Large Burmese Carved Wood Monk

A rare and interesting carved wood mannequin resting on a carved wood base from the first part of the 20th century.

Pair of 18th century Italian carved wood figures. Originally polychromed and now aged to a shabby chic look.

Hand Carved Wood Figure Sculpture Angel Statue Antiques Los Angeles California , Exquisite 19th century hand carved wood figure statue of an Angel holding a torch ( removable Candle ...

A rare pair of carved sandstone Burmese temple guards. Originates from paragode in Burma c. 15-17th century. Handcarved with fine details. Each guard ...

Beautiful weathered marble baroque angel. Italy 17/18th century. Weathered, losses and old repairs. More pictures are available on request.

An evocative and masterfully carved freestanding redwood sculpture depicting a standing figure, signed by the artist.

Beautiful hand carved sandstone of half nude sculpture of standing women in Classical Greek style an attractive outdoor sculpture or as an indoor exceptional object of art.     

Every so often we encounter figures such as this sculpture, of a man holding a fishing net, that simply command our attention. The sculpture shows evidence of the wood giving way to ...

The Thinker Mid-Century Modern, sandstone sculpture depicting a seated man, artist unknown This Mid-Century Modern interpretation of The Thinker interprets the pain, release and liberation associated with free-thinking. The man conveys vulnerability, tenderness and acceptance, his body yielding into the support of the chair creating a sense of rest and peace. Provenance: Private Collection acquired from The Hidden Gallery, Scotland Measures: Height 50cm.,20" Length 33cm., 15" Depth 22cm., 81/2" The Thinker - Auguste Rodin (1840 -1917). Cast made by Fonderie Alexis Rudier in 1904. Transfered to the musée Rodin in 1922. When conceived in 1880 in its original size (approx. 70 cm) as the crowning element of The Gates of Hell, seated on the tympanum, The Thinker was entitled The Poet. He represented Dante, author of the Divine Comedy which had inspired The Gates, leaning forward to observe the circles of Hell, while meditating on his work. The Thinker was therefore initially both a being with a tortured body, almost a damned soul, and a free-thinking man, determined to transcend his suffering through poetry. The pose of this figure owes much to Carpeaux’s Ugolino (1861) and to the seated portrait of Lorenzo de’ Medici carved by Michelangelo (1526-31). While remaining in place on the monumental Gates...

A pair of recumbent lions curved together, set on shaped base.