Stone Mounted Objects

Carved from a mosaic-like rock, this striking sculpture is the lower grinding stone from a Gallo-Roman millstone - a powerful and aesthetic symbol of life two millennia ago. It is ma...

This bronze seagull and black marble base is one of our favourite purchases so far this year. To us, this Art Deco era sculpture epitomizes everything the Art Deco period stood for....

Decorative fresh water turtle shell professionally mounted on genuine coral base, the shell cleaned and seal with clear protective satin finish. Beautiful natural piece of art for di...

Sculptural 17th century hand-carved Florence Fragment mounted with a fossil shell with barnacles and adorned with crystals. This fragment is from a church in Florence. It was found ...

Decorative fresh water turtle shell professionally mounted on genuine coral base, the shell cleaned and seal with clear protective satin finish. Beautifu...

Complete conch shell mounted on a large crystal quartz cluster and adorned with two crystal points, highlighting the neutral and warm hues of the shell. The piece was collected and ...

Sculptural 18th century Italian fragment base mounted with agatized coral on a polished agate base. The 18th century hand carved fragment base is originally from Tuscany. The polish...

Sculptural 18th century Italian figure of Christ and metal sword with large red and white crystal quartz clusters and phantom quartz. The figure of Christ was originally part of a c...

Natural specimen of red coral reef. Color is a natural ruby red Flat underside for easy display. This specimen is a great size for displaying in any decor.

18th century Italian fragment with a calcite crystal cluster in matrix mounted on a Italian glass bobeche base. The fragment is from a church in Florence. It was found and saved f...

A cream-colored marble disk, hand-carved in Indonesia, contemporary. Reminiscent of the traditional "Bi" disks omnipresent throughout Asia since prehistory to symbolize heaven and ...

A hand-crafted sculpture specimen of natural red coral branches mounted on a 18th century giltwood urn fragment base with sea shell trim.

Natural red pipe coral reef specimen. Color is a natural red. Flat underside for easy display. This specimen is a great size for displaying in any decor.

The stone mill wheels are attached to wire stands with iron bases lined underneath with padding. Measures: Two with the height of 15.25".

18th century Italian "Florence fragment" with a fossil coral head on a fossil coral cluster base. This fragment is from a church in Florence. It was found ...

This peculiar archeological piece is described as a 'cup stone'. These cup marked stones have been found worldwide and been dated from 300.000 bc up to 1000 bc. The exact purpose of ...

Pair of 18th century Italian fragments with a gold flower relief decorated with natural forming baroque pearls to emulate the flower on a matrix of barite and double terminated calci...

A pair of striking Victorian era bronze winged lions mounted on contrasting sienna marble bases, circa 1870. Three-quarter cast, these bronze winged lion sculptures each have a dram...

Beautiful Atlantic trumpet sea shell professionally mounted on genuine coral base, artistically hand embeded with fantastic crystal quartz stones, to make exceptional piece of art fo...

This XL Bolivian Amethyst specimen is an exceptionally rare offering, distinguished by its massive crystal architecture and unusually rich, saturated color. While Bolivian amethyst i...

Unique and very beautiful pair weathered white marble baroque ornaments. They most likely once adorned a church altar. Original period pieces, Italy, circa 1650-1750. Weathered and s...

Two beautiful stone disks, hand-carved in Indonesia. Mounted on black metal stands. The largest disk is 5.5 inches diameter, 2.5 inches deep and 9.75 inches high (mounted). The sma...

A 20th Century English silver plated model of the legendary Rolls-Royce mascot which was designed by Charles Sykes, this later cast silver plated statue stands on round marble plinth...

Elevate your home decor with this stunning pair of handcrafted resin tusks. These striking sculptures capture the elegance and grandeur of natural tusks, while offering an ethical an...

Chinese Archaistic style hand carved jade bi disk, on custom steel stand. A deep green with white "heavenly" cloud patterns for an overall serene and calming effect. Jade bi discs a...

