1870s Wall Clocks

One of a kind Frenchn wall Clock PARIS. circa 1870 , Napoleón III. Precious wood box. Wooden front with Floral inlaid mother of pearl .White marble dial with floral garland painte...

You are viewing a gorgeous Victorian wall clock by Wild of London We date this exquisite time piece to circa 1870 Mahogany case and brass face with makers mark We bought this from a ...

Set of a barometer and a clock, 19th century Set of a barometer and a clock in carved wood, from the 19th century, Louis XVI style, Napoleon III period, great decoration. The mechanism of the clock is missing, but it is possible on request to put an old clock...

A superb quality 19th century walnut black forest mantle clock, the clock dial located at the centre within a rock face surrounded by various...

Mahogany round dial wall clock, re-painted dial with Roman numerals and original ‘blued’ steel hands signed ‘Thwaites and Reed, 15 Bowling Green Lane...

A wonderful and rare Gothic cartel clock, beautifully modelled in gilt bronze dating from around 1870. Chronos the god of time holds the clock from a bracket while the winged hounds ...

19th century carved wood wall clock features Della robia themes crowned by a basket bursting with the fruits of the earth! Sculpted in a neoclassical motif, it defies the ages with w...

Grand combine Louis XV style violoncane table clock in brass Boulle style marquetry & brown horn in all sides, inside the back door and on the interior floor. Beautiful ornaments of ...

Signed on the dial F. Barbedienne à Paris A gilt bronze wall-clock decorated with Renaissance style motifs, such as scalloped scrolls, pomegranates, a faun head and putti framing the dial. In decorative arts, the "cuir découpé" motif (cut leather) recalls a cut leather or metal piece, wound like stylized volutes. This decorative motif is characteristic of the French Renaissance as showed in the inner decoration of the Galerie François I (1535) at the Château de Fontainebleau. Used by artists on tapestry and engravings, this motif was back into fashion in the 19th century. Louis-Constant Sévin (1821-1888) designed as soon as 1839 silver-smith’s objects for famous firms like Denière, Froment-Meurice, Morel and Duponchel. During the Revolution in 1848, he joined Morel in London, as workshop manager and designed pieces that Morel exhibited in 1851. Back in France, he worked in 1855 for Ferdinand Barbedienne as sculptor-ornemanist until the end of his life. Sévin’s works are considerable, he designed furniture bronzes for the “hôtel de La Païva.” At the London Exhibition in 1862, he was awarded a medal for the artistic excellence of the furniture he designed and which was exhibited by F. Barbedienne. He won a second class medal at the Union centrale des Arts décoratifs Exhibition...

Unique Cartel wall clock and its elegant plinth, covered in black ebony wood, beautifully ornamented with many gilt bronze garnitures all over it. The clock (in three parts )wo...

Housed within a swept gilt rectangular frame, the mountain and lake hand painted diorama incorporates a rolling ship, bearing the white saltire on red flag of St. Patrick, a train, a windmill, a water wheel, a horse and cart, inter alia, as well a stonework tower with an integral white enamel dial clock atop, below the crenellations, being signed by the maker, and a music box. The automata...