Plexiglass Bottles

Large geometric clear glass perfume bottle with a matching stopper

The mark on the underneath (see image) indicates that this spittoon is of Japanese Imari porcelain, manufactured circa 1880, and made specifically for the American market for the preponderance of bars and saloons at that time. These were popular from 1865 to the turn of the century; this is a particularly fancy and elaborate example. Note the copious and highly detailed and beautiful floral decoration to the inside of the upper portion of the spittoon; pretty fancy for something meant for spit and saliva! Fantastic and all original condition with no cracks, no chips and very bright paint in sharp colors of blue rust and pink, and meticulously painted in a floral pattern. Several of these would have been “stationed” in strategic places within a saloon. This is a wonderful piece of porcelain, and quality item of saloon and Western United States history...

Beautiful 20th century French Lalique clear and frosted crystal Nina Ricci apple perfume bottle. This wonderful perfume bottle has a frosted apple shaped body with clear leaf decora...

This modern ice bucket is part of the egg designs Dawa luxury bar collection and is a great addition to any home cocktail bar, or simply as a place t...

Iconic ice bucket in the shape of an artichoke by italian designer Mauro Manetti, Florence Italy in silver guilt metal. Stamped at the bottom. It has the original liner which is in g...

French Art Deco molded clear glass perfume bottle with a sterling silver fan stopper.

There is a quiet, unmistakable glamour to mid-century Matson pieces—one that feels collected rather than styled. This perfume bottle is a refined example, defined by its faceted cut ...

This refined flower holder was realized in the United States, circa 1970. It features eight conjoined cylindrical forms of stylized cane bamboo segments with three sets of incised ba...

Elegant Mid-Century Modern vintage crystal decanter with stopper by Orrefors (Swedish, founded 1898), c. 1960's. Engraved signature to base Orrefors HM 2498 - this particular style was by Edvard Hall. Includes original red Orrefors Sweden sticker with logo. "Orrefors HM 2498" etched into base. Measures 11.5" H x 3" W x 3" D. Orrefors Glassworks was founded in 1898 on the same site where ironworks operations had been run since 1726. In the same year that the glassworks was founded, a hot shop was built for making technical, medical and household glass and stemware to make use of waste wood and labour. Glass now replaced the less profitable ironworks operations. In 1913, Consul Johan Ekman from Gothenburg became the new owner of Orrefors Glassworks. He appointed Albert Ahlin as manager of the glassworks and this marked the start of a new era. In 1914, Orrefors started manufacturing crystal products, and as well as cut crystal according to purchased patterns and samples, Orrefors made art glass using the overlay technique with etched decoration. The new management quickly saw that artists were needed in the business, so Simon Gate was employed in 1916 and was joined by Edward Hald a year later. That same year, Gate and Hald made their first tentative attempts at figure engraving. They also experimented with the new innovative graal (grail) glass technique that was developed at Orrefors by the master glassblower Knut Bergqvist. The major successes were achieved a few years later at the Gothenburg Exhibition in 1923, and in particular at the Paris Exhibition in 1925. The thin engraved glass was admired by the surrounding world, and both Orrefors and the artists themselves were awarded the Grand Prix. The successes of Simon Gate and Edward Hald in Paris in 1925 constituted the start of the long Orrefors tradition of creative design closely combined with genuine and innovative craftsmanship. Since then, new designers and skilled glassmakers have continued in the spirit of Gate and Hald. Vicke Lindstrand and Edvin Öhrström with the new glass technique called Ariel in the 1930s. Sven Palmqvist with Kraka and Ravenna in the 1940s. And in the 1950s with Fuga, which, along with Nils Landberg’s slender tulip-shaped glass “Tulpan” and Ingeborg Lundin’s apple-shaped vase “Äpplet”, are now seen as symbols of the renaissance of Swedish design. The 1960s are associated with Gunnar Cyrén’s Pop glass, and in the 1970s, Eva Englund, Olle Alberius, Lars Hellsten and Jan Johansson as well as Cyrén worked at the glassworks. Since the 1980s, designers such as Anne Nilsson, Erika Lagerbielke, Helen Krantz, Matz Borgström, Per B Sundberg, Martti Rytkönen, Lena Bergström, Ingegerd Råman, Malin Lindahl and Efva Attling...

An English sterling silver and cut‑crystal perfume or cologne bottle, Edwardian design, circa early 20th century (1910 - 1930s), England. A beautifully shaped English sterling silve...

A refined example of late 19th to early 20th-century vanity art, this decorative perfume bottle features a deep emerald green glass body with a narrow neck and fitted glass stopper. ...

Midcentury modern era Asian style ice bucket in the manner of James Mont. This highly detailed metal piece features a faux bronze verdigrises’ finish and intricate geometric engraving and embossing. The interior is lined with a removable turquoise plastic liner and is foam insulated. This handled three-footed urn could also be used as beautiful orchid planter compote. Inspired by Chinese Chou Dynasty 5th Century B.C. bronze Ding...