Mellerio Paris, A French Gold, Diamonds, Silver-Gilt, Rock-Crystal, Jade, Mother-Of-Pearl and Smoky Quartz, Carved Horse Sculpture, Jeweled Mounted Object. An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt, rock-crystal, jade, obsidian, mother-of-pearl, and smoky quartz carved jeweled sculpture "CHEVAUX DE LEGENDE", "A Legendary Horse" by Mellerio, Paris, circa 1991. Sitting on black obsidian base, the solid rock-crystal slab is finely applied with a carved smoky -quartz and jade horse with a harness mounted in 18k gold, brilliant -cut diamonds, rubies, turquoise, and amethyst chains and pendants. The top columns adorned with 18k gold and brilliant cut diamond pendants, the bottom with gold and mother of pearl plaques. The obsidian base with a plaque engraved: CHEVAUX DE LEGENDE" / N° 05 / MELLERIO DITS MELLER / PARIS / 5003 D The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10.5" high x 8.5" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Matched Pair Split Ammonite fossil mineral specimens Jurassic - Cretaceous Period, 200 - 145 million years old Measures: 5 x 4.25 x 0.5 in. / 13 x 10 x 1.5 cm Height on custom d...

Superb Example of French lidded grand tour ormolu & bronze cast heavy duty model of a two handled Urn of Museum quality. First quarter of the Nineteenth Century, possibly Regency per...

Sculptural 18th century Italian fragment with elestial quartz and mounted on an agate slice. The fragment was originally from a historical Italian church. It is mounted with the ele...

A table top twisted brass wire sculpture of a tree. Mounted to a marble base with an undecipherable signature inscribed in marble. 11 inches wide. 8 inches high. 6.5 inches deep. M...

Fine work by A. Santini, intriguing bronze clown playing the accordion mounted on a beautiful marble base. Signature on the marble and on the bronze.  

Large blue agate slab mounted on a stand. Agate is characterized by its fineness of grain and brightness of color. These slabs are classically assoc...

