Signed plaster sculpture, 1970s

Art Deco Sculpture, 1930s - A Timeless Masterpiece This exquisite Art Deco sculpture from the 1930s captures the elegance and charm of the period, featuring a graceful young woman a...

Vintage 1970s A. Saulini Ceramic Sculpture of Horse and Woman on Wooden Base - Italian Art Piece Product Description: Discover the timeless elegance of this 1970s sculpture by renow...

Scultura artistica in vetro di Murano 1970 esemplare unico. produzione unica Stile Vintage Periodo del design 1970 - 1979 Periodo di produzione 1970 - 1979 Anno di produzione 1970 Pa...

"Horse Head Sculptures" laminated in 925 silver- Marcello Giorgio 1980 set of 2 DESCRIPTION Art works, laminated in 925 silver, are part of th...

Augusto Murer was one of the most significant Italian sculptors of the second half of the 20th century, with a wide-ranging artistic production linked to themes of civic engagement, ...

Helen König Scavini, Lenci manufactory "Nude of Woman", e.g. 1927-1936 Signed under the base "Lenci/Italy" Glazed terracotta sizes: H 70 cm x W front 83 cm (W back 55 cm) x D 55 cm The important sculpture, realized in glazed terracotta, is by the famous Lenci Manufactory of Turin (Italy) on model by Helen König Scavini. Of remarkable dimensions, it represents a naked woman, covered of a single cloth to life, sitting with the legs flexed asymmetrically while it supports on the arms with the hands leaned to the plan. The woman has a hieratic expression, big eyebrow arches under which the ethereal eyes are half-closed; the open lips hide a hint of a smile. The loose hair is turned back with big waves on both the head and along the back. The staining of the glazing is on the tones of musky green, which contributes to confer to this woman the appearance of a nymph or a mythological figure. Below the base is found, hand painted, the trademark of the manufacture "Lenci, ITALY". The brand Lenci was registered in Turin on 23 April 1919, sanctioning an activity undertaken some time before by Helen König, wife of the commercial agent Enrico Scavini. The origin of the word Lenci is still controversial today; the earliest bibliography says it derived from a endearment of Elena (Elenchen, as her father called her and that she, stunned him, pronounced Lenci) while the most recent one considers the acrostic Ludus Est Nobis Costanter Industria, perhaps invented by Ugo Ojetti or built as divertissement by the poet Ignazio Vacchetti (Alias Fantasio) on the endearment of Elena. The Lenci manufactory becomes a meeting point for artists and a forge of ideas for the development and realization of dolls and puppets, children’s furniture, and later also artistic ceramics. The first artists to take an active part in the enterprise were Giovanni Riva and Sandro Vacchetti, soon joined by other great names. The success of these felt dolls earned numerous awards to the Lenci Company during the international exhibitions in Zurich, Paris, Rome or Milan. However, the originality of Lenci’s creations was soon put to the test by numerous imitations. To cope with this type of competition, Lenci began to produce artistic ceramics, whose activity began in 1927. The ceramic figures became perhaps even more famous than the dolls in cloth. The subjects ranged from the famous "nudini", the chic little ladies and emancipated women, from fantasy characters to animals, from religious images to the most disparate vases and much more. Many artists collaborated in the realization of the models, among which it is worth mentioning the already mentioned Sandro Vacchetti, artistic director of Lenci from 1922-1934, the same Elena König Scavini, Cläre Burchart, Lino berzoini, Giovanni Riva, Giovanni Ronzan, Deabate Theonesto, Giovanni Pietro Spertini, Marcello Dudovich, Gigi Chessa, Mario Pompei, Nillo Beltrami, Mario Sturani, Giulio Da Milano, Giovanni Grande, Ines Grande, Claudia Formica, Luigi Borione, Camillo Ghigo, Giuseppe Porcheddu, Gino Levi-Montalcini, Abele Jacopi...

Beautiful bronze and wood sculpture designed in 1996, fine Italian manufacture. SIGNED. The base is made of lacquered black wood. This form serves as a pedestal for the actual sculpture. The main body is represented by an entirely nude bronze woman, kneeling. The woman is seated on a rock, on which the artist's signature is carved. The woman is represented in a contorted position: in fact, she is seated with one knee on the ground, while her entire weight pivots on the other. With one arm she touches the ground to keep her balance while with the other she touches her head, as if she wanted to be photographed. The woman is completely naked and we can see this from her obvious breasts, but her bottom is also visible. The woman seems to represent a person who wants to be looked at, proudly showing herself in her nudity. A hymn to female nudity and to the beauty and harmony of the body. The sculpture is very beautiful and suitable for decorating classy areas. Bibliography: Biagio Romeo...

A plaster cast of Elie Nadelman's important early proto-cubist Draped Standing Female Figure "Recherche des Formes" c.1908. Height 23", Base 11.50 x 8".