Greek Revival Vases and Vessels

A handsome and most decorative French 19th century Neo Greek st. patinated Cast Iron planter. This wonderful circular planter is raised on three clawed patinated Cast Iron feet below...

This rather gorgeous porcelain vase is in the Greek Revival taste and is attributed to the English maker, Samuel Alcock & Co. The transfer printed designs feature a classical fig...

Antique 1903 Frank Beardmore & Co Art Pottery Vase  Sutherland Pottery Fenton England 7.25 h x 5.25 diameter Signed  Preowned original vintage condition. Please refer to images

Measures : Tallest caryatid : Height 225 cm (88.6 in.) ; width 65 cm (25.6 in.) ; depth : 40 cm (15,7 in.) Two smaller caryatids : Height 183 cm (72 in.) ; width 55 cm (21.6 in.) ; depth : 21 cm (8,3 in.) An outstanding set of three monumental black marble and bronze caryatid planters in the Greek style attributed to G. Servant. All three are caryatid terms on pedestal: the tallest one is shaped as a Grecian woman with her antique drapery and gilt bronze ornaments, such as belt, necklace, headband and garlands, surmounted by an Ionic capital supporting a large planter adorned with foliage pattern and a vase in patinated and gilt bronze. Two smaller planters complete the set, using the same ornamental patterns: the Grecian head...

Pair of very fine quality Neoclassical bronze Vases in Form of Greek Hydra Water Jars on slate bases.

Greek Revival set of three amphora vases by Bates, Brown-Westhead, and Moore, England, 1859-1861. Mythological red-figure decoration on glossy black background on white porcelain. Ta...

A Large 19th Century French Black Marble, Patinated, and Gilt-Bronze Vase Attributed to Charpentier & Cie. This remarkable vase is attributed to the workshop of Charpentier & Cie., ...

This crater-shaped vase made out of coated crystal is a work from the Baccarat glasshouse, between 1862 and 1867, when similar models were displayed at the Parisian World’s Fair, whe...

A Pair of French Porcelain Greek-Revival Style Vases Each of campana form, the neck painted with stylized anthemion and fret-pattern, the body with classical figures above fruiting ...

A blackened wood planter attributed to Diehl, with silvered bronze ornaments, resting on four feet gathered by a stretcher. The pot is adorned with Bacchus’ masks and other antiques patterns after designs by J. Brandely, and, at its four corners with four silvered bronze felines, which are typical patterns in E. Frémiet’s works. The whole is topped by a rich lid with a palms’ frieze, arrow cartridges with medallions, and a button. Arriving in Paris in about 1840 Charles-Guillaume Diehl (1811-1885) founded his cabinet making and decoration firm at 19 rue Michel-le-Comte in 1885. His workshops produced elegant little pieces of furniture in rosewood and thuja and novelties with bronze and porcelain embellishments (see “Les ébénistes du XIXème siècle”,D. LeDoux-Lebard, Ed. de l’amateur, 1982, p.164). It was his luxury boxes, however (liqueur cellarettes, cigar cabinets, games boxes, cashmere cases, jewelry cases) which assured Diehl’s renown (see “l’Art en France sous le Second Empire”, Exposition Grand-Palais, Paris, 1979, p.133). Already rewarded with a bronze medal at the Universal Exhibition of 1855 in Paris, he exhibited a jardinière with china columns and a liqueur cabinet at the Industrial Arts Exhibition in 1861. In collaboration with the designer Jean Brandely (active from 1867 until 1873), Diehl renovated his decorative repertory and created astonishing pieces of furniture in the Grecian style which had a dazzling success at the Universal Exhibition in Paris in 1867, where his cabinets also won a silver medal. Certain motifs were so typical of Diehl’s work that they received extensive commentary by the art critic J. Mesnard in his book “Les Merveilles de l’Exposition Universal de 1867” (vol. II, pp. 133 & 149). He writes of a table of which “the pendant bearing hooks and the fan shaped radiating motif which ornaments the entablature are engraved with love (p. 133)” and a jewelry case where “The head in Fine Grecian style makes up the essential part of the Fine gilt bronze ornamentation” (p. 149). For this Universal Exhibition Diehl also formed a partnership with two famous sculptors : Emile Guillemin (1841-1907) who carved the relief for a mahogany sideboard with galvanic gilt bronzes (Orsay Museum, Paris, Inv. O.A.O. 992) and Emmanuel Frémiet (1824-1910) who executed the low relief for a cedar medal cabinet...

A Large 19th Century French Onyx, Silvered, and Gilt-Bronze Vase Attributed to Charpentier & Cie. The vase consists of an onyx body with a flared, slightly everted rim and a taperin...

This vase was executed by the Baccarat manufacture, which presented several pieces with similar decoration at the 1867 World’s Fair; it can therefore be dated to this period. Founde...

A beautiful and high quality pair of French 19th century Belle Époque period Neo-Greek st. Ormolu and Rouge Griotte marble urns. Each stunning urn/'Hydria' is raised by a circular Or...

Two large covered vases with foot in white Carrara marble of Greek Amphora form, carved with climbing ivy. The shape of the handles have a geometrical for...

Handmade vintage stoneware vase with symmetrical geometric decorations in matte deep blue and crisp white glaze. Signed and numbered by artist. Beautiful vintage condition.

Pair of English 19th century Greek Revival vases England, C.1830 Staffordshire pottery A pair of pottery vases decorated in a Grecian style ...

A truly remarkable piece, this large round clay vase / planter features a hand applied faux finished patina resembling timeworn bronze or concrete and Greek key-esque band relief des...

Pair of French Greek Revival bronze vases cast with figures & with handles cast with bearded masks on a stepped black marble base (late 19th Cent) (PRICED AS Pair)