Greek Revival Decorative Objects

Decorative Etruscian horse in bronce attr. to Frederic Weinberg The horse have a beautiful patina

A wonderful heavy cast bronze, hinged/lidded box, lightly polished, and glowing. Depicting ancient relief scenes / characters of Ancient Roman or Greek...

A decorative I Karos pottery, I Caro collector polychrome hand painted and handcrafted in Rhodes, Greece ceramic wall decorative plate with an antelope, carnations and tulip polychrome design. The plate is decorated with a white, blue, aqua, green, and sienna red design and gilded with 24-karat gold. These are intricately, hand painted plates made in Rhodes, Greece by the famous I Caro pottery. Rhodes is famous for its kiln products, such as tiles and pottery, which are glazed and multicolored. It has a beautifully hand painted carnation and tulip in burgundy, light and dark blue and turquoise foliage. An Islamic ceramic plate in the Iznik style, painted in vivid colors with decoration of tulips and carnations. The back of the plate is signed and numbered, it has a string to the back for hanging. It is marked “handmade in Rhodes Greece by Ikaros Pottery...

Classical Greek female figure in bronze. Wonderful patina.

A vintage brass letter opener with a Greek-Key like design on handle, circa 20th century. Dimensions: .63" W x 7.5" Long. Other desk accessories available separately, search 1stDibs ref. #s: Italian desk/letter organizer...

A "Wedgewood" blue jasperware tole biscuit box by Huntley & Palmers. Good color & condition, circa 1900.

Handmade vintage stoneware vase with symmetrical geometric decorations in matte deep blue and crisp white glaze. Signed and numbered by artist. Beautiful vintage condition.

This is a Bronze Door Knocker. It depicts a patinated bronze oval door knocker with the relief of the head and face of the Medusa. The head covered with curly hair ( snakes bodies ) ...

Antique finest quality (late 19th century) patinated bronze sculpture of a beautiful Greek seated on a Klismos chair and holding a spindle. Apparently unsigned.

Beautifully modeled, cast and finished, this high-relief plaque of a nude male figure followed by a four-horse chariot driven by a robed female figure was produced the famous Barbedi...

Antique 1903 Frank Beardmore & Co Art Pottery Vase  Sutherland Pottery Fenton England 7.25 h x 5.25 diameter Signed  Preowned original vintage condition. Please refer to images

1876 Centennial Exhibition, J & L. Lobmeyr Exceptional Ormolu Mounted Bohemian Ruby Glass Centerpiece This exceptional Bohemian ruby red glass centerpiece, by he renowned Viennese glass manufacturer J. & L. Lobmeyr, exemplifies the firm's mastery in combining classical aesthetics with innovative design. Created circa 1876, this piece was showcased at the Centennial International Exhibition in Philadelphia, reflecting the era's fascination with classical motifs and superior craftsmanship. The centerpiece adopts a form inspired by admired Greek patterns, characterized by its elegant proportions and harmonious contours. The exquisite ormolu handles, reminiscent of Urbino vase designs, are artfully crafted as serpents with their heads pressed flat upon the rim in a vigilant posture, while their sinuous bodies attach gracefully to the bowl, culminating in finely detailed finials. This serpentine motif not only enhances the visual allure but also imbues the piece with symbolic significance, as snakes often represent protection and eternal life in classical iconography.​ Encircling the vessel is an expansive frieze featuring intricate scrollwork and figural representations. At the center of this decorative band stands a winged female figure, flanked by conventionally stylized lions, a composition that evokes themes of strength and guardianship prevalent in ancient art. The engraving is executed with extraordinary precision, with each leaf and tendril rendered in minute detail, showcasing the unparalleled skill of the artisans. The Centennial International Exhibition of 1876 in Philadelphia was a seminal event, marking the first World's Fair held in the United States. It celebrated the nation's centennial and served as a global stage for artistic and industrial achievements. J. & L. Lobmeyr's participation in this exhibition underscored their commitment to excellence and innovation in glassmaking. Pieces such as this centerpiece would have captivated audiences with their blend of historical inspiration and contemporary artistry, reflecting the 19th-century penchant for reviving classical forms through modern techniques. Founded in 1823 by Josef Lobmeyr, the company quickly established itself as a purveyor of fine glassware, earning the distinction of becoming the Imperial Court Supplier. Under the stewardship of Josef's sons, Josef and Ludwig, the firm expanded its artistic horizons, collaborating with eminent designers and embracing diverse stylistic influences, including Islamic and Persian motifs. Their innovative approach and dedication to quality garnered international acclaim, with their works featured in prestigious institutions such as the Museum of Modern Art in New York, and most importantly The Corning Museum of Glass. This Bohemian ruby red glass centerpiece with ormolu...

