Argentine Figurative Sculptures

A lovely bronze nude statue. Nicely done with rich patina, on alabaster base.

Bugatti bronze race car lost wax technique bronze sculpture represents a Bugatti racing coupe from the 1930s Origin Argentina Circa 2010 Artist Esteban ...

Marta Minujín, Transformational Sculpture 1982s This Beautiful oiece is in very good conditions! Measuremetns 21 centimetrs Height 22 centime...

J. GARNIER: a charming BRONZE FIGURE of a young sailor-boy, dressed in "bobble-topped" beret and sailor's smock, his arms folded as he happily dances a jig. Good color and patina, an...

nude woman bronze sculpture Erotic bronze of naked woman black stone base Sculpture attributed to Mariano Pages Argentine sculptor Circa 1960 Origin Argentina excellent condition black patina Mariano Pagés was an Argentine sculptor who was born in the city of San Juan (Argentina) on January 6, 1922 and died in Buenos Aires, Argentina on December 18, 2009 whose work was disseminated in many countries around the world and which he carried out, among other works, the monument to Carlos Gardel...

Alpi Marble, black granite and resin lipstick sculpture by Daniel Basso, Argentina, 2021. Daniel Basso, Mar del Plata 1974. He studied painti...

Ceramic, wood, glass and imitation fur floor lamp by Daniel Basso, Argentina, 2020. Titled: "Lámpara Rusa". Daniel Basso, Mar del Plata, 1974. He studied painting at the Higher School of Visual Arts in Mar del Plata. He has been working in the development of his work since 2002. He was awarded a scholarship by Fundación Antorchas, the National Fund for the Arts, Fundación Telefónica, TRAMA (sponsored by the Rijk Academie) and the Ministry of Culture of the Nation. He made the individual exhibitions D´accord (Contemporary Baltar, Mar del Plata, 2006), Bijouterie for Trucks, full version (Appetite Gallery, Bs-As., 2008), Sagrado Corazón de Bizcochuelet (Galería Slyzmud, B. As. 2012), Garage (Recoleta Cultural Center, Bs. As. 2015), Emporio Home (Slymud Gallery, Bs. As., 2016), Soft tour (Recoleta Cultural Center, Bs. As., 2016), Maple & Co. (Fundación OSDE, Bs. As. 2017), Richmond, Reggo, Real (The White Lodge Gallery, Córdoba, 2018), Farola. Tapiz. Túnica (Calvaresi, Bs. As. 2019). Open studio (Atelier Mondial, Basel, Switzerland). Set design for Sadaels SS20 during Paris Fashion Week (Argentine Embassy...

Wood and velvet sculpture by Daniel Basso. Argentina, 2016. Titled "Factory". Daniel Basso, Mar del Plata, 1974. He studied painting at the Higher School of Visual Arts in Mar del Plata. He has been working in the development of his work since 2002. He was awarded a scholarship by Fundación Antorchas, the National Fund for the Arts, Fundación Telefónica, TRAMA (sponsored by the Rijk Academie) and the Ministry of Culture of the Nation. He made the individual exhibitions D´accord (Contemporary Baltar, Mar del Plata, 2006), Bijouterie for Trucks, full version (Appetite Gallery, Bs-As., 2008), Sagrado Corazón...

Magda Frank (1914-2010) cast bronze sculpture, "Pareja". Argentina, 2005. Signed: MF 1/8. Fundición R. Buchhass. It is number 1 out of 8. Dimensions w...

Escargot, No. 164, Emiliano Céliz's arresting new sculpture in silver plated copper, marks a departure from his usual practice and the functional world ...

Coquillage, Emiliano Céliz's arresting new sculpture in silver plated copper, marks a departure from his usual practice and the functional world of desi...

Marta Minuji´n (born 1943) is an Argentine conceptual and performance artist. This is hand signed on reverse. Made of Roman medallions in relief. This is a small scale prototype f...

American Football Player Sculpture / Trophy. Desk piece. Silvered Metal, 1930´s. Under one of the player´s foot, it is marked Wright Soc. Ano...

Art Deco, Cubist figure of a lying lady. Called by the Artist The Lying Nymph. Made between 1921-1926. Terracotta over a black wooden base. Bio: Pablo Curatella Manes (December 14, 1891–November 14, 1962) was a prolific Argentine sculptor. Born in La Plata in 1891 to Clara Manes, a Greek Argentine immigrant, and Antonio Curatella, from Italy, Curatella Manes first acquired an interest in sculpture during his frequent childhood visits to the newly inaugurated La Plata Fine Arts Museum. He entered the labor force in 1905, as a typographer in a printing house, though an accident some months later ended his career in that industry. Drawing on his childhood interest, he was taught the basics of sculpture by Arturo Dresco, who owned a local atelier. The Curatellas relocated to Buenos Aires, where the young sculptor enrolled in the National Fine Arts School in 1907. A rebellious streak promptly led to his expulsion, though Curatella earned an apprenticeship in 1908, under Lucio Correa Morales, with whom he worked on a number of works commissioned by Public Parks Director Charles Thays. Following the 1910 elections, he created a commemorative gold medal for Vice President-elect Victorino de la Plaza, who secured a scholarship for Curatella that took him to Florence and Rome. Curatella traveled extensively in Italy, as well as much of Western Europe, touring the region's museums and cathedrals. On his return to Argentina in 1912, National Fine Arts School director Ernesto de la Cárcova nearly ordered the funds' repayment, objecting to travel and activities not covered by the scholarship, desisting from the punishment after being shown a folio of Curatella's prolific work. His first Buenos Aires exhibit, in 1912, was followed by a return to Europe. He settled in the Montparnasse section of Paris and studied under Aristide Maillol and Emile-Antoine Bourdelle, but was forced to return home after the outbreak of World War I. In his native La Plata he opened an art gallery, the Salón de Otoño (Autumn Salon), in 1916. A brief return in 1917 to Paris, where Curatella worked under Maillol, Maurice Denis and Paul Sérusier, was eventually followed by a second scholarship, with which he settled in Paris in 1920. Studying under Henri Laurens, Juan Gris, Constantin Brâncu?i and Le Corbusier, Curatella explored Cubism, and his sculptures became more avant-garde; he also established his first atelier, where he acquired the habit of creating and destroying sculptures in a single day. He married French painter Germaine Derbecqre in 1922 and in 1926, was given a post in the Argentine Embassy. Returning to Argentina in 1929, he exhibited Las Tres Gracias...