Pottery Wall Clocks
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Material: Pottery
Junghans Striped Max Bill Style Midcentury Wall Clock & Timer, Germany, 1960s
Located in Vienna, AT
A lovely oval mid-century modern wall clock and timer, crafted by Junghans in Germany during the 1960s. Designed in the characteristic style of the era, it features elegant chrome-pl...
Category
Mid-20th Century German Mid-Century Modern Pottery Wall Clocks
Materials
Ceramic, Pottery, Glass
Junghans Pastel Yellow Max Bill Style Midcentury Wall Clock, Germany, 1950s
Located in Vienna, AT
A lovely rectangular mid-century wall clock in landscape format, crafted by Junghans in Germany during the 1950s. Designed in the characteristic style of the era, it features elegant...
Category
Mid-20th Century German Mid-Century Modern Pottery Wall Clocks
Materials
Brass
Midcentury Brutalist Enameled Wall Clock by Kienzle, Germany, 1970s
Located in Vienna, AT
A beautiful round Midcentury Brutalist wall clock, executed by Kienzle Germany in the 1970s. The clock has a housing made of ceramic with a colorful enamel glaze in brown, green, yel...
Category
Mid-20th Century German Brutalist Pottery Wall Clocks
Materials
Enamel
Mid Century Bitossi George Nelson Ceramic Pizza Slice Wall Clock
Located in Lutz, FL
Bitossi and George Nelson Meridian Collection Model 7542 wall clock produced by Howard Miller. Italian ceramic clock designed by Aldo Londi and h...
Category
Mid-20th Century Italian Pottery Wall Clocks
Materials
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Junghans Large Pink Max Bill Style Midcentury Wall Clock, Germany, 1950s
Located in Vienna, AT
A lovely round mid-century wall clock, crafted by Junghans in Germany during the 1950s. Designed in the characteristic style of the era, it features elegant brass hands, a brass fram...
Category
Mid-20th Century German Mid-Century Modern Pottery Wall Clocks
Materials
Brass
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Interestingly, while nearly all of the designs that came out of George’s studio were attributed to him, many were actually designed by him and his team. Some were even designed solely by someone else working at the studio.
Nelson famously recounted the story of how the Ball Clock came to life in an interview decades after it’s release:
“It was one of the really funny evenings. Noguchi came by, Bucky Fuller came by, and here was Irving, and here was I, and Noguchi - who can’t keep his hands off anything - he saw we were working on clocks and started making doodles. Then Bucky sort of brushed Isamu aside. He said, ‘This is a good way to do a clock’ and made some utterly absurd thing. Everybody was taking a crack at this, pushing each other aside and making scribbles. At some point we left – we were suddenly all tired, and we’d had a little bit too much to drink – and the next morning I came back, and here was this roll of paper, and Irving and I looked at it, and somewhere in this roll, there was a ball clock. I don’t know to this day who cooked it up.”
Nevertheless, whoever it was that came up with George Nelson’s designs, it’s almost certain that they would never have come to fruition if it wasn’t for George’s vision and forward-thinking approach.
Can you tell me more about his clocks?
George’s clocks were one of his most impressive bodies of work. In total, he and his team designed over 130 clocks in just three decades.
While it is widely accepted that Irving Harper was the lead designer for the Howard Miller Clock Company at George Nelson Associates, the collection arose after two insightful observations from George: one, that people no longer used the numbers to tell the time; and two, that since most people now used their wristwatch to tell the time, interior clocks were now free to become more decorative in nature.
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