1860s Busts

19th century Italian alabaster bust. Well sculpted antique Italian alabaster or marble bust of a classical female mounted on a plinth. This is a beautifully detailed antique alabaster bust...

Antonio Tantardini (Italian, 1829-1879) An extraordinary Italian 19th century life size carved Carrara white marble sculpture of "A Young Child and a baby in a wicker crib...

XIX Century child wax bust. Curious bust in wax representing a child of the xix century on wooden base total measurements: 22 cm height only the bust 16 cm.

Grand Tour bronze of the god Ajax from Greek mythology. Very detailed with a beautiful patina.

Signed Machauld et Eug. Cornu – G. Viot et Cie Fondeurs Bust of a Greek goddess, made entirely of silvered bronze and gilded bronze. The tiara and collar necklace ornating the bust are finely decorated with stylized floral motifs of polychrome champlevé enamel. It rests on a molded base and square plinth made in red griotte marble. The sculptor Eugène Cornu (1827-1899), installed in Paris at N.29 rue Popincourt, after having worked as a designer and then director for the renowned company Tahan, worked closely with the « Compagnie des Marbres Onyx...

Exceptional bust of a woman, probably made in 19th century Italy, in patinated bronze, and following a neoclassical style. The head of "Flora" appears resting on a quadrangular base ...

Nègre du Soudan bronze bust with marble base after Charles Henri-Joseph. Made in France, c. 1860's. Dimensions: 39"H x 24"W x 13"D

The plaster cast of a herm with the head of Dionysos has a beautiful green patina and sits on a mahogany base France circa 1860-1870.

An Outstanding Pair 19th Century Italian Hand-Carved Carrara Marble Busts of Apollo & Artemis, One Bust is Signed on the Back, "F Vichi". This pair of stunning marble busts, hand-car...

A very fine Italian Carrera marble sculpture of Flora. A beautiful young girl looking to dexter, she has her hair braided. Flora was the Roman...

A magnificent and monumental pair of patinated bronze figures depicting native Americans, La Peche and La Chasse. Known as the "Allegory Of Fishing", sculpted and signed by Duchoiselle, these marvelous patinated bronze figures are seen seated on canoes, hunting. On the Chief's canoe are his hunting spoils, which include birds and wild boar. Bronze with a brown and parcel-gilt patina can be found throughout each subject with elaborate chissel work, making these two as life-like and as natural as possible. The two are further adorned with 24k parcel-gilt decoration on their arm and ankle bangles, feathered crowns, jewelry and fish netting. Duchoiselle is an exceptional artist known for supplying ceiling reliefs for the Louvre and Garnier's Paris Opera in 1882. These Native American models can also be found in marble at the Frilli Gallery...

An Italian artist signed 19th century marble bust of a lady. Wearing a ruffled top with a veil partially covering her face. Signed.

Beautiful antique sculpture by the French artist Jean Valette. The statue depicts a young girl, with a beautiful modest look and a Christian cross on a chain around her neck. The sta...

Antique bust "fer de Berlin", iron casting, 19th century. Depicting a man in antique robe. High quality workmanship, cleaned condition of the bronze.

Italian mid-nineteenth century bronze bust of Lucius Verus, circa 1860-1870, on circular waisted socle. Lucius Verus ruled Rome alongside Marcus Aureli...

A very finely carved marble bust of William Ewart Gladstone dated 1868 and signed W.Theed SC William Theed was born in Staffordshire, his father, William Theed the elder being a sculptor and a craftsman at Wedgwood, known for his major work, Hercules and the Thracian Horses for one frontage of the Buckingham Palace complex. The younger Theed studied at the Royal Academy Schools, then worked for the sculptor E. H. Baily. Five years on, in 1826, he went to Rome, where he was to stay a total of 22 years, during that time working in the studios of Thorwaldson and John Gibson. Returning to London in 1848, Theed enjoyed a good reputation, being a favoured sculptor of Queen Victoria, and was commissioned to produce many portrait statues, busts, and large monuments. He showed work in the 1851 Great Exhibition, and among other high points were a group for the Albert Memorial, and five standing figures on the Inland Revenue side of Somerset House, representing Manchester, Edinburgh, Glasgow, Belfast and Dublin. Theed's statues may be seen in St Paul's (Henry Hallam), Manchester (Monument to Chetham in the Cathedral, Gladstone and Thomas Bright for the Town Hall, and James Watt in Piccadilly Gardens), Huddersfield (Robert Peel), Winchester (David Williams monument in the Cathedral), and Prince Albert statues for Grimsby, and in Australia in Macquairie Street, Sydney. He was also responsible for three of the portrait statues (Bacon, Locke, Adam Smith...

A Victorian white painted terracotta bust of a young woman, wearing a draped shawl over a bodice with a lace trim, her hair elaborately coiffed with a broad plait and multiple ringle...