Pewter Inkwells

French Art Nouveau Inkwell by Pierre-Adrien Dalpayrat, France, circa 1890. A rare and exquisite Art Nouveau inkwell by renowned French ceramist Pierre-Adrien Dalpayrat (1844–1910). This finely crafted piece showcases Dalpayrat’s signature red copper-glazed stoneware, especially rich and luminous near the base. Elegantly mounted in pewter, the design exemplifies the organic flow and refined detail of the Art Nouveau period. Dimensions: Height: 3.54 in. (9 cm) Diameter: 5.12 in. (13 cm) Materials: Stoneware with pewter mount Condition: Excellent+++++, museum-quality preservation Markings: Incised signature "Dalpayrat 1500" under the base (see photo) This inkwell is a collectible example of French ceramic art at the turn of the century—perfect for collectors of Art Nouveau, 19th-century French ceramics, or the works of Dalpayrat. Adrien Dalpayrat (1844–1910): A Pioneer of French Ceramic Innovation Adrien Dalpayrat was a French ceramicist and researcher who played a key role in the revival of stoneware at the end of the 19th century. Born in 1844 in Limoges, Dalpayrat studied drawing and porcelain painting in his hometown before beginning his professional career at the Jules Vieillard faience factory in Bordeaux. There, he met his wife, Marie Tallerie, with whom he had two sons—Albert and Adolphe—who would later become his primary collaborators. Throughout his early career, Dalpayrat worked for several major ceramic manufacturers, including Ashwin (Valentine), Fouquet (Toulouse), François Blanc (Monaco), and Léon Sazerat (Limoges). In 1889, seeking greater independence, he moved to the Paris region and established his own studio in Bourg-la-Reine. Collaborations and Artistic Evolution Dalpayrat’s creative vision expanded through his collaboration with sculptor Alphonse Voisin-Delacroix. Together, they explored neo-Gothic and Palissy-inspired motifs, creating a remarkable ceramic bestiary. Following Voisin-Delacroix’s death in 1893, Dalpayrat partnered with Adèle Lesbros, which marked a shift in his work toward simpler, more refined vase forms influenced by Japonism. Japanese art had been introduced to France during the 1867 Universal Exhibition, but it wasn’t until the 1878 Exhibition, particularly through the ceremonial stoneware used in the Japanese tea ceremony, that Japonism truly captivated French artists. This influence led Dalpayrat to create vessels with organic, vegetal, and animal-inspired forms. Technical Mastery: The Secrets of Copper Red Among all the ceramists of his time who sought to replicate the elusive Chinese “sang de boeuf” (oxblood) glaze, Adrien Dalpayrat was arguably the most successful. He didn’t simply reproduce the legendary copper red—he transformed it. By manipulating glaze thickness, firing temperature, atmosphere, and copper oxide content, he developed a unique palette of flamed and mottled red glazes that became his signature: the renowned Dalpayrat red. He further enriched his pieces by introducing streaks and inclusions of turquoise, blue, green, and yellow—freeing the red glaze from monochromy and turning it into an expressive, living surface. His work pushed stoneware beyond function into expressive art, merging form and glaze in bold, sculptural harmony. Beyond Ceramics: Bronze Mounts and Architectural Works Dalpayrat also collaborated with renowned jewelers such as Ernest Cardeilhac and Keller to produce pieces mounted in gilt bronze, blending ceramics with decorative arts at the highest level. In an effort to make his work more accessible, he opened a second faience workshop focused on simpler, more affordable pieces inspired by Nevers and Rouen ware. However, this venture faced financial difficulties and closed by 1900. The main family studio followed in 1906 as the popularity of Art Nouveau declined. Dalpayrat then returned to Limoges, devoting his final years to painting and drawing until his death in 1910. Legacy and Recognition Despite financial struggles during his lifetime, Dalpayrat’s ceramics were widely acclaimed at major international exhibitions: Bronze medal, World's Columbian Exposition, Chicago (1893) Silver medal, Antwerp International Exhibition (1894) Gold medal, Exposition Universelle, Paris (1900) Today, his work is part of prestigious museum collections. In 2020, the Petit Palais in Paris acquired a large bird motif vase created in collaboration with Voisin-Delacroix, now on view in Room...

