang Mantel Clock Victorian mantel clock housed in an ebonised case with applied ormolu mounts, raised stepped plinth with rope decoration and standing on fou...

French Vernis Martin mantel clock with ormolu mounts. Beautifully decorated case featuring floral swags and foliage with central love...

Miniature Chinoiserie Decorated Mantel Clock Miniature mantel clock housed in a break arch case with raised chinoiserie scenes on a red ground....

Edwardian Chinoiserie Decorated Mantel Clock, John Bagshaw & Sons, Liverpool Break arch case with raised chinoiserie scenes on an ebonised groun...

Edwardian mantel clock housed in a break arch case with raised chinoiserie decoration on a black ground and resting on a wavy plinth. Brass bezel opening to the silvered dial with en...

Georgian Small Ebonised Bracket Clock, Haley & Milner, London Georgian small bracket clock housed in a break arch ebonised case with brass banding...

Edwardian mantel clock housed in chinoiserie decorated case with raised Chinese scenes on a blue ground. The clock with decorative red lattice work band standing on a raised wavy pl...

Victorian Ebonised ting-tang chiming bracket clock Impressive ebonised break arch case with finely cast ormolu mounts, raised stepped plinth res...

Arch top mantel clock standing on four brass bun feet with gilded decoration and brass bezel. Silvered dial with engine turned centre, Arabic numerals, original ‘blued’ steel hands s...

An attractive Austrian mid-18th century Baroque period quarter-striking bracket clock by the maker Andreas Hohenadl (1714-1793), Vienna. The ebonised fruitwood case with figurative b...