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Pottery Wall Clocks

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Material: Pottery
Junghans Striped Max Bill Style Midcentury Wall Clock & Timer, Germany, 1960s
Located in Vienna, AT
A lovely oval mid-century modern wall clock and timer, crafted by Junghans in Germany during the 1960s. Designed in the characteristic style of the era, it features elegant chrome-pl...
Category

Mid-20th Century German Mid-Century Modern Pottery Wall Clocks

Materials

Ceramic, Pottery, Glass

Junghans Pastel Yellow Max Bill Style Midcentury Wall Clock, Germany, 1950s
Located in Vienna, AT
A lovely rectangular mid-century wall clock in landscape format, crafted by Junghans in Germany during the 1950s. Designed in the characteristic style of the era, it features elegant...
Category

Mid-20th Century German Mid-Century Modern Pottery Wall Clocks

Materials

Brass

Midcentury Brutalist Enameled Wall Clock by Kienzle, Germany, 1970s
Located in Vienna, AT
A beautiful round Midcentury Brutalist wall clock, executed by Kienzle Germany in the 1970s. The clock has a housing made of ceramic with a colorful enamel glaze in brown, green, yel...
Category

Mid-20th Century German Brutalist Pottery Wall Clocks

Materials

Enamel

Mid Century Bitossi George Nelson Ceramic Pizza Slice Wall Clock
Located in Lutz, FL
Bitossi and George Nelson Meridian Collection Model 7542 wall clock produced by Howard Miller. Italian ceramic clock designed by Aldo Londi and h...
Category

Mid-20th Century Italian Pottery Wall Clocks

Materials

Metal

Junghans Large Pink Max Bill Style Midcentury Wall Clock, Germany, 1950s
Located in Vienna, AT
A lovely round mid-century wall clock, crafted by Junghans in Germany during the 1950s. Designed in the characteristic style of the era, it features elegant brass hands, a brass fram...
Category

Mid-20th Century German Mid-Century Modern Pottery Wall Clocks

Materials

Brass

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Interestingly, while nearly all of the designs that came out of George’s studio were attributed to him, many were actually designed by him and his team. Some were even designed solely by someone else working at the studio. Nelson famously recounted the story of how the Ball Clock came to life in an interview decades after it’s release: “It was one of the really funny evenings. Noguchi came by, Bucky Fuller came by, and here was Irving, and here was I, and Noguchi - who can’t keep his hands off anything - he saw we were working on clocks and started making doodles. Then Bucky sort of brushed Isamu aside. He said, ‘This is a good way to do a clock’ and made some utterly absurd thing. Everybody was taking a crack at this, pushing each other aside and making scribbles. At some point we left – we were suddenly all tired, and we’d had a little bit too much to drink – and the next morning I came back, and here was this roll of paper, and Irving and I looked at it, and somewhere in this roll, there was a ball clock. I don’t know to this day who cooked it up.” Nevertheless, whoever it was that came up with George Nelson’s designs, it’s almost certain that they would never have come to fruition if it wasn’t for George’s vision and forward-thinking approach. Can you tell me more about his clocks? George’s clocks were one of his most impressive bodies of work. In total, he and his team designed over 130 clocks in just three decades. While it is widely accepted that Irving Harper was the lead designer for the Howard Miller Clock Company at George Nelson Associates, the collection arose after two insightful observations from George: one, that people no longer used the numbers to tell the time; and two, that since most people now used their wristwatch to tell the time, interior clocks were now free to become more decorative in nature. The clocks were designed and released in batches of 8 and were initially only given numbers for names. The Sunflower Clock was simply ‘Clock 2261’, the Flock of Butterflies Clock was 'Clock 2226’, and so on. The Ball was the first clock designed by George and his team and it was followed shortly after by the Star, Sunburst, Spindle, Asterisk, Turbine, Flock of Butterflies, Eye and others. The clocks were purposefully abstract and were designed to complement the modernist furniture emerging at the time. As well as wall clocks, George’s studio also produced a series of desk clocks during that time, most notably the bubble-shaped Night Desk...
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