Mellerio Paris, A French Gold, Diamond, Silver-Gilt, Rock-Crystal, Obsidian & Lapis Horse An extremely rare and unique, one of a kind French gold, diamonds, Silver-gilt rock-crystal, obsidian and lapis lazuli jeweled sculpture "Bucéphale, Chevaux de légende", "Bucephalus, A Legendary Horse" by Mellerio, Paris, circa 1998. Sitting on black obsidian base, the solid rock crystal slab is finely applied with a lapis lazuli half-horse with harness mounted in 18k gold and brilliant cut diamonds, between two crystal and lapis lazuli columns adorned with gold and diamonds, insert with 7 ruby cabochons and 1 emerald cabochon, the obsidian base with a plaque engraved: CHEVAUX DE LEGENDE / MELLERIO DITS MELLER / PARIS / 5029 DIV Bucephalus (c355-326 BC) is among the most famous horses in history, and it was said that this he could not be tamed. The young Alexander the Great, of course, tamed him – and went on to ride his beloved equine companion for many years and into many battles. The piece is in excellent condition and comes with a custom made wood case made for transport. It's very elegant and has French hallmarks throughout. A truly magnificent piece. Measures 10" high x 9" wide x 4" deep Founded in France in 1613 by the descendants of Italian immigrants from the Vigezzo Valley in the north of Italy, Mellerio is one of the oldest jewellery houses in Europe. The family business soon attracted the attention of the Royal Court and Marie Antoinette herself reportedly purchased a precious bracelet featuring 7 cameos surrounded by rubies in 1780. Later on, in the 19th century, Mellerio became the official supplier of the French Royal family and the Court of Netherland. Mellerio creates many jewellery items, all set with rare gems such as peridots, amethysts, aquamarines, citrines and topaz, applying for a patent, the flexible stem, a very supple and light jewellery mechanism. Mellerio remains also well known for their spectacular series of Art Nouveau jewels, created at the beginning of the 20th century, as well as for the creation of trophies rewarding some of the greatest footfall and tennis players of history. In 1993, the jewellery house launched their first watch collection. Today, Mellerio has stores in Paris, Japan and Hong Kong. July 14, 1789: this date is known throughout the world as the beginning of the French Revolution. According to a ledger belonging to House of Mellerio, this was also the day that the jeweler sold a golden key to the Comte de Coutance for 10 livres. This ledger, as well as inventories dating as far back as 1768, are the jeweler’s oldest archives. These archives have continued to grow over the years, as the House, established on rue de la Paix in Paris, still lives on today, still in the hands of the same family from Craveggia, in the North of Italy. The tumultuous history of the Mellerio family in France probably goes as far back as the Italian wars of the Renaissance, but the first official document proving their commercial activity in Paris dates back to 1613. This document is the famous royal warrant awarded by Marie de Medici to a number of Italian families established along the rue des Lombards, including the Mellerios, allowing them to sell “small jewelery items”, therefore granting them a small exception to the traditional monopoly enjoyed by Parisian jewelers. At that time, powerful corporations regulated the operations and customs of Parisian business, but thanks to this exceptional warrant, the Mellerios managed to escape the confines of this framework. Today, this wax-sealed document is kept at the city hall of Craveggia. From 1613 to the Revolution, the Mellerios lived between France and Italy. The corporations tried many times to put an end to their trade privileges, but all in vain, as a dynasty of sovereigns renewed the warrant. Always marrying and often retiring in Craveggia, the Mellerios continued to maintain their jewelry business in Paris. At first, they did this without a shop. Wearing backpacks (wooden boxes divided into small compartments where jewels were kept), they would tour town fairs around Paris and royal castles. This is how Jean-Baptiste Mellerio (1765-1850) is said to have sold a bracelet set with rubies and Antique cameos to Marie-Antoinette, which still exists today. Many elements seem to prove the veracity of this anecdote. The queen was particularly fond of cameos, which cover the entire background of her famous jewelry cabinet, and ruby was her favorite stone after diamond. The famous bracelet, reacquired a few years ago by the House of Mellerio, is indeed an 18th century jewel, set with antique cameos representing the profiles of Roman emperors. Two branches of the family were operating in Paris during this time, under the reign of Louis XVI: that of Jean-François (1746-1828), the paternal ancestor of the current Mellerios, and that of Jean-Baptiste (1765-1850). The French Revolution forced them to return to Italy. However, both Jean-Baptiste and François Mellerio (1772-1843), who was the son of Jean-François, were eventually able to return to Paris after the founding of the Consulate. Jean-Baptiste opened a shop at the Iron Crown of rue Vivienne, and François opened his at the Palais des Tuileries, rue du Coq Saint-Honoré. His well-organized order books give an idea of his high-ranking clientele during the “Old Regime”, among which were the Comte and Comtesse Octave de Segur, the Marquise (later Duchess) de Tourzel, former governess of the royal children, and her daughter, the Comtesse de Bearn, the Craufurds -who organized the flight to Varennes, the Duc and Duchess de Gramont, the Comtesse de Boigne, and Madame de Souza, Talleyrand’s mistress. We also see the names of the imperial family: Empress Josephine, the Queen of Holland, Princess Elisa, Caroline and Pauline. At that time, the House of Mellerio specialized, among other things, in the trade of antique cameos, a newly fashionable genre of jewel that captured the imagination of all the princesses and noble women of the time. The years of the Restauration and July Monarchy were among the most glorious. The Bourbons were back on the throne, and the clientele of the House of Mellerio had regained its former wealth. Mellerio supplied Louis-Philippe, Duke of Orléans, as well as his mother, wife and sister, with sumptuous jewels, including a set of emeralds made piece by piece, while the Duke of Bourbon, last prince of the House of Condé, offered diamonds to his mistress, the scheming Baronne de Feucheres, and Monsieur de LaFayette also bought cameos for one of his granddaughters. For the first time, Mellerio ventured into the world of arts in 1815, when Carlotta Grisi, a famous dancer who created Giselle, as well as an actress named Rachel, bought jewels at the Mellerio store on rue de la Paix. 1848 marked a new turning point. France once again became a Republic. François Mellerio handed the company over to his son, Jean, and the latter decided to travel to Spain to build a new clientele. He later became one of the jewelers of the royal family, and met Eugénie de Montijo, who remained a faithful client when she became empress of the French people. The Imperial years were lavish. During the Second Empire, Paris was a pageant of crinoline dresses designed by Worth, while jewels by Mellerio, Worth’s neighbour on the rue de la Paix, adorned the noble women of the Tuileries court. The Empress bought pearls. Mathilde Bonaparte...

Rare black coral on a pyrite crystal base with a fossilized seashell. Black coral is a unique and extremely slow growing coral typically found at extreme depths. The piece was put ...

Impressive natural Brazilian quartz specimen cluster mounted on custom acrylic base.

Handcarved and remarkable work of art of the 'Dying Gaul’ or 'The Dying Galatian'. If you are a collector of rare and good quality antiques then this rare and wonderfully hand carve...

Late 17th century Italian gold leaf angel wing with a coordinating baroque pearl and unique fossilized aragonite. The hand-carved angel wing was once part of a heavenly, angelic dep...

1970s Tessellated Stone Sphere on a Solid Aluminum Base Orange-Red coloring (likely Red Jasper stone) Sphere has a lacquered finish over it Spider veins in lacquer which doesn't tak...