A very stylish German Jugendstil pewter desk stand and inkwell by renowned makers WMF (Württembergische Metallwarenfabrik) and dating from around 1906. The stand comprises of a centr...

Antique 19th century library writing barometric / barometer pen holder and ink stand, Circa 1860s-1880s. Made of brass featuring pewter inkwell with glass dome reservoir and slots f...

This is a vintage Parisian ink tray. A French, pewter brass desktop inkwell in Art Deco taste, dating to the early 20th century, circa 1930. Alluring tonality and form, to this fin...

Inkwell with Beetle Relief Origin: France Material: clear pressed glass, silver-plated metal lid Date: circa 1900 Dimensions: H × W × D: 11 × 8 × 8 cm Description: Square inkwell ...

Joseph Reinemann Jugendstil Pewter Novelty Bird Desk Inkwell, Germany c1902. Joseph Reinemann, Munich, a Jugendstil silvered pewter novelty desk inkwell in the form of a grotesque bi...

Antique French Rococo style gilt pewter and porcelain inkwell from circa 1900, marked "Chatelain". This beautifully shaped gilt pewter inkwell is adorned with flowers in the center ...

Ink-stand designed by Nils Fougstedt. Produced by Fabriksaktiebolaget Kronsilver in Sweden.  

A fantastic inkwell in the form of a pocket globe, dating from the mid 19th century.

A fantastic inkwell in the form of a pocket globe, dating from the mid 19th century.

Elegant double inkwell crafted by renowned Swedish silversmith CG Hallberg, dating to the 1931. Executed in richly patinated, hand-hammered pewter, the piece features a rectangular t...

Decorative inkwell with two small lovebirds and original ink-glass. Manufactured by Kayserzinn in Germany circa 1910. It features a rustic authentic patina and the original silver-pl...

Antique Art Nouveau pewter inkwell Continental Pewter c. 1900 Dimensions: H x W x D: 10 cm x 21.5 cm x 15.5 cm This beautiful pewter inkwell was designed and crafted at the turn ...

Place this elegant antique signed inkwell in a man’s office. Created in France, circa 1880, the pewter desk accessory sits on four small curved feet, an...

French Art Deco palisander and pewter inlaid inkwell with 2 crystal wells.

This is an antique Art Nouveau ink well. A French, pewter decorative pen tray, dating to the late Victorian period, circa 1900. Wonderful example fro...

Liberty & Co. Regent Street. London. An English Arts & Crafts Pewter Inkwell with violet-colored enamel decoration to the top, and to each of the circles at the four corners. Stamped...

WMF. Secessionist Art Nouveau Pewter Inkstand. Germany. The inkstand is of rectangular organic form with stylized clovers to the front border, plain deep welled front, and smaller si...

WMF. Secessionist Art Nouveau Pewter Inkstand. Germany. The inkstand is of rectangular organic form with stylized clovers to the front border, plain deep welled front and smaller si...

Liberty & Co. Regent Street. London. An English Arts & Crafts Pewter Inkwell with violet-colored enamel decoration to the top, and to each of the circles at the four corners. Stamped...

Inkwell WMF Germany (Juatice) silver plate, crica 1920 Art nuveau. Art nouveau, modernist art or modernism was an international artistic and decorative movement, developed between ap...

German Art Nouveau pewter inkstand with scroll designs supporting a square cut glass inkwell with a square molded pewter lid.  

Very rare and amazing pewter inkstand with glass tube by Nils Fougstedt, adorned with a flute playing, crosslegged Pan figurine -1930. Good vintage condit...

Rare pewter inkstand, Firma Svenskt Tenn, Sweden -1925. Lid in the shape of a fish, relief decoration along the sides. The insert in glass is missing. Wear and patina consistent wit...

Heading : Liberty Tudric pewter inkwell Archibald Knox c1905 Period : Edward VII Origin : England Decoration : Typical arts and crafts naturalistic lines throughout. Central blue-gre...

Antique English cast pewter inkwell of an Asian scholar sporting a Fu Manchu mustache and ponytail, fixed to a lacquered wood tray.

Art Nouveau rectangular pewter double inkwell with floral design and shaped gallery corners (Kayserginn).