Circa 1910 French Terra Cotta Bust After Venus De Milo. Beautiful piece purchased in France. Age appropriate wear, see detailed photos or message us with questions.

Greek Volute Krater in patinated bronze with cartouches depicting armed soldiers with handles depicting masks.

Pair of English 19th century Greek Revival vases England, C.1830 Staffordshire pottery A pair of pottery vases decorated in a Grecian style ...

Pair of Grecian style (19th Cent) orange and black porcelain vases with ram head handles (PRICED AS Pair)

Henri PEINTE (1845-1912, France) : "Sarpedon" Dark brown-black patinated bronze sculpture representing Sarpedon, son of Greek god Zeus and Europe Bears the signature "H.Peinte" an...

Pair of French 19th century candelabra of the finest quality in the Greek Revival style, exceptionally cast and gilt, with bleu turquin marble.

A Wedgwood Queensware bowl designed by Daisy Makeig-Jones in the Istria pattern after an ancient Greek vase from Sir William Hamilton’s collection. This ‘Istria’ pattern bowl by Wed...

Iconic Gianni Versace Large Round Sterling Silver Photograph / Photo / Picture Frame, with Greek Key engraved border and gilt metal Versace Medusa mask to the top, blue fabric to the...

Late 19th Century Pair of beautifully cast bronze figures of Creugas and Damoxenos. They were two Greek wrestlers who fought in the 2nd century that ended in a tie. Great pieces to...

A Pair of French Porcelain Greek-Revival Style Vases Each of campana form, the neck painted with stylized anthemion and fret-pattern, the body with classical figures above fruiting ...

A Royal Copenhagen Circular biscuit plaque 20th century Measure: 5 1/2 In.(14 Cm.) diameter Together With, Fine terracotta circular box by Carl B...

19th Century Bronze Full Body Greek Revival Caryatid Candlestick pair. These candlesticks exude timeless elegance, inspired by the Greek Revival period. Meticulously crafted from hig...

Pair of French Greek Revival bronze vases cast with figures & with handles cast with bearded masks on a stepped black marble base (late 19th Cent) (PRICED AS Pair)

This vase was executed by the Baccarat manufacture, which presented several pieces with similar decoration at the 1867 World’s Fair; it can therefore be dated to this period. Founde...

Signed Machauld et Eug. Cornu – G. Viot et Cie Fondeurs Bust of a Greek goddess, made entirely of silvered bronze and gilded bronze. The tiara and collar necklace ornating the bust are finely decorated with stylized floral motifs of polychrome champlevé enamel. It rests on a molded base and square plinth made in red griotte marble. The sculptor Eugène Cornu (1827-1899), installed in Paris at N.29 rue Popincourt, after having worked as a designer and then director for the renowned company Tahan, worked closely with the « Compagnie des Marbres Onyx...

This crater-shaped vase made out of coated crystal is a work from the Baccarat glasshouse, between 1862 and 1867, when similar models were displayed at the Parisian World’s Fair, whe...

A Large 19th Century French Onyx, Silvered, and Gilt-Bronze Vase Attributed to Charpentier & Cie. The vase consists of an onyx body with a flared, slightly everted rim and a taperin...

Tall White Marble Statue possibly representing Livia or Pudicity, an 18th / 19th century "Grand Tour" copy after the antique. The original , larger sculptu...

Dial signed H. Houdebine, Fabricant de Bronzes, Rue de Turenne 64, Paris and clockwork signed Japy Frères & Cie – Médaille d’Honneur A very fine neo-Greek style clock set made up of...