Handcarved, endearing and remarkable Classical Realism / Figurative work of art, weighing 23.15 pounds. A tender and exquisitely hand-carved alabaster sculpture by Italian artist Da...

An antique Italian set of Grand Tour models, fragments of the temple of Castor and Pollux made of hand crafted gilt stone, in good condition. The detailed columns are resting on a re...

A 20th Century English silver plated model of the legendary Rolls-Royce mascot which was designed by Charles Sykes, this later cast silver plated statue stands on round marble plinth...

A 20th Century English silver plated model of the legendary Rolls-Royce mascot which was designed by Charles Sykes, this later cast silver plated statue stands on round marble plinth...

A large decorative antique fragmentary stone statue of an angel torso circa 1800, mounted on a later 19th century mahogany plinth. Reminiscent of an ancient roman statue, this is a f...

This is a stately pair of Italian black variegated marble obelisks .

Decorative fresh water turtle shell professionally mounted on onyx base, the shell is cleaned and seal with clear protective satin finish. And the back is upholstered with fine qual...

This superb Acheulean hand axe stands as a testament to the technological ingenuity of early hominins. Fashioned by Homo ergaster nearly one million years ago, it represents one of h...

Napoleon III Crystal Vase - Empire - France 19th century with gilt bronze and diamond padding on the bases. Classic proportions and design. H-35cm. Width: 20cm, Height: 35cm, Depth: ...

Hand-crafted sculpture specimen of natural red coral branches mounted on 18th century gilt wood fragment base. 11.5 inches in height. Perfect for your "Cabinet of Curiosities".

Decorative fresh water turtle shell professionally mounted on onyx base, the shell is cleaned and seal with clear protective satin finish. And the back is upholstered with fine qual...

18th century Italian silver and gold leaf crucifix adorned with baroque pearls and mounted on a mica cluster and a calcite crystal. The mica specimen is from the Great Smoky Mountain...

Large wall-mounted sculpture colored stone in concrete Mid-Century Modern, 1952 This wall Sculpture was taken out of a building by Dutch Architect Jan Duiker. It should be made circa 1952, the sculpture is signed with ACK. Jan Duiker (also Johannes Duiker) (The Hague, 1 March 1890 – Amsterdam, 23 February 1935) was a Dutch architect. Partnership with Bernard Bijvoet from 1919 until 1925. For the commission of the Zonnestraal project the architects were recommended by Hendrik Berlage. Bijvoet left the Netherlands in 1925 to work in Paris with Pierre Chareau for projects such as Maison de Verre...

Sculptural 18th century Italian mecca miniature fragment with fossil agate coral. The fragment was originally part of an 18th century Italian candlestick from a historic church. I...

Pair of 19th century Italian hand-carved and gilded angel wings on calcite crystal points in matrix. The pair hand-carved gilded and gilded angel wings are originally from a histor...

Circular carved jade bi disc mounted on a custom stand. The marble is rich with blue, green, tan, and brown tones and has deep visual depth. In China, the Bi is a symbol of moral cha...

Beautiful "Panther of India" sculpture by Antoine Louis Barye mounted atop a green and white veined marble inkwell, Ferdinand Barbedienne edition, France circa 1900. Signed by the ar...

18th century Italian sunray adorned with tangerine crystal quartz points on an angle plated quartz. Angle-plated quartz is an extremely rare form of quartz and is only found in the u...

17th century Italian vase mounted and encrusted with chalcedony rosettes on a petrified wood base. This fragment is from a church in Florence. It was found and saved from the historic Florence Flood of 1966. This was one of the worst floods recorded since the Renaissance and drew thousands of volunteers from all over the world to help save the city known for its precious history, artwork, artifacts, and rare books. The volunteers were called "the mud angels" because of the mud and silt left everything from the damage of the flood. There is still the original paint and silt left on the piece to uphold the integrity, craftmanship, and history of sculptural fragment. The chalcedony rosettes perfectly emulate the color and texture of the piece. The story and history of this piece and Interi's collection of Florence fragments...

Decorative fresh water turtle shell, professionally mounted on solid onyx marble base, the shell is cleaned and seal with clear protective satin finish. Beautiful natural piece of ar...

18th century Italian sunray with baroque pearls mounted on an aragonite crystal base. The 18th century gold leaf sunray originally part of a halo or sunburst motif in an artistic depiction in a historic church. It is mounted onto the white aragonite...

A truly one-of-a-kind sculptural masterpiece by the esteemed American artist Joseph Malekan, renowned for his ability to harmoniously blend natural elements into luxurious, Organic M...