Signed Diehl à Paris. Wood and silvered copper inkwell. Central drawer ornamented with an escutcheon and flanked by two small lateral drawers forming two containers, surmounted by a lid representing a nestling. Central niche ornamented with a winged creature. Inkwell flanked by two felines. Toped by a penholder representing a Moorish head resting on an eagle claw. This exceptional piece was realized thanks to the collaboration of ornemanist J. Brandely, sculptor E. Frémiet and cabinet-maker C.-G. Diehl. The motif of the fantasy creature dear to Diehl, is to be seen on the famous cabinet made by him in 1867 and now exhibited at the Metropolitan Museum of Art in New York (Inv. 1989.197). Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”, D. Ledoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love” (p. 133) and a jewelry case where “The head in fine Grecian style makes up the essential part of the fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors: Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

A wonderfully decorative pair of French 19th century Neo-Greek st. patinated Bronze and Ormolu candlesticks. Each charming candlestick is raised on a tripod base with lion paws and t...

A Large 19th Century French Black Marble, Patinated, and Gilt-Bronze Vase Attributed to Charpentier & Cie. This remarkable vase is attributed to the workshop of Charpentier & Cie., ...

An elegant and high quality Italian 19th century Neo-Greek st. patinated Bronze, Ormolu, and Rouge Griotte marble bust of Bianca Capello signed C. Ceribelli. This very attractive bus...

Fine white Bisque Porcelain of a Classical Figure woman dancing in a Greek style chiton by Richard Eckert famed artist at the Volkstedt porcelain manufa...

Pair of vintage brass and sterling silver trinket dishes by Ilias Lalaounis, Greece. A sterling silver Greek coin (replica) is set in the middle of each...

A set of six early 20th century American cast iron architectural fragments with a Greek Key pattern, perfect for mounting on a wall, displayed on a table, or myriad other uses around...

This striking pair of French cobalt blue Old Paris mantle vases feature center medallions with classic Greek profiles framed in a contrasting black backg...

Pair of very fine quality Neoclassical bronze Vases in Form of Greek Hydra Water Jars on slate bases.

Measures : Tallest caryatid : Height 225 cm (88.6 in.) ; width 65 cm (25.6 in.) ; depth : 40 cm (15,7 in.) Two smaller caryatids : Height 183 cm (72 in.) ; width 55 cm (21.6 in.) ; depth : 21 cm (8,3 in.) An outstanding set of three monumental black marble and bronze caryatid planters in the Greek style attributed to G. Servant. All three are caryatid terms on pedestal: the tallest one is shaped as a Grecian woman with her antique drapery and gilt bronze ornaments, such as belt, necklace, headband and garlands, surmounted by an Ionic capital supporting a large planter adorned with foliage pattern and a vase in patinated and gilt bronze. Two smaller planters complete the set, using the same ornamental patterns: the Grecian head...

Beautiful silvered bronze neo-Greek style bowl in a circular shape, adorned on the body with female masks in the antique style and on the sides with handles in the shape of busts of ...

A beautiful and high quality pair of French 19th century Belle Époque period Neo-Greek st. Ormolu and Rouge Griotte marble urns. Each stunning urn/'Hydria' is raised by a circular Or...

A blackened wood planter attributed to Diehl, with silvered bronze ornaments, resting on four feet gathered by a stretcher. The pot is adorned with Bacchus’ masks and other antiques patterns after designs by J. Brandely, and, at its four corners with four silvered bronze felines, which are typical patterns in E. Frémiet’s works. The whole is topped by a rich lid with a palms’ frieze, arrow cartridges with medallions, and a button. Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”,D. LeDoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love (p. 133)” and a jewelry case where “The head in Fine Grecian style makes up the essential part of the Fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors : Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

Two large covered vases with foot in white Carrara marble of Greek Amphora form, carved with climbing ivy. The shape of the handles have a geometrical for...

A fine cast of a 20th century, plaster Roman head possibly Caesar. Standing on a contemporary metal stand.

This pair of antique candlesticks are hallmarked by an unknown maker, and presumed to originate from England and date to approximately 1920 and done in a Greek Revival style. The can...

This large and substantial cast bronze sculpture is unsigned, but presumed to have been made in circa 1880 for the Grand Tour. The sculpture depicts the Greek god Hermes...